Bøker utgitt av University of Alberta Press

Bodies of Art, Bodies of Labour by Kate Beaton, award-winning author of Ducks: Two Years in the Oil Sands and Hark! A Vagrant, explores connections between class, literature, and art from Cape Breton Island. In this thought-provoking book, Beaton addresses the often overlooked impact of class on the Canadian arts scene. The book highlights the reality that people from poor or working-class backgrounds face significant barriers to becoming artists, limiting their ability to share their stories and contribute to the collective culture. This lack of representation in art, music, and literature can empower or stereotype, edify or diminish, or worse, erase entire communities. Beaton emphasizes that if working-class and poor people do not write themselves into stories, others will, often with damaging results. Drawing on examples from work published about Cape Breton, Beaton sheds light on the portrayal of working-class lives. She juxtaposes this with her personal experiences, her family's stories, and the inspiring work of other Cape Bretoners. Despite economic hardships, her community has long valued and created art: art for no money, for each other, for themselves, for memory, for joy. Bodies of Art, Bodies of Labour thoughtfully examines personal and working class legacies, celebrating the authenticity and power of truly seeing ourselves and each other in the art that we create.With an introduction by Julie Rak.

"The book is an exhibition catalogue of rare angling books, which are housed in the University of Alberta's Bruce Peel Special Collections."--

After assignments as a Canadian diplomat in Mexico, Colombia, Sudan, and South Africa, Nicholas Coghlan and his wife Jenny unwind by sailing Bosun Bird, a 27-foot sailboat, from Cape Town across the South Atlantic and into the stormy winter waters of the Beagle Channel, Tierra del Fuego, and the Strait of Magellan. Coghlan recalls earlier adventures in Patagonia during the late seventies when he and his wife explored the region over three successive summers. Now, as they negotiate the labyrinth of channels and inlets around snow-covered Fireland, he reflects on the voyages of past explorers: Magellan, Cook, Darwin, Slocum, and others. Sailing enthusiasts and readers of true adventures will want to add Coghlan's world-wise narrative to their libraries.

This biography explores the fascinating trajectory of amateur naturalist Frank Farley (1870-1949), who in the first half of the twentieth century made significant contributions to the fields of ornithology and environmental conservation. An enthusiastic booster for rural development in western Canada, and Camrose, Alberta, in particular, Farley was also a passionate naturalist at a time when few others held such views. He supported and managed newly designated migratory bird sanctuaries, networked with expert ornithologists across the continent, mentored young people (including famous Canadian writer and grand-nephew Farley Mowat), and published widely to scientific and popular audiences. The book's description of Farley's career shows how a single individual can make substantive contributions to wildlife conservation while acknowledging tensions between amateur and professional ornithologists. The wide range of activities in which Farley engaged shows the complexities of rural life in Alberta and also reveals that concern over environmental change is not new. Frank Farley and the Birds of Alberta adds a stimulating new layer to a complex western Canadian past, and is an invaluable resource for scholars and readers versed in Canadian environmental history, climate change, and ecological activism.

Secularism, Race, and the Politics of Islamophobia shows the ways secularism produces and enables racism and normalizes the racial categorization of "Muslim."

This Sweet Rupture unflinchingly explores interwoven themes of family secrets, diaspora, food culture, and the impact of war on personal stories. Rooted in Omar Ramadan's experiences as a son of Lebanese immigrants, and set in Canada, Lebanon, and the United Arab Emirates, the collection brings together intergenerational exchanges and present-day realities, from sweetened tea preparations to conversations about conflict zones to investigations of Canadian blizzards. The book speaks to Arab father-son relationships and incorporates Arabic, reflecting the hybridity of its speakers and their shifting sense of place. Resonant and intricate, This Sweet Rupture thoughtfully navigates cultural identity, war, memory, and family.

In this critical edition of a manuscript previously thought lost, Parker applies McLuhan's medium theory and reimagines museums as catalysts for cultural engagement and empathy.

Steely, tender, and sensual, Lisa Baird's When Whales Went Back to the Water creates a reverent container for a broken world. These poems are hymns to living in wonder through loss, joy, motherhood's sleepless nights, domestic violence, and isolation. Offering a courageous account of queer intimate partner violence, including the impacts of femme erasure in queer communities, this book is also grounded in the tastes and textures of a new parent's everyday--keenly interested in our capacities during personal and global catastrophe amidst diaper changes and playground dramas. Haunted by hawks, coyotes, frogs, and forests, the collection also speaks to the power of the beyond-human sphere in the translation and transformation of pain and sorrow. Reaching beyond stories of survivorship to touch on personal and collective pain with tension, nuance, and care, Baird's poems remind us that grief is inextricably intertwined with love and joy.

