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Bare torsos, totemic altars, evocations of childbirth and gender fluidity form the basis for Haynes' visceral, carnal oil paintingsWillem de Kooning once stated that flesh was the reason oil paint was invented. To artist Clarity Haynes (born 1971), the correlation between flesh and paint is alchemical. Portals is the first survey celebrating her paintings. The book explores her approach to nontraditional portraiture informed by feminism and gender interrogation, starting with her seminal The Breast/Chest Portrait Project, ongoing for the past 25 years; her series of trompe l'oeil Altars; and her new Crowning series. With her depictions of blood, Haynes revels in the abject and transcendent, in defiance of the taboo subject of childbirth in the history of art. Her queer activist point of view shifts the gaze to a decidedly visceral, sensual engagement with paint, challenging what bodies can be.
An immersive audio-visual journey across continents, alluding to diasporas, the Ottoman Empire, Eliot's The Waste Land and moreConceptual artist Ant Hampton (born 1975) takes readers on a 77-minute uncanny trip from Lausanne to Izmir with an artist friend, until one turns back and the other continues alone. The photobook is accompanied by a custom audio track narrated by the artist and musicians Oren Ambachi and Perila, accessed via a QR code on the back of the book.
Centuries of art celebrating a global panorama of Indigenous culturesContinuing the work of the acclaimed Afro-Atlantic Histories, this publication from the Museu de Arte de São Paulo (MASP) compiles the collective curatorship and research carried out by artists and scholars from various territories and Indigenous groups in Australia, North America, South America and Scandinavia. For the traveling exhibition, MASP, in collaboration with Kode Bergen Art Museum, invited guest curators from Indigenous nations including Inuit, Maori and Sámi. With over 150 artists included, the featured artworks range from the historical to the contemporary--from 17th-century colonial religious paintings to modern film and video installations--in order to trace the impact of European colonization on Indigenous visual culture. Despite its scope, the aim of Indigenous Histories is not to fully represent the vast and complex histories of each region, but rather to provide a cross section, fragment or sample of these histories in a concise but relevant selection in order to create juxtapositions of these groups on a global scale. Incorporating traditional patterns, this beautifully designed book is divided into eight thematic sections: seven regional and one covering contemporary Indigenous activism. It features over 300 illustrations with narratives contextualized by the guest curators as well as museum directors from institutions around the world.Artists include: Abraham González Pacheco, Antonio Paucar, Britta Marakatt-Labba, Cristóbal Lozano, Iver Jåks, Frida Kahlo, Joar Nango, Katarina Spik Skum, Lena Stenberg, María Izquierdo, Maria Karlsen, Minerva Cuevas, Outi Pieski, Raisa Porsanger, Rufino Tamayo, Saturnino Herrán, Venuca Evanán.
Created in 2013, MAHKU (Huni Kuin Artists Movement) began its work by translating traditional songs of the Indigenous Huni Kuin people into figurative drawings. This is the group's first book, including transcriptions of their songs and myths, as well as images of their visual practice.
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