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Anarchy in the Art Gallery is a humorous and thought provoking illustrated book, a re-imagined and irreverent trip through western art and cultural history.

In 'Is That Really True, Sir?', the artist, barrister, schoolmaster, musician, journalist and explorer Michael Aubrey negotiates a succession of improbable events and narrow escapes. Starting with a vivid account of his wartime childhood, Aubrey shares the joys, hazards, surprises and often hilarious disasters of his colourful experiences in many countries, encountering a range of unusual people along the way. With a comic lightness of touch, he revels in life's absurdities at the same time as celebrating the beauty and harmony of the various worlds which he has inhabited.The memoir is lavishly illustrated, including over eighty of the author's vibrant watercolours. His acute eye for the ridiculous, keen observation of character, lyrical accounts of unfamiliar places and illuminating insights make this a joyous book, one to lift the spirits even on the dullest of days.

A romance inspired by true events, Maria and her sisters are thrust into the heady pre-war atmosphere of Brussels in 1815 and encounter love, scandal and drama whilst bearing witness to the most important battle of the 19th Century.

In 1976, Argentina is governed by a military junta bankrolled by former Nazis. It is the anniversary of a mysterious village fire in the jungle. The lone survivor, a Guarani boy, is now a Jesuit priest. A Jewish journalist, Ariel Guzman, interviews him at his mission. The man claims Adolf Hitler escaped from Berlin with Eva Braun and made a secret camp near the Iguacu Falls. The Fuhrer ordered the village's destruction, but the priest refuses to say why. He mentions the codename Edelweiss and will only reveal the person's identity if he dies. Argentina's most powerful man is billionaire and Waffen-SS veteran Tiago Hecht. He is searching for Edelweiss so that he can establish a Fourth Reich. Hecht now has confirmation Hitler's son is alive. But so does the Mossad and they have sent an agent to eliminate him. The only sanctuary for 'Edelweiss' is at the Vatican, but time is running out. The hunt is on...

The Poverty Alleviation Series Volume Three - Red, Red Azalea

Russian Edition. There is surprisingly little, and certainly nothing comprehensive, written about the contemporary Russian scene now. What appear in the West are mostly reports about so-called dissidents, not about what is happening in this vast culture, taken as a whole. Too oen, these reports seem to be primarily inspired by a desire to demonstrate Western cultural and political superiority. e aim of Russian Art in the New Millennium is not to support any one cause, but to look at the situation as it now exists objectively and to give as wide and truthful a view as possible. Russian art during the period under review the last two

, Where do we come from? What are we? Where are we going? These questions form the title of an 1897 painting by the French artist Paul Gauguin. He knew he was pushing the limits of human knowledge by asking them. He also knew they are not new questions. Our ancestors began to ask them on the African savannah. The Roman poet Lucretius posed them in his long poem On the Nature of Things, written just before the Christian era. He sought natural explanations for the behaviour of matter, without recourse to gods. But he also knew that the world we see is largely a creation of our mind. Since then, science has answered most of his 'how' questions, almost to the point of offering us a 'Theory of Everything'. But Gauguin's 'why' questions remain largely unanswered. They require a personal response from us, without which, as Lucretius intuited, nothing can be joyous or lovely. In The Stupendous Story of Us, we consider the narrative from all angles: our mastery of the realm of things, our exploration of our inner world, and our connectedness to each other. The pace is frantic because life is short, knowledge is infinite, and the challenges ahead are pressing.,

, The Few Who Flew is an evocative memoir written by one of the last young men to train as a RAF pilot, gaining his 'Wings' in April 1957 just days before the end of National Service. Michael Morris as he was then (he is now Lord Naseby) was selected to do his flying training in Canada alongside fellow British and NATO pilots from seven different countries. Initial training was on Harvards at Moose Jaw in the Prairies and then jet flying on the world's best trainer at the time, the T-33 Canadair Silver Star. The Few Who Flew reflects Michael's inherent love of all aspects of aviation. The last three chapters cover 'Churchill's Secret Airfield', RAF Tempsford, Bedfordshire near Michael's home; his views on the future of aviation in a low carbon world, and then finishing with some provocative thoughts of a one-year 'Service to the Nation ' for all young school leavers.,

Soldiering is a serious, frequently bloody business. That aspect has been documented endlessly. But behind the blood, thunder and de-humanising aspects of conflict are people - people in uniform and people supporting them. All of them have personal feelings and aspirations and they experience the humdrum assortment of daily occurrences that closely match those of their counterparts in civil society. Those aspects of their lives are not widely reported, or appreciated, and it is on those that this book has its focus.'Life Wasn't Boring' relates the life, times, successes, failures and, most importantly, the personal inter-actions and loves of a professional infantry officer and his family, over more than a third of the century that was his service. Some parts are as serious as can be expected of a military account. Other parts might surprise, entertain and even amuse the reader. Together they hold up a mirror to reveal the human side of being a soldier.

