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"What does it mean to make something to share publicly when you are unsure of your own presence? If I Could Give You a Line cultivates the strangeness of presence in motherhood when the self is hyper-aware of its erasure. The collection explores its obsession with the physicality of visual art, down to the line, asserting and creating a voice that longs to be as present as a waver in the line of an Agnes Martin painting. A line that pulls you in to see the hand that made it. For Oeding's speakers, to look at art as mothers gives them permission to make it. Through humor, provocation, and uncertainty, this associative work builds momentary worlds of looking and connecting. The voice in these poems are confident in their performance and gesture to the reader to participate in their world-building, using materials like toddler garbage, preliterate scribbles, boiled green beans, James Turrell's skies, Cara Delevingne's eyebrows, and Yayoi Kusama's mirrors"--

"This is the story of the crayon. Following the Civil War, three entrepreneurial families took their innovative ideas for school chalk from the kitchen stove and transformed them into the American Crayon Company. Color Capital of the World tells this story through the eyes of one of the founding family's descendants, tracing the cycle of build, boom, and bust. Readers will come away feeling a greater appreciation of the human story behind the crayon and the Ohio town that produced more crayons and paints than anywhere in the world"--