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"Holding a TV talk show host hostage. Staging a faux scene of gang war violence. Loitering. Surviving outdoors for a year. Crawling. Wheat-pasting posters. Occupying a traffic island. These actions served as the basis of experimental artworks, often described as "guerrilla," that were staged for unsuspecting audiences in the US during the 1970s and 1980s--a period when politicians and law enforcement framed anticolonial interventions and urban rebellions waged by "guerrilla fighters" as national security threats, and lawmakers expanded policing budgets while deepening the consequences of anti-riot, anti-loitering, and anti-poverty laws. Focusing on instances of arrest or near-arrest in performance and conceptual art by artists Chris Burden, Adrian Piper, Tehching Hsieh, Pope.L, and Jean Toche, and art groups, the Guerrilla Girls, Asco, and PESTS, Gleisser challenges long-standing misconceptions surrounding guerrilla art in American society. Rather than romanticize artists' individual agency, or treat police presence as a given, Gleisser argues that artists' tactical work exposes the racialized, sexualized, and gendered politics of risk-taking mired in the country's punitive turn. Drawing on art history, Black studies, performance studies, and prison studies, Gleisser provides close analyses of art staged in charged urban sites, revealing how artists' "risk work" negotiates differing vulnerabilities to state-sanctioned violence, and exposes the complex relationship between policing, state power, and contemporary art"--Provided by publisher.

Featuring two hundred color plates, this history of the craft of scientific inquiry is as exquisite as the experiments whose stories it shares. This illustrated history of experimental science is more than just a celebration of the ingenuity that scientists and natural philosophers have used throughout the ages to study--and to change--the world. Here we see in intricate detail experiments that have, in some way or another, exhibited elegance and beauty: in their design, their conception, and their execution. Celebrated science writer Philip Ball invites readers to marvel at and admire the craftsmanship of scientific instruments and apparatus on display, from the earliest microscopes to the giant particle colliders of today. With Ball as our expert guide, we are encouraged to think carefully about what experiments are, what they mean, and how they are used. Ranging across millennia and geographies, Beautiful Experiments demonstrates why "experiment" remains a contested notion in science, while also exploring how we came to understand the way the world functions, what it contains, and where the pursuit of that understanding has brought us today.

"The fifth and final volume of essays by Leo Steinberg is devoted to modern and contemporary art. Expertly edited by Steinberg's longtime assistant Sheila Schwartz, this collection includes essays on Câezanne, Monet, Matisse, Ernst, Hans Haacke, Jasper Johns, Jeff Koons, and, in some ways the centerpiece of the collection, Steinberg's landmark essay "Encounters with Rauschenberg." It concludes with a selection of Steinberg's lesser-known occasional humorous pieces. The collection features an introductory essay by noted scholar and curator James Meyer. As with all volumes in the Essays by Leo Steinberg series, it is lavishly illustrated throughout with works by each of the artists Steinberg analyzes"--

"Teacher, data scientist, and blogger Allen B. Downey knows well that the human mind has both an innate ability to understand statistics and to be fooled by them. Statistically speaking, you will be less popular than your friends, arrive at a train station during a gap in service, and fail to find a running mate in a race. But more than surprising us, errors in statistical thinking, Downey shows, can have a huge impact. Statistical confusion has led to incorrect patient prognoses, caused mistakes in predicting disasters like earthquakes, hurt vaccination programs, hindered social justice efforts, and led to dubious policy decisions. Written for those who may have once taken a statistics course, but now forget almost everything they've learned, the book includes a diversity of examples that use real data and have real world impacts. Building understanding incrementally, Downey engagingly and accessibly helps readers understand what we might learn when we get the mathematics right, and the consequences when we get it all wrong"--

