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Told as much through images as through words, a young Nepalese man’s globe-spanning relationship with "the father of American surrealism" changes the course of his life and gives him a new set of roots.In 1973, poet, photographer, collage artist, and sculptorCharles Henri Ford convinced ayoung Nepalese waiter at his hotel in Kathmandu to come work as his all-purposehelper. Nineteen-year-old Indra Tamang, who spoke minimal English, was soonenjoying an education and a life he could not have imagined. He quicklygraduated from cooking and running errands to attending social engagements withCharles, to accompanying the artist on his international travels, eventuallybecoming his collaborator, and more of a son than an employee.Charles was a magnet for creative people, and during the ’70s,’80s, and ’90s, Indra found himself at the center of seemingly every fantasticlittle universe in New York, Paris, Crete, and Kathmandu, often as a quietobserver taking photographs and making mental notes. There was Studio 54, AndyWarhol’s Factory, the teas that Charles would host at the Dakota, attended byregulars such as Tennessee Williams, Quentin Crisp, Patti Smith, and HenryGeldzahler; there were special dinners at the United Nations; visits to MaryMcCarthy and Leonor Fini; and chats in the elevator with neighbors like Johnand Yoko and Lauren Bacall. Charles gave Indra a second upbringing, one thatIndra absorbed with tremendous curiosity and enthusiasm. In turn, Indra broughtCharles into his family’s village in Nepal, introducing him to a world that notmany Westerners were privileged to see, especially then. Indra managed to shuttlebetween these two vastly different worlds, marrying and having children inNepal, though not revealing this to Charles for quite some years.In 2010, Indra Tamang became the object of globalfascination after inheriting two apartments from Charles’s sister, the actressRuth Ford. The story in the Wall Street Journal described a Nepalese “butler”who “grew up in a mud hut” and ended up owning property in one of New York’smost famous buildings. The attention that followed inspired Indra to write thisricher and more accurate account of his life. Illustrated with more than 100 photographs and ephemera from the private collections of Charles and Indra, some never before shown, and gathered together for the first time,readers will discover that nothing about Indra’s “curious years” with Charlesand his friends was ordinary or predictable in anyway.

"A most unusual portrait of early America based on a rare family document, in which a young mother's years in captivity with the Shawnee prove to be the best years of her life. It's 1779 and a young white woman named Margaret Erskine is venturing west from Virginia, on horseback, with her baby daughter and the rest of her family. She has no experience of Indians, and has absorbed most of the prejudices of her time, but she is open-minded, hardy, and mentally strong, a trait common to most of her female descendants--Sallie Bingham's ancestors. Bingham had heard Margaret's story since she was a child but didn't see the fifteen pages Margaret had dictated to her nephew a generation after her captivity until they turned up in her mother's blue box after her death. Devoid of most details, this restrained account inspired Bingham to research and imagine and fill the gaps in her story and to consider the tough questions it raises. How did Margaret, our narrator, bear witnessing the murder of her infant? How did she survive her near death at the hands of the Shawnee after the murder of the chief? Whose father was her baby John's, born nine months after her taking? And why did her former friends in Union West Virginia turn against her when, ransomed after four years, she reluctantly returned? This is the seldom told story of the making of this country in the years of the Revolution, what it cost in lives and suffering, and how one woman among many not only survived extreme hardship, but flourished"--

This fullyupdated edition of James Schuyler's letters to three dozen intimates, publishedon the 100th anniversary of the writer's birth, offers unparalleled insightsinto the lives, friendships, and sensibilities that sprang from the influentialNew York School. JamesSchuyler's effervescent takes on people, nature, art, writing, and love are onjoyous display in his letters to John Ashbery, Ron Padgett, Barbara Guest, AlexKatz, Joe Brainard, Kenneth Koch, and many more. They paint an indeliblepicture of a charmingly self-deprecating gentleman with an expansive intellectand a deliciously wicked tongue. "Jimmy wrote letters for the most civilized ofreasons," a friend of his once said, ?to inform and to entertain.?And thatthey do, in inimitable style. Peppering his aperçus with the occasional ?toutde sweetie? and ?pet noire,? the PulitzerPrize-winning author of The Morning of thePoem holds forth on everything from Dante and Delacroix totravel and gardening to the delicate workings of his own poems and those ofothers. While histone ranges from the lightly graceful to the racily profane, each letter isexquisitely tuned to its recipient. Schuyler's voice changes over the years andthrough periods of elation and struggle, including stays with friends and inpsychiatric wards. Reading these letters, one becomes intimately connected tothe man and to his words, which have only grown more savory and valuable withtime.

Where does science meet poetry? Where does the street become the canyon in the window? Katharine Coles searches out the links between the poetry, people, and places she love, and her past.

A collection of essays which were compiled when Proust passed away. The book, edited by C.K. Scott Moncrieff, features works by Catherine Carswell, Joseph Conrad, Clive Bell, Ralph Wright, and others.

Set in Baden-Baden, Smoke is Ivan Turgenev's most cosmopolitan novel. It is an exquisite study of politics and society and an enduringly poignant love story. Smoke, with its European setting, barbed wit, and visionary call for Russia to look west, became the center of a famous philosophical breach between Turgenev and Dostoevsky.

Compiled and translated by Willard Trask, with an historical afterword by Sir Edward Creasy. "The details of the life of Joan of Arc form a biography which is unique among the world's biographies in one respect, " wrote Mark Twain: "it is the only story of a human life which comes to us under oath, the only one which comes to us from the witness stand." Using only material compiled from the transcripts and testimonies of St. Joan's condemnation trials, Willard Trask has arranged her words into a unique autobiography. Trask was Ford Madox Ford's personal secretary, and later a National Book Award winner and a recipient of Bollingen Foundation grants for his work in medieval and primitive poetry.

A World War One love story about the arrival of a soldier at the home of an aviator friend, who happens to be a dandy and avant-garde composer. The novel was inspired by two images, Goya's engraving La Mala Noche and Burne-Jone's painting King Cophetua and the Beggar Girl.