Python Love weaves together experiences of childhood abuse, birth trauma, and recovery from the perspective of a medical doctor who is also a mother. In her debut collection, Shannon Arntfield delves into the many ways in which the body recalls what has been done to it. Long, breathtaking sequences set within medical facilities during labour and delivery are juxtaposed with spare, lyrical reflections on ideas of memory, natural spaces, implicit love, and the relationships between parents and children. Full of precise observations, careful renderings, and visceral originality, Python Love is focused on how the body and mind are inextricably linked, how the past can overwhelm and inform the present, and how recovery is tied to love and connection.

This transdisciplinary collection investigates relations of "living and learning with" as compelling forms of encounter, engagement, and care between self and other, human, nonhuman, and more-than-human. Editors and contributors dig deeper, through academic and creative written forms, into the ongoing need to forge sustainable forms of relationality between various feminist positions, attending particularly to Indigenous and Black knowledges, queer and trans artistic interventions, and antiracist methodologies. Rooted in feminist literary and artistic practices, the volume explores ongoing transnational issues of immediate and urgent concern, highlighting the strengths and challenges that can come with seeking alliances. Benefiting scholars in Canadian literature, Indigenous literary studies, Indigenous education studies, Anglophone and Francophone literary and intercultural studies, and gender studies, Living and Learning with Feminist Ethics, Literature, and Art pursues crucial conversations on intersecting oppressions, intersubjectivities, voices, and positionalities. Contributors: Kim Anderson, Alexandre Baril, Sissel M. Bergh, Marie Carrière, Élise Couture-Grondin, Junie Désil, Amanda Fayant, Mylène Yannick Gamache, Libe García Zarranz, Dominique Hétu, Larissa Lai, Amina Lalor, Sheri Longboat, Brittany Luby, Stephanie Oliver, Anne Quéma, Veronika Schuchter, Erin Soros, Erin Wunker

Digital Memory Agents in Canada explores memory performances and representations with different cultural and spatial relationships to Canada, moving from discourses on place to a focus on the digital or virtual space, on how certain cultures, subjectivities, or positionalities use digital media to document or represent their recollections. Embracing interdisciplinary approaches, the contributors investigate how digital media, like memories, can transcend space and time to impact individuals and communities. It is a compilation of narratives and research models that disrupt Canadian, hegemonic, colonial, white-centric, and patriarchal beliefs. Chapters examine memorialization, documentation, and online activism; aesthetic productions and counter-productions of identity in literature, film, and beyond; queer and feminist archiving and consciousness-raising; and Indigenous, Métis, and Black narratives of resistance. Digital Memory Agents in Canada will be of interest to scholars and students specializing in memory studies, digital humanities, film and media studies, and cultural studies. Contributors: Jim Clifford, Matthew Cormier, Erika Dyck, Craig Harkema, Caroline Hodes, Russell J. A. Kilbourn, Jordan B. Kinder, Anna Kozak, Braidon Schaufert, Amanda Spallacci, Matthew Tétreault, Uchechukwu Peter Umezurike, Stephen Webb

Indigenous healing is a paradox in the liberal settler colony, where an intervention fostering well-being might simultaneously aim to eliminate distinct Indigenous societies. This book aims to explain and complicate the prominence of "Indigenous healing" in Canadian public discourse in recent decades through theoretically-informed historical and ethnographic analysis disentangling the multiple meanings, practices, and social and political implications of healing. The book centres late twentieth-century Indigenous social histories in Treaty #3 territory and cities in northern and southern Ontario to show how practices of re-membering--mobilizing traditional ways of being and knowing towards social repair and rejuvenation of the collective--are in part enabled by tactical engagements with the settler state which fuel the emergence of an Indigenized biopolitics from below. Analysis of the possibilities, tensions, and risks inherent to Indigenous biopolitical tactics is inflected by attentiveness to the longstanding role of liberalism in settler colonial social dismemberment of Indigenous peoples. Informed by Indigenous feminist scholarship's focus on relationality, care, and the everyday, as well as the intimate workings of settler colonialism, this book is intended to contribute to ongoing critical conversations about reconciliation and resurgence politics, and problematize their presumed opposition.

