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A photographic look at the world of horses, showing also the regional landscape and colour and tone of the British countryside.
Hossein Amirsadeghi is a writer, publisher, editor and documentary film maker. Maryam Homayoun Eisler had executive editorial roles for Unleashed and Art and Patronage . Iwona Blazwick is Director of the Whitechapel Gallery. Richard Cork is an award-winning art critic, historian, broadcaster and curator, formerly Chief Art Critic of The Times . Tom Morton is a writer and curator based in London. Robin Friend is a renowned photographer.
Charts, in the form of a vivid visual journey of the nation of Qatar. This book explores modern-day Qatar, whose landscape and culture are rapidly changing in every sense while its people strive first and foremost to balance tradition with modernity.
KoreaâEUR(TM)s transformation over the last thirty years has been unique in the world and this is the most comprehensive English language survey of contemporary art from Korea ever published120 artists, museum and gallery directors, curators and collectors are represented in this lavishly illustrated book making it a vital resource for both those in the know and readers wishing to acquaint themselves with KoreaâEUR(TM)s contemporary scene for the first time. As a nation prospers, so does its art. Although Korean contemporary artists take both global and local issues into account in their work, what makes Korean art unique are its diversity and its individuality, informed and enriched by rigorous experimentation and cultural exploration. In recent years, Korean contemporary art's vibrancy has been recognised in the international arena, with artists such as Do Ho Suh, Kimsooja, Michael Joo and Koo Jeong-A appearing as major figures. The book presents profiles of these internationally recognised figures as well as of such up-and-coming artists as Lee Yongbaek, Jeon Joonho, Moon Kyungwon and Nikki S. Lee. Further texts also profile influential curators, as well as the countryâEUR(TM)s leading arts institutions, among them the National Museum of Contemporary Art, Korea; Leeum, Samsung Museum of Art; the Nam June Paik Art Center and the Seoul Museum of Art. The Gwangju Biennale is also highlighted.
How has its rapidly changing social landscape shaped its art? And how does art effect social and cultural change within Russia? This title explores these questions by presenting a balanced selection of work by eighty Russian artists working from the 1970s onwards.
A collection of essays that offers the most comprehensive and scholarly survey of what is happening of art in the Arab world. It discusses the critical issues of diaspora, globalization, identity and audience, and also explores the origins of the boom in the political upheavals of the late 20th century.
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