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"Who can tell exactly where the difference lies between those of us who imagine ourselves sane and those we call insane?" A novel about a psychiatrist struggling to uphold his Hippocratic oath as the Nazi regime increasingly drives his profession to corrupt and inhuman practices.

2022 edition of the UEA MA Crime Fiction creative writing anthology

2022 edition of the UEA MA Biography and Creative Non-Fiction creative writing course anthology

2022 edition of UEA MA Prose Fiction Creative Writing course anthology

In a series of warm and often funny letters, Kim Adrian delivers a compelling feminist critique of the 6-volume autobiographical novel My Struggle, by Norwegian writer Karl Ove Knausgaard.

Time: the Present presents the best short stories of Tess Slesinger, one of the best American writers of the 1930, including numerous stories never before collected. Slesinger's innovative and modernist narrative techniques explore the sexual, economic, and cultural entanglements of men and women of the 1930s.

This book is an attempt to funnel the visions and responses to this pandemic of young writers who crafted original texts based on their experiences, feelings and reflections regarding the COVID-19 pandemic. These texts were subsequently translated into Spanish by students of Translation Studies at the University de Alcala.

Hinterland is a quarterly magazine showcasing the best in creative non-fiction writing. Each issue features a stellar line-up of writing talent from around the globe: stories by established, best-selling authors as well as introducing you to a host ofexciting new writers, some of whom are making their publishing debut.

A stunning new book of poetry from Lisa Samuels, written in response to the pandemic; Lisa is a renowned transnational poet, essayist, and sound artist who has lived in the United States, Sweden, Israel/Palestine, Yemen, Malaysia, Spain, and, since 2006, in New Zealand.

A wonderful new collection from Andrea Brady, American poet and lecturer. Andrea is also the curator of the Archive of the Now and the co-editor (with Keston Sutherland) of Barque Press.

A delightfully witty and wonderfully strange new collection of poetry from Richard Parker concerning robots, the universe, love and cricket, mostly.

A selection of poetry and prose from the 2021 cohort of students on Durham University's Creative Writing courses

The World We Want is Us is the anthologised debut of Public Menace; bringing together the revolutionary imaginations of poets from across the globe to celebrate building fresh creative coalitions in the mobilisation for future change.

The latest volume of creative writing from the translation strand of UEA's world-renowned Creative Writing MA, from the 2020/21 student cohort.