On Beauty is a provocative collection of moments, confessions, overheard conversations, and memories, both fleeting and crystalized, revolving around the small chasms and large craters of everyday life. Situated at the crossroads of prose and poetry, these 33 vignettes explore the rhythm, textures, and micro-moments of lives in motion. Composed with a poet's eye for detail and ear for rhythm, rob mclennan's brief stories play with form and language, capturing the act of record-keeping while in the process of living those records, creating a Polaroid-like effect. Throughout the collection, the worlds of literature and art infuse into intimate fragments of the everyday. A welcome chronicle of human connection and belonging, On Beauty will leave readers grappling with questions of how stories are produced and passed through generations.

In seven and a half interlinked stories, Aaron Kreuter's Rubble Children tackles Jewish belonging, settler colonialism, Zionism and anti-Zionism, love requited and unrequited, and cannabis culture, all drenched in suburban wonder and dread. Sometimes realist, sometimes not, the book revolves around Kol B'Seder, a fictional Reform synagogue in the Toronto suburb of Thornhill. In these stories, the locked basement room in the home of the synagogue's de facto patriarch opens onto a life-altering windfall; visions of an omnipotent third temple terrify; rhythms of the Jewish and scholastic year collide in bong rips and hash hits; alternate versions of Israel/Palestine play out against domestic drama. In the title story, a group of Jewish girls obsessed with the Holocaust discover that they are far from the only people who live in the rubble of history. Engaging, funny, dark, surprising, Rubble Children is a scream of Jewish rage, a smoky exhalation of Jewish joy, a vivid dream of better worlds.

Stories Left in Stone explores the lives, histories, and artistic legacies of Cáceres and Extremadura. Author Troy Nahumko has lived in the old town of Cáceres, a UNESCO World Heritage Site, for over a decade. His journey starts at the Cave of Maltravieso, where prehistoric art stirs a profound curiosity about the city's rich tapestry of past and present. Amid the dazzle of cobbled medieval streets, 12th century Moorish walls, fortified palaces, and 60,000-year-old handprints, Nahumko asks how locals characterize their city and leave their own marks. Through personal narrative and interviews with locals, expats, and experts, he shares sociological, archaeological, and historical insights. Nahumko's storytelling paints a vivid and empathetic portrait of the people and heritage of this lesser-known province of Spain, as he surveys its history, cuisine, and stunning natural beauty.

Tracing Louis Riel's metamorphosis from traitor to hero, Braz argues that, through his writing, Riel resists his portrayal as both a Canadian patriot and a pan-Indigenous leader. After being hanged for high treason in 1885, the Métis politician, poet, and mystic has emerged as a quintessential Canadian champion. The Riel Problem maps this representational shift by examining a series of cultural and scholarly commemorations of Riel since 1967, from a large-scale opera about his life, through the publication of his extant writings, to statues erected in his honour. Braz also probes how aspects of Riel's life and writing can be problematic for many contemporary Métis artists, scholars, and civic leaders. Analyzing representations of Riel in light of his own writings, the author exposes both the constructedness of the Canadian nation-state and the magnitude of the current historical revisionism when dealing with Riel.

Arts graduate education is uniquely positioned to deliver many of the public good needs of contemporary Canada. For the Public Good argues, however, that graduate programs must fundamentally change if they are to achieve this potential. Drawing on deep experience and research, the authors outline how reformed programs that equip graduates with advanced skills can address Canada's most vexing challenges and seek action on equity, diversity, inclusion, and decolonization. They chart how current approaches to graduate education emerged and make a data-informed case for change. The authors then offer an evidence-based vision for reimagining arts graduate education and actor-specific steps to achieve this potential. This timely and optimistic guide will be of interest to faculty and university administrators who are responsible for graduate education and public policy specialists focused on post-secondary education.