During his 1920s heyday, Arnold Bennett was one of Britain's most celebrated writers. As the author of The Old Wives' Tale and Clayhanger he was a household name, writing just as much for the common man as London's literati. His face was plastered over theatre hoardings and the sides of West End omnibuses. His life represents the ultimate rags-to-riches story of a man who 'banged on the door of Fortune like a weekly debt collector' as one of his obituaries so vividly put it.Yet for all his success, few were aware how cursed Bennett felt by his life-long stutter and other debilitating character traits. In the years running up to his death in 1931, his affairs were close to collapse as he fought a losing battle on three fronts: with his estranged wife; with his disenchanted mistress; and from a literary perspective with Virginia Woolf.As the first full length biography of Bennett since 1974, the work draws on a wealth of unpublished diaries and letters to shed new light on a personality who can be considered a 'Lost Icon' of early Twentieth Century Britain.

, The significant influence of the periodical Signature on fine art has long been overlooked. While few people nowadays will have read it, no journal has greater claim to have stimulated the taste that became British neo-romanticism in the mid-20th century. Oliver Simon, its editor, publisher, patron and printer was something of an enigma. Although shy, he somehow knew 'everyone' in the London literary and arts scene during the 1930s and 40s. So outwardly conservative to be dubbed 'the archbishop' by Ben Nicholson, Oliver elicited adventurous art from his artist contributors to Signature. The Signature artists were fellow travellers on a journey: young artists working in commercial art to pay the bills. Having mastered graphic techniques for applied purposes they then began to apply what they learned to their own artwork. Then they went off to War... Those interested in the work of Paul Nash, John Piper, Graham Sutherland, Edward Bawden, and Barnett Freedman will enjoy the story of the influence and fellowship of Oliver Simon, Signature, and the Curwen Press, on their art.,

This is a lavishly illustrated, engagingly written yet forensic analysis of that most contemplative of garden features which challenges the widely accepted view of the transition from formality to informality in the development of the English landscape garden.

, Out of Isolation is a collection of writing from the COVID-19 pandemic. From famous names such as Julian Fellowes, Tom Felton, Derren Brown and Alexander McCall Smith to historians, travel authors, poets, screenwriters, actors, the Dean of Canterbury and a Junior Doctor, the pieces range from personal reflections on life during the pandemic, to poems on love, to the diary of a journalist in Goma. This interesting and wide-ranging collection provides a fascinating insight into what was being written whilst the world was in isolation. > Susie Coreth will donate £1 from the sale of each book to Mental Health Innovations (reg charity no 1175670) to support its Shout 85258 24/7 mental health support service.,

In the Line of Fire is the personal memoir of Antony Thomas, a documentary filmmaker whose work has won international acclaim and many prestigious awards. From the full range of documentaries made over a fifty-two-year career, the author focuses on subjects that affected him deeply and remain relevant to this day; the pernicious effects of racism, the 'seamless border' between intelligence and crime, the last colonial wars in Africa, the conflicts in the Middle East, the rise of Islamic extremism, the politicisation of Evangelical Christians in the United States and the origins of fake news - to mention just a few. Thomas brings these disparate experiences together by taking a very personal approach and using every opportunity to take the reader 'behind the camera' where he shares the difficulties, the moral problems and the dangers that he and his colleagues sometimes faced, including the moment when the entire team was condemned to death in a military camp in Zambia. Eleven years later, Thomas was back in the line of fire, coping with vicious attacks from MPs and sectors of the press, following the broadcast of his controversial docudrama Death of a Princess.

