Bøker utgitt av Transit Books

A deeply felt chronicle into the wilderness of the first forty days of new motherhood.In the final weeks of her pregnancy, Ayşegül Savaş becomes fascinated by the mythology around the first forty days after giving birth, and the invisible beings that are said to surround the mother. "In Turkish, we speak of extracting the forty days, like a sort of exorcism. My grandmothers assure me that it will all get better after forty days are out." A friend lends a book that suggests forty days of rest and fortifying broths and avoiding wind and cold. In Judaism, Christianity, and Islam, forty days are seen as a period of trial and transformation. They are often journeys into the wilderness and "its vast and unruly territories." When the baby arrives, Savaş charts her own path into the wilderness of new motherhood--a space of contradiction, of chaos and care, mothering and being mothered. "What is the trial of the postpartum crossing?" writes Savaş. "Where will mother and child emerge once they have left the wild?"

"I am in need of a word," writes Lauren Markham in an email to the Bureau of Linguistical Reality, an organization that coins neologisms. She describes her desire to memorialize something that is in the process of being lost--a landscape, a species, birdsong. How do we mourn the abstracted casualties of what's to come? In a dazzling synthesis of reporting, memoir, and essay, Markham reflects on the design and function of memorials, from the traditional to the speculative--the Vietnam Memorial in Washington, DC, a converted prison in Ljubljana, a "ghost forest" of dead cedar trees in a Manhattan park--in an attempt to reckon with the grief of climate catastrophe. Can memorials look toward the future as they do to the past? How can we create "a psychic space for feeling" while spurring action and agitating for change?Immemorial is part of the Undelivered Lectures series from Transit Books.

Little Elisa can’t stop crying and no one knows why. After a sleepless night, it takes a grandmother’s touch—and an explosive fart—to bring much-needed relief.One night, little Elisa begins to cry. At first her crying resembles a cat’s meow. But it soon grows so loud that the flowers wilt and the birds fly out the window. We move her bed so she can see the moon, we wrap her up warm, cool her down, and tie a red ribbon to her wrist. But nothing works. We all wonder: Why is she crying?After a long sleepless night, it takes a grandmother’s touch to finally find out. Elisa lets out a fart that sounds like a plane taking off in the middle of the living room, nine blenders whirring at full power, twenty-seven moaning hair dryers . . . An irreverent story about the wind that passes through us all, A Sleepless Night shows that seemingly complicated problems can have simpler solutions than we think.

"A heartwarming story about family, resilience, fashion, and staying true to who you are-told through three generations of tailors in a rapidly changing Seoul. When Deokgu opens a brand new tailor shop in town, all of Seoul is skeptical of his modern styles. Who would want to wear such funny-looking suits? But Deokgu remains devoted to his craft, and it's not long before the shop begins to flourish, becoming a beloved fixture in the community. Written and illustrated by Ahn Jaesun, The Tailor Shop at the Intersection follows three generations of tailors weaving themselves and their business into the fabric of their community in a rapidly changing Seoul. Ahn's award-winning illustrations convey with great affection a more complicated story about the pressures that rapid development place on culture, commerce, and local business. In The Old Tailor Shop at the Intersection, Ahn Jaesun shows how commitment, adaptability, and staying true to yourself help pave the way for success-and how embracing change and honoring tradition can go hand in hand"--

"There's a monster living in the attic. Not a loud monster but a quiet one. It's probably making a kid trap. Each night, it grows in the dark. Everyone knows monsters feed on darkness. This is Monster-Scared. With humor and charm, award-winning author Betina Birkjµr and illustrator Zarah Juul show us how the things we can't see grow bigger and scarier, how the slightest sound or shadow can send shivers down our back, and how monsters are--perhaps--mostly scary in our imagination" --

"Originally published in Korean by Changbi Publishers, Inc. in Korea in 2011."--Title page verso.

Kirkus Best Books of 2018"e;Barba is a master of the novella . . . A gorgeous, fully realized collection."e;Kirkus Reviews (Starred Review)Nothing is simple for the men and women in Andrs Barba's stories. As they go about their lives, they are each tested by a single, destructive obsession. A runner puts his marriage at risk while training for a marathon; a teenager can no longer stand the sight of meat following her parents' divorce; a man suddenly fixates on the age difference between him and his younger male lover. In four tightly wound novellas, Andrs Barba establishes himself as a master of the form.Andrs Barba is the one the most lauded contemporary Spanish writers. He is the author of twelve books, including August, October and Rain Over Madrid. In addition to literary fiction, he has written essays, poems, books of photography, and translations of Thomas De Quincey and Herman Melville. His books have been translated into ten languages.Lisa Dillman won the 2016 Best Translated Book Award for her translation of Yuri Herrera's Signs Preceding the End of the World. She translates from Spanish and Catalan and teaches in the Department of Spanish and Portuguese at Emory University.