Bøker utgitt av Transcript Verlag

YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.

Survivors' narratives are an invaluable source for the study of violence across academic fields. At the same time, they present several difficulties for academic research. Sources may be marked by the effects of trauma, the lasting impact of perpetrators' political power or blurred lines between reality and fiction. Ethical and legal problems, distances in time between a violent event and the moment of its narration, and the variation in linguistic phrasing chosen by survivors present additional problems. Based on several case studies, the contributors explore typical problems in the study of violence through survivors' narratives, and possible ways of dealing with them.

With bans on reproductive rights and access to healthcare, with censorship in schools and universities, and the instrumentalization of rights rhetoric itself, diversity issues stand at the heart of the primary and general elections in the United States. The contributors examine how the American elections will influence diversity issues in the United States and elsewhere, considering reproductive and immigration rights, planetary justice, epistemic and physical violence against LGBTQIA+ people as well as efforts to abet this violence. In this way they highlight the symbolic and political weight of the 2024 U.S. elections as a watershed moment for citizens of the world.

Thorsten Gieser explores the role of affects, emotions, moods and atmospheres in the emerging coexistence between humans and wolves.

Throughout the nineteenth century, social expressions and dynamics have been reflected in the surge of various printed products. The contributors analyze a diverse range of sources, such as caricatures, journalistic reports, travelogues, scholarly volumes, social novels, and fairytale collections, viewing them as early manifestations of social knowledge and ethnographic representation situated at the confluence of ¿popular¿ and ¿scientific¿ publishing. Their comprehensive exploration unveils alternative contexts and dimensions of early ethnographic knowledge production, providing insights into a history of social knowledge that surpasses disciplinary, national, and genre-related boundaries.

Over the last 70 years, media have become increasingly central to nautical mobility. Asher Boersma describes how, in the 1960s and 1970s, the focus of the Western European infrastructuring state shifted from dramatic physical intervention to control rooms, which both benefited from and drove the mediatisation of navigation, especially radar. He shows that, in the 1980s, conflicts between operators and management were manifested and resolved in the design of early simulators, and traces how the digitalisation of bridges and wheelhouses decentralised control again, away from shore. The nucleus of change in transport infrastructure has been where it is scaled, in control rooms and on ships, and that scaling is primarily what nautical media allow.