"When Paul Ricoeur died in 2005, the New York Times described him as "one of the most eminent philosophers of the twentieth century." In his lifetime, Ricoeur published influential works on language, memory, identity, and history, creating an innovative blend of hermeneutics and phenomenology. Despite his major interest in the imagination, however, he never wrote a complete text on the topic. The present volume, Lectures on Imagination, fills this gap, providing an indispensable resource for philosophically inclined readers from all backgrounds. Over the course of these lectures, Ricoeur examines classical and contemporary philosophical theories of imagination, ranging from thinkers such as Aristotle, Pascal, Spinoza, Hume, and Kant to Husserl, Wittgenstein, Sartre, and Ryle. He argues that, with few exceptions, Western philosophy has focused on reproductive rather than productive imagination, thus diminishing the creative capacity of the human mind. For Ricoeur, productive imagination is a form of fiction-a new dimension of reality generated by the human mind. His theory has far-reaching implications. In all domains, we are not restricted by existing structures or institutions, because the productive imagination has the power to break through and transform our sense of our own horizons"--

"On May 27, 1978, Michel Foucault gave a lecture to the French Society of Philosophy where he redefines his entire philosophical project in light of Immanuel Kant's 1784 text, "What Is Enlightenment?" Foucault strikingly characterizes critique as the political and moral attitude consisting in the "art of not being governed in this particular way," one that performs the function of destabilizing power relations and creating the space for a new formation of the self within the "politics of truth." This volume presents the first critical edition of this crucial lecture alongside a previously unpublished lecture about the culture of the self and three public debates with Foucault at the University of California, Berkeley in April 1983. There, for the first time, Foucault establishes a direct connection between his reflections on Enlightenment and his analyses of Greco-Roman antiquity. However, far from suggesting a return to the ancient culture of the self, Foucault invites his audience to build a "new ethics" that bypasses the traditional references to religion, law, and science"--

"Many pet dogs are experiencing anxiety and frustration as they struggle to adapt to human home environments--despite being pampered, poofed, and petted, or perhaps in part because of this. We can do better for them. Who's a Good Dog challenges us to think more carefully about the limits we place on their inherited, deep-rooted behaviors. Bioethicist Jessica Pierce explores common practices of caring for, socializing, and training pet dogs. She asks broader ethical questions and helps us think more critically about what we expect of our dogs. She offers resources to help readers cultivate kindness and more mindful attentiveness. This work is about the art of noticing, of astonishment, of looking with fresh eyes (and noses!) at these dear beings we think we know. Pierce avoids judgement while taking a clear stance on important issues, connecting her research to her relationship with Bella, the dog in her life"--

A biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872-1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams's scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams's cultural nationalism and a distorted view of his international cultural and musical significance. Vaughan Williams and His World traces the composer's stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams's music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams's deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.

"In absolute animal, Rachel DeWoskin ponders the big questions: our fragile mortality, the passage of time, the mutability of memory. Conceived in the shadow of the pandemic, with death, loss, and absent family and friends surfacing throughout, the poems nonetheless cling fiercely to life, tenaciously finding a way forward, managing to exist in the details of everyday necessity. The poems "live," as it were, in an extraordinary "now," a kind of eternal present that lyric poetry can afford, resisting the impulse to succumb to human frailty and the inevitable conclusion of life-despite the devastation of COVID-19. The poems shuttle deftly between recognizable and experimental forms, even as they tack thematically between some of the most pressing issues of our time: the secret lives of (other) animals that share our planet, women's rights/bodies, and the hubris of our species as we mismanage the planet and ourselves. The poems artfully balance the way COVID has dramatically, irrevocably altered the way we go about our days and relationships, and the need for resiliency to sustain ourselves and our loved ones. The book ends where it begins, with the poet's contemplating geological time, how vastly differently certain creatures and scales measure and mark time's duration and passing: from the amount of time it takes for an oyster to produce a pearl, for example, a kind of self-contained eternity in itself (as in the last poem in the collection), to the glacial pace of the poem "anthrosphere," depicting the unhurried, natural world around us that opens the book. The poet-and her family, friends, and acquaintances, and, by extension, her species-are but a blink of the earth's eye, a mere blip in the vast stretches of cosmic time, an eternity"--