, Many of the most inspiring characters in comics and graphic novels began their epic journeys as orphaned or abandoned children. In these stories, the loss of a parent inflicts challenges that even superpowers cannot easily resolve. For over a century and millions of readers, the comic strip is a space in which this narrative has been continuously reimagined. Superheroes, Orphans & Origins: 125 Years in Comics offers a richly illustrated and thought-provoking exploration of the representation of orphans, foundlings, adoptees and foster children in sequential art. Surveying 125 years of creative practice and an international cast of characters, this book examines how care-experience is depicted in early comic strips like Little Orphan Annie, celebrated superhero narratives including Superman and Batman, and popular Japanese manga, among other examples. The complex issues and identities that feature in these stories are considered from a variety of perspectives, ranging from art historical to activist. Contributing authors include Lemn Sissay, MBE and award-winning artists Carlos Giménez and Lisa Wool- Rim Sjöblom, all drawing inspiration from their own experiences in care. Bringing together critical essays, candid conversations and outstanding artwork, this book encourages a new way to experience comics. This book is published on the occasion of the first major exhibition to focus on the representation of care experience in comics, produced by the Foundling Museum in London (April - August 2022).,

, The duc de Saint-Simon's memoirs of the last decades of Louis XIV's reign and the regency of Philippe d'Orléans are considered a masterpiece of the genre and one of the glories of French literature. His accounts of the dramatic events he witnessed have informed historians for generations, while his literary portraits have influenced French authors from Sainte-Beuve to Proust. In 1721 Saint-Simon travelled to Spain as Ambassador Extraordinary to solicit the hand of a Spanish princess for the young king Louis XV. Although his mission comes very late in his long narrative, that experience looms large in his account of earlier events, hidden in plain sight, and enriched by it. The nineteenth-century essayist Sainte-Beuve dubbed Saint-Simon 'the little duke with the penetrating eye'. Readers of this book can decide for themselves how penetrating an eye the little duke could bring to bear on his contemporaries, and on himself.,

A Monograph of Original Prints by Gail Mallatratt.

White studies Rembrandt's technique from an aesthetic rather than a scientific point of view

This ground-breaking publication provides a new view of the great Scottish artist Alan Davie (1920-2014), whose intensely physical gestural painting stood the staid post-war British art world on its head. In advance of a new Davie gallery in Hertford, the visually spectacular book argues that far from being an essentially historical figure, defined by the abstract expressionist era of the Fifties and early Sixties when he enjoyed his greatest fame, Davie was a prophetic artist whose preoccupations with universal creativity and self-realisation are more relevant today than they¿ve ever been.Lavishly illustrated with rare archive photographs and little-seen paintings, Alan Davie in Hertford demonstrates that Davie¿s visionary art was far more closely bound up with physical places than is generally supposed, not least the quiet market town of Hertford, where he lived for 60 years. A catalogue of 40 works intended as the new gallery¿s core collection, provides a ¿rich and fabulous¿ survey of Davie¿s work, from student works of the Thirties to some of his very last paintings.

In 1936, the Duke of York unexpectedly became King George VI, and his ten-year-old daughter, Princess Elizabeth, became heir presumptive. However, she was never heir apparent, because a male sibling would automatically assume her place in the line of succession. So what would have happened upon the late arrival of a baby brother for the grown-up Princesses Elizabeth and Margaret? After King George VI's death in 1952, the United Kingdom's next sovereign would have been a very young boy, and one in need of a regent. James the Third tells that boy's story. How does his reign unfold? He is clever, resourceful and unconventional but can he alter the course of history, given the limited role of a constitutional monarch? Does he find true love, or must he accept second best? And, with the births of his heirs, what does the House of Windsor look like now? Set against rapidly changing times, there is a parallel tale of two working class sisters from the East End of London. As fans of the royal family, they are closer to the crown than they could ever imagine. Seamlessly blending the twists and turns of fiction with historical fact, this book is sure to please anyone who enjoys a glimpse of life behind palace walls.

A social history of mid-nineteenth century life as written by a farmer's son from the East Sussex farm where A.A. Milne wrote Winnie-the-Pooh, and Brian Jones lived and died, and covering a journey to the Great Lakes in Canada via Liverpool and New York.

, In 1930 pioneering female gallerist Lucy Wertheim opened The Wertheim Gallery in London. Wertheim challenged the established art scene conventions; she was a woman without formal art training, driven by intuition and a belief that young British artists should have the same opportunities as their European counterparts. Adventure in Art is Lucy's 1947 autobiography, telling the story of her career in the British Modernist era. Republished by Unicorn to coincide with the forthcoming Towner Eastbourne exhibition, A Life in Art: Lucy Wertheim & Reuniting the Twenties Group (Summer 2022), this book brings to a contemporary audience the trials and tribulations of a key participant in the male-dominated art world in the first half of the twentieth century. Lucy Wertheim's discerning eye and business acumen helped to propel big names such as Christopher Wood, Alfred Wallis, Cedric Morris, Henry Moore and Frances Hodgkins into the mainstream. With three commissioned essays - the first by Frances Spalding (Lucy Wertheim - Her Gallery in Context); the second by Ariane Banks (Lucy Wertheim - A Pioneering Woman and Her Contemporaries); the third by Towner Eastbourne's Collections & Exhibitions Curator, Karen Taylor (Lucy Wertheim - Her 'Forty-One Year Experiment' [1930-71]) - this new edition not only brings Lucy Carrington Wertheim's words and deeds back into our conscience, but it also publishes over 70 artworks, many of which are featured in the Towner Eastbourne exhibition, as well as newly photographed ephemera from the Estate's extensive archive. Together, this exhibition and book will significantly reset the accepted narrative, and shine a light on a neglected corner of mid-twentieth century art history.,

