Bøker utgitt av The University of North Carolina Press

This is what it is to survive. You find what floats and you hold on. Even if it is smaller than you. Holding on is all fourteen-year-old Stephanie Clare Smith can do when she's left home alone in New Orleans during the summer of 1973. As she seeks to ease her solitude through her summer school algebra class, her wandering in the city, and her friendship with a streetcar operator, adults?particularly men?fail her again and again, with devastating consequences. Dreamlike and beautifully paced, this lyrical debut memoir traces the events of one harrowing summer and its repercussions throughout Stephanie's life, including her work with families in crisis and as a caregiver for the mother who abandoned her all those years ago. Through a mosaic of trauma and transcendence, memory and metaphor, scarcity and neglect, Stephanie reveals how she built connections in and to a world that had largely left her behind. Her hard-won survival echoes that of countless other survivors whose stories are never told, and her strength stands as a testament to the power of creativity.

Este ensayo constituye el primer estudio de la imagen de las joyas en la obra de Miguel de Cervantes. A partir de un enfoque multidisciplinario, en el que se tienen en cuenta factores literarios, filologicos e historicos, asi como conceptos teoricos procedentes de los campos de los estudios de genero y de la cultura material, la autora analiza la multiplicidad de significados adscritos a las imagenes de las joyas y las piedras preciosas en textos poeticos y narrativos de Cervantes, en concreto, Don Quijote, las Novelas ejemplares y Los trabajos de Persiles y Sigismunda. En el estudio se investigan fuentes textuales e imagenes visuales, entre las que se incluyen discursos humanistas sobre la mujer, obras historiograficas, descripciones geograficas, normativa juridica, asi como retratos de corte de reinas del Renacimiento y el Barroco. En los textos de Cervantes, gemas y alhajas actuan como signos polisemicos, esenciales no solo para la construccion de la imagen iconografica de las reinas historicas sino como senales de la especial alianza que una gran senora establece con una mujer de estatus inferior a la que promueve. Las joyas constituyen simbolos multifaceticos que denotan la formacion de redes de solidaridad que traspasan las barreras estamentales, asi como subrayan la importancia de dichos limites para afirmar el impacto de la diferencia social en la diversidad de la experiencia de la mujer. Asi mismo, incorporados a la descripcion de damas, cristianas o moras, vestidas a la morisca, los valiosos ornamentos provocan que sus portadoras sean identificadas por la mirada masculina como objetos de deseo erotico y colonial, al tiempo que senalan la dificultad de crear categorias estables de identidad en la peninsula Iberica y en el Mediterraneo. Por ultimo, la apropiacion masculina de las joyas, por razon de su alto precio en el mercado, aun planteada como una demostracion del dominio patriarcal, expresa las ansiedades del varon sometido a la autoridad de una dama poderosa. Mediante las representaciones de hombres portando alhajas, Cervantes expresa la corrupcion de los personajes masculinos y anticipa la denuncia de autores barrocos de la crisis de masculinidad que marca el declive economico y la decadencia politica de la nacion.

"For much of the twentieth and twenty-first centuries, public officials in cities like New York, Chicago, and Baltimore have criminalized uprisings-portending Black 'thugs' throwing rocks at police and plundering private property-to undermine complaints of police violence. Liberal mayors like Fiorello H. La Guardia have often been the deftest practitioners of this strategy. As the Depression and wartime conditions spurred youth crime, white New Yorkers' anxieties-about crime, the movement of Black people into white neighborhoods, and headlines featuring Black 'hoodlums' emblazoned all over the white media-drove their support for the expansion of police patrols in the city, especially in Harlem and Bedford-Stuyvesant. Though Blacks also called for police protection and for La Guardia to provide equitable municipal resources, they primarily received more punishment. This set the stage for the Harlem uprising of 1943. Shannon King uncovers how Black activism for safety was a struggle against police brutality and crime, highlighting how the police withholding protection operated as a form of police violence and an abridgement of their civil rights. By decentering familiar narratives of riots, King places Black activism against harm at the center of the Black freedom struggle, revealing how Black neighborhoods became occupied territories in La Guardia's New York"--