"In September 1838, a twenty-five-year-old tutor at Harvard named Jones Very stood before his beginning Greek class and proclaimed himself the Second Coming. Relieved of his teaching duties, Very spent the next two years writing more than four hundred sonnets, all of which he claimed were delivered to him, as though through dictation, by the Holy Spirit. He was examined by the dean of romantic Unitarianism, William Ellery Channing, and strove to "convert" Nathaniel Hawthorne and several luminaries of the Transcendentalist movement, including Ralph Waldo Emerson. Many were moved by Very's obsessed presence and by the quiet, controlled poetry that spilled forth during his season of spiritual ecstasy. God's Scrivener: The Madness and Meaning of Jones Very is a comprehensive literary biography of this mystic poet of Transcendentalism, the first fully researched reconsideration of an unusual but important figure in American literature in over fifty years. Born into the same recalcitrant Salem that produced Hawthorne, Very overcame repeated tragedies and a questionable family reputation to become a star student at Harvard. But after he graduated, he pursued a revolutionary regimen to give up all trace of personal will and transform himself, anticipating the most famous passage in Emerson's Nature, into "part or particle of God." Clark Davis's masterful biography shows how Very came to embody both the full radicalism of Emerson's vision, exposing the trap of isolation, and the emptiness that lay in wait for those who sought complete transcendence"--

This biography of "African explorer" Richard Dorsey Mohun, written by one of his descendants, reveals how American greed and state power helped shape the new imperial order in Africa. Richard Dorsey Mohun spent his career circulating among the eastern United States, the cities and courts of Europe, and the African continent, as he served the US State Department at some points and King Leopold of Belgium at others. A freelance imperialist, he implemented the schemes of American investors and the Congo Free State alike. Without men like him, Africa's history might have unfolded very differently. How did an ordinary son of a Washington bookseller become the agent of American corporate greed and European imperial ambition? Why did he choose to act in ways that ranged from thoughtless and amoral to criminal and unforgivable? With unblinking clarity and precision, historian Arwen P. Mohun interrogates the life and actions of her great-grandfather in American Imperialist. She seeks not to excuse the man known as Dorsey but to understand how individual ambition and imperial lust fueled each other, to catastrophic ends. Ultimately, she offers a nuanced portrait of how her great-grandfather's pursuit of career success and financial security for his family came at a tragic cost to countless Africans.

"In Hospitality, Volume I, Jacques Derrida continues a seminar series he inaugurated in 1991 under the general title of "Questions of Responsibility." Delivered at the âEcole des Hautes âEtudes en Sciences Sociales (EHESS) in Paris from November 1995 through June 1996, the seminar is guided by questions that focus on responsibility and "the foreigner": How is the foreigner welcomed and/or repressed? What does the notion of the foreigner reveal about kinship, ethnicity, the city, the state, and the nation? What are the stakes of the opposition between friend and enemy? How should we think of this in relation to borders, citizenship, displaced populations, immigration, exile, asylum, integration, assimilation, xenophobia, and racism? Derrida approaches these questions through readings of several classical texts as well as more modern texts from Heidegger, Arendt, and Camus, among others. Central to his project is a rigorous distinction between conventional hospitality (always finite and conditional) and the idea of a hospitality open unconditionally to the newcomer"--

"Honor and Respect is the definitive guide to first impressions. For any personal or professional situation where formality is of the essence and proper decorum is the expectation, this book offers critical information on how to address, introduce, and communicate with officials, functionaries, and dignitaries from all walks of life and over 180 countries. From presidents to pastors, ambassadors to attorneys general to your local alderperson, Honor and Respect offers clear explanations and examples of the official honorifics of thousands of federal, state, and municipal officials; corporate executives; clergy; tribal officials; and members of the armed services in the United States, Australia, Canada, and the United Kingdom. It also includes titles and guidance on addressing high officials from more than 180 countries. Painstakingly researched and carefully vetted, the book's contents are indispensable for individuals or offices working in government, foreign affairs, diplomacy, law, the military, training and consulting, and public relations, among others. This updated third edition reflects the nuanced changes in language, protocol, and conventions that have been implemented by the State Department, Armed Forces, and myriad other government offices in the US and beyond"--

"Since its initial publication in 1993, John Guillory's Cultural Capital has been a signal text for understanding the compilation and codification of what was once known, unassailably, as the literary canon. Cultural Capital challenges the putative objectivity of aesthetic judgment and exposes the unequal distribution of symbolic and literary knowledge on which "culture" had long been based. Now, as the "crisis of the canon" has evolved into the "crisis of humanities," Guillory's groundbreaking, incisive work has never been more relevant and urgent. As scholar and critic Merve Emre writes in her introduction to this new edition: "Exclusion, selection, reflection, representation-these are the terms on which the canon wars of the last century were fought, and the terms that continue to inform debates about, for instance, decolonizing the curriculum and the rhetoric of antiracist pedagogy.""--

A biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872-1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams's scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams's cultural nationalism and a distorted view of his international cultural and musical significance. Vaughan Williams and His World traces the composer's stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams's music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams's deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.