The story of the Brandt family's international trading and banking activities is told by Peter Augustus Brandt who has based his research on an annotated copy of a genealogy produced by Dr Erik Amburger in 1937

"Published to coincide with a career-defining retrospective at Hastings Museum and Gallery in January 2022"--Page [4] of cover.

Leaders collects in one place for the first time the remarkably personal and distinct stories from Pangbourne College of the courageous men and women in war and peace - accounts that are in danger of being forgotten today. Based on original research and neglected first-person accounts, it covers the period 1917-2020, with a particular emphasis on World War II, the Cold War, the Falklands War and contemporary conflicts in Iraq and Afghanistan. Leaders documents the courageous and singular actions during a century of peacetime, as well as profiling the outstanding Second World War heroes Mike Cumberlege, David Smiley, and GTS 'Peter' Gray. A chapter recounting amazing exploits in the world of international sport adds a separate dimension to the book. Authored by a former foreign correspondent and leading corporate writer, with a Foreword by a leading naval historian, the book has a global dimension and perspective. This is reinforced by the author's years of investigatory work, his experience covering wars and his long-standing knowledge and understanding of the context.

The Targeted Poverty Alleviation programme was proposed by President Xi in 2013 and aims to give poor people the resources to lift themselves out of poverty. No fewer than three million cadres have been sent to the least developed areas of the country to educate, inspire and help the most impoverished people with financial support, jobs and business opportunities. The authors of this series of books visited some of the villages that were previously very poor, to document how developments in education, agriculture, health and tourism had created positive change. The authors wrote about what they saw, what they heard, how they felt in these areas and rendered them into touching and vivid stories.On 3rd November 2013, President Xi visited Shibaidong Village in Western Hunan Province and proposed for the first time 'targeted poverty alleviation', a national solution for reducing poverty. The book describes eighteen representative stories of the villagers in Shibaidong Village in their struggles to get rid of poverty and strive for a well-off life, and each story is told in the first person, flavouring with people's daily life.

James Gordon Bennett was born in 1841, a spoilt only son who took over as publisher of the New York Herald from his millionaire father. Bennett tirelessly supported pioneering fields of technology and sport, always with speed in mind. In 1899, fascinated by the new motor cars, he instigated the International Gordon Bennett Cup. The inaugural race took place in 1900 between Paris and Lyon. Three countries entered, but this was just the beginning of a massive phenomenon that, thanks to Bennett, saw spectators grow from less than a hundred to eighty-thousand. The widespread anti-car sentiment, endless bureaucracy, speed limits, safety and design challenges were all obstacles to overcome. Each Gordon Bennett Cup Race is documented here with an account of the drivers, the cars, the courses and the thrilling highs and lows of the events. The 1903 Cup, which was held in Ireland, was crucial since for the very first time a closed-circuit course was used. It was also the first international race in the British Isles. His dedicated promotion of early motor-car racing gave a boost to the global auto-industry and was a firm basis to the international racing that is still a thrilling part of our lives over 100 years later.

This is an open and frank account of how someone from a railway family in a small East Midlands town went on to become a Cabinet Minister serving in the Ministry of Defence as Britain conducted difficult and demanding operations in Sierra Leone, Afghanistan and Iraq. It sets out his political career from his earliest days knocking on doors for the Labour Party through to his becoming a Euro-MP, an MP for eighteen years and a Cabinet Minister for almost ten years. It describes his careers as an academic, lawyer, politician and in international business, as well as his commitment to conservation and protecting the environment.

This book is a personal, humorous and insightful insider's perspective of what goes on a daily basis inside the United Nations. It is incisive, direct and a pleasure to read. There have been other historical accounts and contemporary assessments of the United Nations, but none by United Nations staff members at such a high level, with long established careers that allow for nuanced perspectives and analysis.