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Chang'an was the most important city in early imperial China. Located in the present day Xi'an area of Shaanxi Province, it was the most spacious and often the most populous urban center in the world during its existence. Laid out as the terrestrial abode of the Son of Heaven, the axis mundi from which he sought and received divine sanction from Heaven, Earth, ancestral spirits, and other gods, Sui-Tang Chang'an was the medieval Chinese city at its most spectacular. Its symmetrical plan was executed to perfection, following an ancient urban cosmology, and its gridiron framework included over a hundred orthogonally designed mini-cities--the consummation of a centuries-old urban ward system. Although dominated by a sophisticated secular culture, Chang'an was permeated with the spirit of monastic religion. Although governed by officials schooled in an anti-mercantile tradition, Chang'an played host to a dynamic and thriving business community. Offering diversity, tolerance, and above all, civilization, Chang'an attracted travelers, merchants, pilgrims, and scholars from all over China and Asia.Sui-Tang Chang'an is the first comprehensive study of the Sui-Tang capital in the English language. Following a background sketch of the earlier Han dynasty Chang'an and an analysis of the canonical and geomantic bases of the layout of the Sui-Tang capital, Victor Xiong focuses on the essential components of the city--its palaces, central and local administrative quarters, ritual centers, marketplaces, residential wards, and monasteries. Based on careful textual and archaeological research, this volume vividly narrates why Sui-Tang Chang'an was considered the most spectacular metropolis of its age.

An indispensable aid to researching a crucial series of policy statements, the present guide provides access to the only continuous source from China which illuminates high-level policy. Includes an extensive subject index.

Part One of Yuarn Music Dramas presents a detailed analysis of form and structure in Yuarn music drama, with sections on the act, the suite, the aria, the verse, metrics of repeated graph patterns, parallelism, and the matching of suite and mode. [vii]Part Two presents the first catalogue of arias of its kind to be published in a language other than Chinese. It is a compilation of all of the arias in the northern dramatic style that are found in the 162 titles contained in the Yuarn-chyuu shyuann and the Yuarn-chyuu shyuaan waih-bian. It is modeled on several such catalogues compiled over the past six hundred years. [99]

Chinese Domestic Politics and Foreign Policy in the 1970s undertakes a systematic examination of selected aspects of Peking's foreign policy, using content analysis, both quantitative and qualitative, of the media. The first study treats media images of the United States and Taiwan in 1976-77; the second analyzes domestic politics and foreign trade, 1971-1976. [1, 2]

The Chinese film Moshengde Pengyou follows the adventures of three strangers with mysterious pasts who meet on a train. For intermediate students. The new edition incorporates script, vocabulary, and exercises into a single volume and includes a new section that provides a scene-by-scene description of the action using simple vocabulary and grammar.