"The substantial increase in the complexity of global supply chains and other production arrangements over the last three decades has challenged some traditional measures of national income accounts aggregates and raised the potential for distortions in conventional calculations of GDP and productivity. This volume examines a variety of multinational business activities, including how multinational enterprises arrange their financing and assign ownership of intellectual property to avoid tax and regulatory burdens, and assesses their impact on economic measurement. Several chapters consider how global supply chains complicate the interpretation of traditional trade statistics, and how new techniques, such as extended supply and use tables, can provide new information about global production arrangements. Other chapters examine the role of intangible capital in global production, including the intangible output of factoryless goods producers and the problems of measuring R&D in a globalized world. The studies in this volume also explore ways to enhance the quality of the national accounts by improving data collection and analysis and by updating the standards for measurement"--

"As an economist and a public intellectual, Gary Becker was a giant. He won a Nobel Prize for his groundbreaking work in human capital, the John Bates Clark Medal as the best American economist under 40, and the Presidential Medal of Freedom for his contributions to public life and welfare. He is regarded by many as the greatest microeconomist in the field's history. After a 44-year career at the University of Chicago, Becker left a slew of manuscripts, projects, and speeches that were half-formed or never published. These papers offer glimpses both of his famed process and of the personality-direct, critical, curious-that make him a beloved figure in economics and far beyond. An Economic Approach collects and annotates these extant unpublished works as a capstone to the Becker oeuvre-not because the works are perfect, but because they offer an illuminating and deeply instructive glimpse into the mind and process of an economist who was always on. Longtime collaborator Richard Posner once described Becker a marathon runner of economic thought-forever chasing a big finish line, never stopping at artificial milestones along the way. An Economic Approach carries the flame of a great mind that was never motivated by publications, but whose spirit of inquiry will be forever relevant"--

"From the sounds of West Central African harps to the sounds of the European J. S. Bach revival, Creatures of the Air is a nineteenth-century music history told as a history of the art's elemental media system, air. Air is here understood as a human domain and music as an art of that domain, as such embedded in histories of environmental and colonial struggle around a thickened consciousness of the air and of breathing itself. The narrative moves across malarial equatorial climates and polluted industrial ones; the loss and recovery of the human voice in hazardous environmental conditions; scenes of suffocation and breathing mirrored in the creation and performance of Mendelssohn's enormous Elijah oratorio. No longer just an innocent luxury, by its claim to invisibility music is shown to be implicated in the struggle for control over air as a most precious natural resource. What emerges is a complex political ecology where differentiated musical systems combined, struggled against, and co-constituted one another in the course of the global nineteenth century and beyond"--

A provocative new history of how the news media facilitated the Reagan Revolution and the rise of the religious Right. After two years in the White House, an aging and increasingly unpopular Ronald Reagan looked like a one-term president, but in 1983 something changed. Reagan spoke of his embattled agenda as a spiritual rather than a political project and cast his vision for limited government and market economics as the natural outworking of religious conviction. The news media broadcast this message with enthusiasm, and white evangelicals rallied to the president's cause. With their support, Reagan won reelection and continued to dismantle the welfare state, unraveling a political consensus that stood for half a century. In Righting the American Dream, Diane Winston reveals how support for Reagan emerged from a new religious vision of American identity circulating in the popular press. Through four key events--the "evil empire" speech, AIDS outbreak, invasion of Grenada, and rise in American poverty rates--Winston shows that many journalists uncritically adopted Reagan's religious rhetoric and ultimately mainstreamed otherwise unpopular evangelical ideas about individual responsibility. The result is a provocative new account of how Reagan together with the press turned America to the right and initiated a social revolution that continues today.