Bøker utgitt av Transcript Verlag

Collective Actions is one of the most significant artistic practices to emerge from Moscow Conceptualism. The group's enigmatic idea of 'Empty action' is the focal point for Marina Gerber's exploration of this practice in relation to labour in the late Soviet Union. Based on interviews with members of the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the collective in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that Collective Actions' practice took place in free time from work for the Soviet State, Gerber identifies Empty action as a form of 'art after work'.

According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of "e;what has been"e;, Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "e;what could be, if"e;, allowing one to think possible futures instead of harking back to the past.

The belief that Nature exists as a blank, stable stage upon which humans act out tragic performances of international relations is no longer tenable. In a world defined by human action, we must reorient our understanding of ourselves, of our environment, and our security.This book considers how decentred and reflexive approaches to security are required to cope with the Anthropocene - the Human Age. Drawing from various disciplines, this bold reinterpretation explores the possibilities for understanding and preparing a future that will look vastly different than the past. The book asks to dig deeper into what it means to be human and secure in an age of ecological exception."e;In a growing field of interdisciplinary work on the Anthropocene, 'Security in the Anthropocene' sets itself apart. It blends ideas from criminology, international security studies and the environmental humanities to provide unique interdisciplinary insight into the challenges of living on an increasingly turbulent earth."e;- Audra Mitchell, Balsillie School of International Affairs/Wilfrid Laurier University"e;This essential, groundbreaking book offers a new conceptual framework that recalibrates what security means in the Anthropocene. Not content on simply highlighting the state of crisis fostered by existential risks in this new era, Cameron Harrington and Clifford Shearing invite us to imagine a more positive and caring form of security."e;- Benoit Dupont, University of Montreal"e;Harrington and Shearing's fine book explores evocatively how humans might cope with a world that is fundamentally changed through a critical appraisal of how new impacts on the Earth system shift the conditions of security. This is a tour de force of how our concepts of security create the world that afflicts us. The authors argue, convincingly, that there can be no security in the Anthropocene without an expanded vision of care."e;- John Braithwaite, Australian National University

Michael Lent asks what role art has in colonisation and subsequent dissolution. He proposes a practice informed by the fatal strategies and 'raw' phenomenology of Jean Baudrillard as a challenge to a system of disappearance. Focusing on the otherness of space to prevent its ultimate dissolution, Lent promotes a spatial practice of radical alterity. Examining ideas of disappearance put forth by Baudrillard and Paul Virilio, he utilises art as a means for investigating loss of potentiality and experience through the representation of space, shifting their ideas - originally ascribed to objects - into a new emphasis.This book ultimately attempts to break a cyclical system that causes everything to disappear into representation and equivalency.

As the body politics of life writing in the United States change, illness and disability memoirs receive considerable attention. Although these narratives are framed by a lack of health, they abundantly present health and do so beyond its binary relationship to the pathological. This book departs from previous scholarship by bringing into focus the writers' representations of cure, recovery, and healing as well as their reluctance to bring closure to their narratives and align their stories with traditional notions of health. These memoirs thus partake in the construction of alternative narratives of illness and disability.

Aesthetic practices shape and are shaped by spatial formations. The essays of this volume survey configurations of spaces as macro, micro and meso, and study from a transregional perspective the ways they are created, described, negotiated and appropriated across cultures. The interdisciplinary studies range from art history to anthropology and literary studies, and investigate the interdependence between material forms and environmental contexts. They explore the periodic re-invention of spaces through architectural, pictorial and discursive practices. This includes the geographical migration of images, objects and practices from one space to another, across a variety of constellations and spatial scales, and the accretion of cultural values around such migration.Case studies range from a religious temple under construction in today's Sao Paolo, the place of African art in the museum collections of the former GDR, 18th-century religious architecture in Beirut, the historicization of modernist architecture in Iraq, the pictorial evocations of sacred rivers in 16th-century India, literary descriptions of the Mughal capital Fatpur Sikri, to cosmological arrangements in Buddhist caves of the 6th century, among other topics.

What is nostalgia in television? How far does a nostalgic text trigger nostalgic emotions? And how are nostalgic series received by different audience groups?Stefanie Armbruster uses an interdisciplinary approach as analytical and theoretical basis. Her detailed analyses identify nostalgia in reruns, remakes and period dramas such as "e;Knight Rider"e; or "e;Mad Men"e;. Focus group discussions with German and Spanish viewers give new insights into its reception.The in-depth study helps to understand the interrelation of nostalgic texts and nostalgic reception better and explores a decisive part of a phenomenon that is omnipresent in our current TV landscape.