Contemporary Vulnerabilities offers critical reflections about vulnerable moments in research committed to social change. This interdisciplinary collection gathers reflexive narratives and analyses about innovative methodologies that engage with unconventional and unexpected research spaces inhabited and shared by scholars. The authors encourage us to collaborate within, reflect on, and confront the frictions of inquiry around social change. With an aim of contesting the dominance of Eurocentric epistemologies, the collection includes modes of storytelling and examples of knowledge gathering that are often excluded from academic texts in general and methodological texts in particular. All those interested in research methodologies and social justice inquiry will find provocation and recognition in this volume, including scholars, ethics boards, and students. Contributors: Aly Bailey, Kayla Besse, Meredith Bessey, Madeline Burghardt, Claire Carter, Shraddha Chatterjee, Yuriko Cowper-Smith, Eva Cupchik, Cheyanne Desnomie, Bongi Dube, Athanasia Francis, Rebecca Godderis, Moses Gordon, Emily Grafton, Caitlin Janzen, Evadne Kelly, Debra Langan, Rebecca Lennox, Corinne L. Mason, Tara-Leigh McHugh, Preeti Nayak, Anh Ngo, Jess Notwell, Marcia Oliver, Cassandra J. Opikokew Wajuntah, Merrick Pilling, Kendra-Ann Pitt, Salima Punjani, seeley quest, Carla Rice, Jen Rinaldi, Lori Ross, Kate Rossiter, Brenda Rossow-Kimball, Siobhán Saravanamuttu, Melissa Schnarr, Bettina Schneider, Irene Shankar, Skylar Sookpaiboon, Chelsea Temple Jones, Amelia Thorpe, Paul Tshuma, Amber-Lee Varadi, Jijian Voronka, Kristyn White.

In The Cancer Plot, Reginald Wiebe and Dorothy Woodman examine the striking presence of cancer in Marvel comics. Engaging comics studies, medical humanities, and graphic medicine, they explore this disease in four case studies: Captain Marvel, Spider-Man, Thor, and Deadpool. Cancer, the authors argue, troubles the binaries of good and evil because it is the ultimate nemesis within a genre replete with magic, mutants, and multiverses. They draw from gender theory, disability studies, and cultural theory to demonstrate how cancer in comics enables an examination of power and responsibility, key terms in Marvel's superhero universe. As the only full-length study on cancer in the Marvel universe, The Cancer Plot is an appealing and original work that will be of interest to scholars across the humanities, particularly those working in the health humanities, cultural theory, and literature, as well as avid comics readers.

All Sky, Mirror Ocean is for everyone looking to understand the complex issues around mental illness and healing. Combining autobiography, research-creation, poetry, and creative philosophy, Brad Necyk uses art and words to uncover and tell new stories about trauma and recovery. Necyk weaves his own histories with bipolar affective disorder and childhood medical trauma with those of other people dealing with grief and loss: head and neck cancer patients in Edmonton, psychiatric inpatients in Toronto, and communities in Iqaluit stricken by suicide. Punctuated with art, these lived experiences intertwine with scholarship on arts-based research, neuroscience, collaboration, and psychedelic altered states to reveal the understanding and acceptance that comes from acknowledging our deep connections--to ideas and emotions, to our environments, to art, and to each other. Showing great compassion and wisdom, All Sky, Mirror Ocean is a model for research-creation and artistic fieldwork.

With Numinous Seditions, celebrated poet and essayist Tim Lilburn investigates inner dispositions that might help us bear the new sorrows of the climate crisis. The book draws from the West's almost forgotten contemplative tradition in its Platonic, Islamic, Christian, and Zoharic forms. It also explores ideas from modern philosophers Jan Zwicky, Gillian Rose, Dorothy Day, and Simone Weil, and from contemporary poets Don Domanski, Philip Kevin Paul, Anne Szumigalski, and Roberto Harrison. Lilburn suggests that listening, noticing, reading, and stretching our imaginations are all part of an interior stance that can assist with the difficult tasks of forming deep relationships with the land, with Indigenous peoples, and with pedagogy itself. Numinous Seditions is for scholars and readers interested in poetry, environmental philosophy, and in the possibility of a contemplative politics.

Deviant traces a trajectory of queer self-discovery from childhood to adulthood, examining love, fear, grief, and the violence that men are capable of in intimate same-sex relationships. Richly engaged with the tangible and experiential, Patrick Grace's confessional poetry captures profound, sharp emotions, tracking a journey impacted equally by beauty and by brutality. Coming-of-age identity struggles are recalled with wry wit, and dreamlike poems embrace adolescent queer love and connections as a way to cope with the fear and cruelty that can occur in gay relationships. Later poems in the collection recall vivid moments of psychological trauma and stalking and explore the bias of the justice system toward gay men. Collecting memories, dreams, and fears about sexual identity, Deviant makes important contributions to queer coming-of-age and intimate partner violence narratives.