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When talking about monuments, size undeniably matters - or does it?But how else can we measure monumentality?Bringing together researchers from various fields such as archaeology, museology, history, sociology, Mesoamerican studies, and art history, this book discusses terminological and methodological approaches in both theoretical contributions and various case studies. While focusing on architectural aspects, this volume also discusses the social meaning of monuments, the role of forced and free labour, as well as textual monumentality. The result is a modern interdisciplinary take on an important concept which is notoriously difficult to define.

The Brazilian Constitution provides a remarkable set of social rights, including the right to housing. Despite this fact, struggles for decent living conditions have become key issues in the daily urban lives of many people in Brazil. Contesting the differentiated access to housing, social movements occupy empty buildings in the cities to challenge historically-rooted and excluding urban politics. Exploring the occupants' agency, Bea Wittger draws attention to the important role of female actors within the buildings. Through oral histories of participants of two squats in Rio de Janeiro, the book delivers a deep insight "e;from below"e; into their own perspectives on citizenship and gender.

This first in-depth study of Miranda July's work reveals some of its major motives and consequently provides fascinating insights into the lifestyle of the contemporary white Californian middle class. Through an analysis of July's award-winning intermedial work, the author lays open how July takes individualism and self-help as constitutive for the creative class. Although a member of the creative class herself, July's voice oscillates between irony and approval. July thus paints a fascinating portrait of neurotic hipsterism, which triggers self-reflection in the general reader and critical thinking in the cultural analyst.

This volume is a response to the growing need for new methodological approaches to the rapidly changing landscape of new forms of performative practices. The authors address a host of contemporary phenomena situated at the crossroads between science and fiction which employ various media and merge live participation with mediated hybrid experiences at both affective and cognitive level. All essays collected here move across disciplinary divisions in order to provide an account of these new tendencies, thus providing food for thought for a wide readership ranging from performative studies to the social sciences, philosophy and cultural studies.

Diabetes is regarded as one of the most challenging global health issues of the 21st century. Especially countries with weak health infrastructure are struggling to deal with the increased demands this chronic disease entails.Tracing the effects of a diagnostic device, the glucometer, this book examines how it contributes to the making of diabetes in contemporary Uganda. Arlena S. Liggins demonstrates that depending on who uses the glucometer, the outcomes may go far beyond diagnosis. The book draws a complex picture of hopes and misplaced expectations, of trust and mistrust in a technology to which access in the first place is all but a given.

Where do computer games »happen«? The articles collected in this pioneering volume explore the categories of »space«, »place« and »territory« featuring in most general theories of space to lay the groundwork for the study of spatiality in games. Shifting the focus away from earlier debates on, e.g., the narrative nature of games, this collection proposes, instead, that thorough attention be given to the tension between experienced spaces and narrated places as well as to the mapping of both of these.

The Chinese scholar-official Lin Zexu played a crucial role in the First Opium War in the 19th century. Since 1978, the myth surrounding the historical figure is used to legitimise current rulers' political power, to celebrate dominant values, and to promote a certain associated way of life.By analysing Chinese media representations of the myth of Lin Zexu, Angelo Maria Cimino identifies the social and cultural significance of a mediated historical knowledge. He examines cultural products such as feature films, digital images, documentaries, cartoons, and songs, analyses their discursive practices and the responses they spawn, and explains how multiple agents within the Chinese media continuously generate and re-affirm the myth's cultural network.

Since 2008, foreign land acquisitions have attracted international attention under the term »land grabbing.« Illustrated by rich and nuanced empirical accounts of forty Chinese and British investment projects in Sub-Saharan Africa, Ariane Goetz explains the phenomenon of »land grabbing« from the perspective of two investor countries. She reflects on Chinese and British public policy, state-society relations, national developmental contexts, ideologies, and international relations and thereby gives insights into the political economies that enable these investments as well as the development ambitions and institutionalized paradigms of which they form a part.

This work covers the ways in which traditional Moroccan women seers have adjusted to ongoing processes of commercialization and professionalization as well as to the changing needs and expectations of their female clientele. Themes include spirit possession, mother-daughter relationships and more.

Presents an examination of the internationally renowned National Dance Theatre Company of Jamaica (NDTC) in the context of postcolonial theater. This title examines the interrelationship of Jamaican modern dance theater aesthetics and the Caribbean's complex cultural genealogy since 1492.

Video games permeate our everyday existence. They immerse players in fascinating gameworlds and exciting experiences, often inviting them in various ways to reflect on the enacted events.Gerald Farca explores the genre of dystopian video games and the player's aesthetic response to their nightmarish gameworlds. Players, he argues, will gradually come to see similarities between the virtual dystopia and their own >offline< environment, thus learning to stay wary of social and political developments.In his analysis, Farca draws from a variety of research fields, such as literary theory and game studies, combining them into a coherent theory of aesthetic response to dystopian games.

By combining an ethnographic study of youth with an analysis of the local state in the making, this research monograph introduces the perspective of »meandering lives« to grasp being young and growing up in the Guéckédou borderland, a remote space approximately 700 kilometers southeast of Conakry, Guinea's capital. This history-sensitive perspective represents a fruitful lens to not only depict youth but to also draw a nuanced picture of the functioning of the state in Guinea.

How do nations continue to be made on a daily basis? In this important contribution to nationalism studies, Dave Poitras explores how nationhood and the idea of living in a world of nations are experienced in the cities of Montreal and Brussels. Drawing on ethnographic research, he identifies three typical ways of enacting nationhood in workplaces, thereby capturing the various dynamics through which non-political actors "do nationhood". In particular, Dave Poitras examines the distinct mechanisms whereby nations are made and demonstrates how individuals' everyday activities legitimize Montreal's and Brussels's unique social constellation within their respective federal state.

Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture - with major narrative impact.