Bøker utgitt av UNIV OF MINNESOTA PR

"When Gary Goodman wandered into a run-down, used-book shop that was going out of business in East St. Paul in 1982, he had no idea the visit would change his life. In The Last Bookseller Goodman describes his sometimes desperate, sometimes hilarious career as a used and rare book dealer in Minnesota-the early struggles, the travels to estate sales and book fairs, the remarkable finds, and the bibliophiles, forgers, book thieves, and book hoarders he meets along the way. As both a memoir and a history of booksellers and book scouts, criminals and collectors, The Last Bookseller offers an ultimately poignant account of the used and rare book business during its final Golden Age"--

"Margie Robineau, fighting for her family's long-held allotment land, uncovers events connected to a long-ago escape plan, and the burial--at once figurative and painfully real--of not one crime but two. While Margie pieces the facts together, Dale Ann is confronted by her own tightly held secrets and the truth that the long ago and the now are all indelibly linked, no matter how much we try to forget"--

This is a musician’s tale: the story of a boy growing up on the Iron Range, playing his guitar at family gatherings, coming of age in the psychedelic seventies, and honing his craft as a pro in Minneapolis, ground zero of American popular music in the mid-eighties. “There is a drop of blood behind every note I play and every word I write,” Paul Metsa says. And it’s easy to believe, as he conducts us on a musical journey across time and country, navigating switchbacks, detours, dead ends, and providing us the occasional glimpse of the promised land on the blue guitar highway.His account captures the thrill of the Twin Cities when acts like the Replacements, Husker Dü, and Prince were remaking pop music. It takes us right onto the stages he shared with stars like Billy Bragg, Pete Seeger, and Bruce Springsteen. And it gives us a close-up, dizzying view of the roller-coaster ride that is the professional musician’s life, played out against the polarizing politics and intimate history of the past few decades of American culture. Written with a songwriter’s sense of detail and ear for poetry, Paul Metsa’s book conveys all the sweet absurdity, dry humor, and passion for the language of music that has made his story sing.

"In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Joshua Whitehead writes of an Indigenous body in pain, coping with trauma. Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly-even joyfully-maps his experience on the land that has shaped stories, histories, and bodies from time immemorial"--