"People have gathered in public drinking places to drink, relax, socialize, and do business for hundreds of years. For just as long, critics have described taverns and similar drinking establishments as sources of individual ruin and public disorder. Examining these dynamics as Americans surged westward in the early nineteenth century, Kirsten E. Wood argues that entrepreneurial, improvement-minded men integrated many village and town taverns into the nation's rapidly developing transportation network and used tavern spaces and networks to raise capital, promote innovative businesses, practice genteel sociability, and rally support for favored causes-often while drinking the staggering amounts of alcohol for which the period is justly famous. White men's unrivaled freedom to use taverns for their own pursuits of happiness gave everyday significance to citizenship in the early republic. Yet white men did not have taverns to themselves. Sharing tavern spaces with other Americans intensified white men's struggles to define what, and for whom, taverns should be. At the same time, temperance and other reform movements increasingly divided white men along lines of party, conscience, and class. In both conflicts, some improvement-minded white men found common cause with middle-class white women and Black activists, who had their own stake in rethinking taverns and citizenship"--

"In the financial chaos of the last few decades, increasing wealth inequality has shaken people's expectations about middle-class stability. At the same time, demographers have predicted the 'browning' of the nation's middle class-once considered a de facto 'white' category-over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations. Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation's racialized economic order"--

Shaking up New York and national politics by becoming the first African American congresswoman and, later, the first Black major-party presidential candidate, Shirley Chisholm left an indelible mark as an "e;unbought and unbossed"e; firebrand and a leader in politics for meaningful change. Chisholm spent her formative years moving between Barbados and Brooklyn, and the development of her political orientation did not follow the standard narratives of the civil rights or feminist establishments. Rather, Chisholm arrived at her Black feminism on her own path, making signature contributions to U.S. politics as an inventor and practitioner of Black feminist powerthe vantage point centering Black girls and women in the movement that sought to transform political power into a broadly democratic force.Anastasia C. Curwood interweaves Chisholm's public image, political commitments, and private experiences to create a definitive account of a consequential life. In so doing, Curwood suggests new truths for understanding the social movements of Chisholm's time and the opportunities she forged for herself through multicultural, multigenerational, and cross-gender coalition building.

Democracy in Crisis explores one of the world's greatest failures of democracy in Germany during the so-called Weimar Republic, 191933a failure that led to the Third Reich. For more than a decade after World War I, liberalism, nationalism, conservatism, social democracy, Christian democracy, communism, fascism, and every variant of these movements struggled for power. Although Germany's constitutional framework boldly enshrined liberal democratic values, the political spectrum was so broad and fully represented that a stable parliamentary majority required constant negotiations. The compromises that were made subsequently alienated citizens, who were embittered by national humiliation in the war and the ensuing treaty and struggling to survive economic turmoil and rapidly changing cultural norms. As positions hardened, the door was opened to radical alternatives. In this game, students, as delegates of the Reichstag (parliament), must contend with intense parliamentary wrangling, uncontrollable world events, street fights, assassinations, and insurrections. The game begins in late 1929, just after the U.S. stock market crash, as the Reichstag deliberates the Young Plan (a revision to the Treaty of Versailles that ended World War I). Students belonging to various political parties must debate these matters and more as the combination of economic stress, political gridlock, and foreign pressure turn Germany into a volcano on the verge of eruption.

Monuments and Memory-Making immerses students in the conversations and controversies that emerged as the nation grappled with how best to memorialize what was at the time the longest military conflict in US history. As students engage in the historical process of memory-making, they will work to reconcile the varied and often contradictory voices that rose up after the fall of Saigon. Students will tackle questions such as How do we create a national memory of the past? How do we reckon with a war that was widely understood as a defeat for the United States? How do we remember the dead while honoring the living? How do we reunite a fractured nation? How do public opinion and public consciousness shape our understanding of the past, and whose voices are privileged over others?Working with primary and secondary sources, students will take command of the subject matter as they immerse themselves in their individual roles as historical actors in the debate of how best to remember and honor American participation and sacrifice in the Vietnam War.

