Bøker utgitt av Transcript Verlag

YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.

Survivors' narratives are an invaluable source for the study of violence across academic fields. At the same time, they present several difficulties for academic research. Sources may be marked by the effects of trauma, the lasting impact of perpetrators' political power or blurred lines between reality and fiction. Ethical and legal problems, distances in time between a violent event and the moment of its narration, and the variation in linguistic phrasing chosen by survivors present additional problems. Based on several case studies, the contributors explore typical problems in the study of violence through survivors' narratives, and possible ways of dealing with them.