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Gerrit Haas re-theorises the peculiar textual conduct of ficto/critical writing, which inextricably intersects fictional with critical discourses as well as aesthetics with poetics and ethics. The slash here signals the conjunction between a self-reflexive ficto-critical insight and a wider discursive ficto-critical motivation. In its refined form, this twofold trope shifts perspective from the prevalent generic between onto the meta-generic level of our textual practices. Ultimately, the ficto/critical is thus qualified as an unheard-of interventionist aesthetic of deconstruction directed at the ramifications of our textual cultures.

What is 'postirony'? Foremost, it is a response to the ironic zeitgeist. Moreover, it is the key to understanding a specific form of literature. The contemporary reader is familiar with and - unfortunately - used to postmodernism's ironic, self-reflexive metafiction. Authors like David Foster Wallace and Dave Eggers chose a different path: Despite the reign of contemporary irony, they strive to reach the reader on a level beyond, cognitively as well as emotionally - they claim to be sincere and true. Focusing largely on nonfiction by said authors, Lukas Hoffmann explores the means the texts use to achieve something new - namely, a new form of sincerity.

Markus Nehl focuses on black authors who, from a 21st-century perspective, revisit slavery in the U.S., Ghana, South Africa, Canada and Jamaica. Nehl's provocative readings of Toni Morrison's A Mercy, Saidiya Hartman's Lose Your Mother, Yvette Christianse's Unconfessed, Lawrence Hill's The Book of Negroes and Marlon James' The Book of Night Women delineate how these texts engage in a fruitful dialogue with African diaspora theory about the complex relation between the local and transnational and the enduring effects of slavery. Reflecting on the ethics of narration, this study is particularly attentive to the risks of representing anti-black violence and to the intricacies involved in (re-)appropriating slavery's archive.

Migration processes affect migrants' families and family relations - in complex and diverse ways. Family fragmentation lasting for years or even decades, access to citizenship and welfare state resources change concepts of parenting and care as well as gender relations.In this volume, authors from Europe, the MENA region and North America discuss the diversity and dynamics of migrant families, including the individual and collective challenges, strategies and agencies. They specially focus on gender dimensions and crisis intervention.

Jeanne Feaux de la Croix maps three iconic places as part of Central Asians' 'moral geographies' and examines their role in navigating socialist, neo-liberal and neo-Islamic life models.Dams provide most of Kyrgyzstan's electricity, but are also at the heart of regional water disputes that threaten an already shrinking Aral Sea. Mountain pastures cover much of Central Asia's heartland and offer a livelihood and refuge, even to urban citizens. Pilgrimage sites have recovered from official Soviet oblivion and act as cherished scenes of decision-making. Examining how iconic places, work and well-being can mesh together, this book moves debates about post-Soviet memory, space and property onto fresh terrain.

This book is based on almost five years of fieldwork with street-related communities in the city of Yogyakarta, Indonesia, between 2001 and 2015. The author inquires into children's and adolescents' coming of age on the streets and their remarkable social and emotional competences, instead of resorting to a dreadful discourse of pity and despair. The ethnography's multi-vocal narrative couples vivid accounts of ethnographic case studies and life stories with current theory on affect, emotion, empathy, structural violence or social interaction in the context of marginality, stigma and chronic illness.

Challenging the thought of Zygmunt Bauman on the subject of liquid modernity, where everything has become unstable, precarious and uncertain, Carlo Bordoni (author with Bauman of State of Crisis proposes to look at contemporary society as an interregnum a temporary break with the past. In a condition characterised by anomie, the questioning of democratic achievements and the primacy of an unbridled economy, he offers a new perspective on our social condition. Understanding the interregnum and being aware of its instability and the social degradation that it entails can help us to make the right choices.

How did American cities change throughout the 20th and early 21st century? This timely publication integrates research from American Literary and Cultural Studies, Urban Studies and History. The essays range from negotiations of the ethnic city in US literature and media, to studies of recent urban phenomena and their representations: gentrification, re-appropriation and conversion of urban spaces in the USA.These interdisciplinary and intercultural perspectives on American cities provide unique points of access for studying the complex narratives of urban transformation.

How did games rise to become the central audiovisual form of expression and storytelling in digital culture? How did the practices of their artistic production come into being? How did the academic analysis of the new medium's social effects and cultural meaning develop?Addressing these fundamental questions and aspects of digital game culture in a holistic way for the first time, Gundolf S. Freyermuth's introduction outlines the media-historical development phases of analog and digital games, the history and artistic practices of game design, as well as the history, academic approaches, and most important research topics of game studies.With contributions by Andre Czauderna, Nathalie Pozzi and Eric Zimmerman.

Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance.This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a biopic of the nation and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel.

How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwarzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.