This volume is the only collected edition of poems by Jean Toomer, the enigmatic American writer, Gurdjieffian guru, and Quaker convert who is perhaps best known for his 1923 lyrical narrative Cane. The fifty-five poems here -- most of them previously unpublished -- chart a fascinating evolution of artistic consciousness.The book is divided into sections reflecting four distinct periods of creativity in Toomer's career. The Aesthetic period includes Imagist, Symbolist, and other experimental pieces, such as "e;Five Vignettes,"e; while "e;Georgia Dusk"e; and the newly discovered poem "e;Tell Me"e; come from Toomer' s Ancestral Consciousness period in the early 1920s. "e;The Blue Meridian"e; and other Objective Consciousness poems reveal the influence of idealist philosopher Georges Gurdjieff. Among the works of this period the editor presents a group of local color poems picturing the landscape of the American Southwest, including "e;Imprint for Rio Grande."e; "e;It Is Everywhere,"e; another newly discovered poem, celebrates America and democratic idealism. The Quaker religious philosophy of Toomer's final years is demonstrated in such Christian Existential works as "e;They Are Not Missed"e; and "e;To Gurdjieff Dying."e;Robert Jones's clear and comprehensive introduction examines the major poems in this volume and serves as a guide through the stages of Toomer's evolution as an artist and thinker. The Collected Poems of Jean Toomer will prove essential to Toomer's admirers as well as to scholars and students of modern poetry, Afro-American literature, and American studies.

This collection of essays describes the genesis of ten classic works of American literature. Using biographical, cultural, and manuscript evidence, the contributors tell the "e;stories of stories,"e; plotting the often curious and always interesting ways in which notable American books took shape in a writer's mind.The genetic approach taken in these essays derives from a curiosity, and sometimes a feeling of awe, about how a work of literature came to exist -- what motivated its creation, informed its vision, urged its completion. It is just that sort of wonder that first brings some people to love writers and their books.Originally published in 1990.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Although the themes of women's complicity in and resistance to war have been part of literature from early times, they have not been fully integrated into conventional conceptions of the war narrative. Combining feminist literary criticism with the emerging field of feminist war theory, this collection explores the role of gender as an organizing principle in the war system and reveals how literature perpetuates the ancient myth of "e;arms and the man."e;The volume shows how the gendered conception of war has both shaped literary texts and formed the literary canon. It identifies and interrogates the conventional war text, with its culturally determined split between warlike men and peaceful women, and it confirms that women's role in relation to war is much more complex and complicitous than such essentializing suggests. The contributors examine a wide range of familiar texts from fresh perspectives and bring new texts to light. Collectively, these essays range in time from the Trojan War to the nuclear age. The contributors are June Jordan, Lorraine Helms, Patricia Francis Cholakian, Jane E. Schultz, Margaret R. Higonnet, James Longenbach, Laura Stempel Mumford, Sharon O'Brien, Jane Marcus, Sara Friedrichsmeyer, Susan Schweik, Carol J. Adams, Esther Fuchs, Barbara Freeman, Gillian Brown, Helen M. Cooper, Adrienne Auslander Munich, and Susan Merrill Squier.

Journalists began to call the Korean War "e;the Forgotten War"e; even before it ended. Without a doubt, the most neglected story of this already neglected war is that of African Americans who served just two years after Harry S. Truman ordered the desegregation of the military. Twice Forgotten draws on oral histories of Black Korean War veterans to recover the story of their contributions to the fight, the reality that the militarydesegregated in fits and starts, and how veterans' service fits into the long history of the Black freedom struggle. This collection of seventy oral histories, drawn from across the country, features interviews conducted by the author and his colleagues for their American Radio Works documentary, Korea: The Unfinished War, which examines the conflict as experienced by the approximately 600,000 Black men and women who served. It also includes narratives from other sources, including the Library of Congress's visionary Veterans History Project. In their own voices, soldiers and sailors and flyers tell the story of what it meant, how it felt, and what it cost them to fight for the freedom abroad that was too often denied them at home.

Americans responded to the deadly terrorist attacks on September 11, 2001, with an outpouring of patriotism, though all were not united in their expression. A war-based patriotism inspired millions of Americans to wave the flag and support a brutal War on Terror in Afghanistan and Iraq, while many other Americans demanded an empathic patriotism that would bear witness to the death and suffering surrounding the attack. Twenty years later, the war still simmers, and both forms of patriotism continue to shape historical understandings of 9/11's legacy and the political life of the nation. John Bodnar's compelling history shifts the focus on America's War on Terror from the battlefield to the arena of political and cultural conflict, revealing how fierce debates over the war are inseparable from debates about the meaning of patriotism itself. Bodnar probes how honor, brutality, trauma, and suffering have become highly contested in commemorations, congressional correspondence, films, soldier memoirs, and works of art. He concludes that Americans continue to be deeply divided over the War on Terror and how to define the terms of their allegiance--a fissure that has deepened as American politics has become dangerously polarized over the first two decades of this new century.

Covering the Carolinas from up-country to the Piedmont to the Coastal Plain, this book is an in-depth yet accessible primer on the many ways that Carolinians can attract birds--from large wildlife refuges to private sanctuaries, and from farms to suburban homes and even apartments. The first book to focus specifically on attracting birds in both states, Attracting Birds in the Carolinas includes information on birds' basic needs and their annual reproduction and migration cycles, and provides helpful tips on how to modify your outdoor space to invite avian visitors. In addition to helpful information on attracting particular species, this guide offers practical advice for managing problem speciesboth avian, such as the European Starling and Mute Swan, and nonavian, such as squirrels and snakes.

Providing new insight on the intellectual and cultural dimensions of the Cold War, Michael Latham reveals how social science theory helped shape American foreign policy during the Kennedy administration. He shows how, in the midst of America's protracted struggle to contain communism in the developing world, the concept of global modernization moved beyond its beginnings in academia to become a motivating ideology behind policy decisions.After tracing the rise of modernization theory in American social science, Latham analyzes the way its core assumptions influenced the Kennedy administration's Alliance for Progress with Latin America, the creation of the Peace Corps, and the strategic hamlet program in Vietnam. But as he demonstrates, modernizers went beyond insisting on the relevance of America's experience to the dilemmas faced by impoverished countries. Seeking to accelerate the movement of foreign societies toward a liberal, democratic, and capitalist modernity, Kennedy and his advisers also reiterated a much deeper sense of their own nation's vital strengths and essential benevolence. At the height of the Cold War, Latham argues, modernization recast older ideologies of Manifest Destiny and imperialism.

This work was originally published in Cuba by Editorial Letras Cubanas in 2013.

The Daily Tar Heel, UNC-Chapel Hill's student newspaper, has been a vibrant voice on campus since its founding in 1893, when the university was still struggling to find its identity after the Civil War. Kenneth Joel Zogry chronicles the history of the Daily Tar Heel, examining the close and sometimes contentious relationship between the university and its paper.

La medusa, el mono y la marioneta estudia la genealogia discursiva del peronismo a traves de la lectura minuciosa de textos de Eva Peron, Borges, Cortazar, Walsh, Erminda Duarte, Pedro Ara, Copi y T.E. Martinez.

A collaboratively edited collection of primary sources with student-centered support features. THe book offers accessible ways to explore facets of human subjectivity and interconnectedness across cultures, times, and places.

A collaboratively edited collection of primary sources with student-centered support features. THe book offers accessible ways to explore facets of human subjectivity and interconnectedness across cultures, times, and places.

Guest edited by T. Dionne Bailey and Garrett Felber, this issue of Southern Cultures makes visible a radical US South which has long envisioned a world without policing, prisons, or other forms of punishment.

In their darkest hours over the course of the twentieth century, W.E.B. Du Bois, Ella Baker, George Schuyler, and Fannie Lou Hamer gathered hundreds across the US and beyond to build vast, now forgotten, networks of mutual aid. This book offers both an original account of Black mutual aid and a moving meditation on the possibilities of the present.