Bøker utgitt av University of Exeter Press

A core text for upper undergraduates and postgraduates taking language, applied linguistics, translation and cultural studies courses in the UK and abroad. Of interest to teachers of languages, other applied linguists, and practising translators and interpreters. Fully revised and expanded edition.

This book brings together a number of specialist scholarly articles published previously in the series Cornish Studies, and presents them in revised form as a history of Cornwall in the early modern period, focusing especially on issues of language, identity and rebellion in the period 1490-1690.

This book is the first sustained and dispassionate study of the role of Freemasonry in everyday social and economic life: why men joined, what it did for them and their families, and how it affected the development of communities and local economies.

An edition, in French, of this 1892 text by Mallarme. Edited, annotated and introduced by Alan Raitt.

Critical edition, edited by Malcolm Cook, of 5-act tragedy by Marie-Joseph Chenier (1764-1811), first performed in 1791.

Sir Vincent Kennett-Barrington was involved in providing humanitarian assistance to both sides in the Franco-Prussian War, after the armistice in eastern France, during the Carlist War in Spain, and other conflicts. A collection of letters home and to the National Aid Society from the front in Spain in the 1870s.

Critical edition of the comedy dating from 1664.

Critical edition, edited by Robert T. Corum, of the early seventeenth-century religions poem by Cesar de Nostredame (1553-1629).

Silent Features is a collection of essays on seventeen feature-length silent films and two silent serial features, their diverse stylistic, generic and structural characteristics, and the national, historical and industrial contexts from which they emerged. Of the 17 films discussed, 15 are still currently available on DVD. 200 b&w illustrations.

Piskies, mermaids, giants, and a revenant bridegroom: the stuff of legend. In the hands of skilled storytellers - the famed droll tellers of Cornwall - the result was magical. Considered in the context of narratives throughout Northern Europe, enchantment can be understood as well as enjoyed in this new way to look at Cornwall. 10b&w illus.

Tracing the development of the University of Exeter over the six decades since it was granted its royal charter in 1955, this book tells the history of the institution and its community. Jeremy Black draws on a wide range of resources, from archival material to the personal recollections of staff and students. He records and analyses the story of the university as it engaged with the need to expand and evolve while responding to constant financial and political pressures. The book includes interviews with leading university figures, contributions from former students, and a postscript looking to the future. It charts the University of Exeter's changing place in the world of higher education.from the author's Preface In 2013-14, I wrote The City on the Hill: A Life of the University of Exeter, which was published in 2015 as part of the university's Diamond Jubilee. That extensively illustrated and very heavy book is a worthy memorial. This is adifferent book: it draws on some additional research, while the opportunity to rewrite the study, and bring it up to date has proved welcome. The work has been greatly eased by the great friendship and wonderful co-operation I haveencountered. Staff and students, past and present, have given much time, to pass on information and opinion, to answer questions, and to read and comment on drafts.'

Privateering, ship design, English society, the lost colonists, the drawing of John White, and the adoption of Sir Walter Raleigh as an American folk hero are among the topics covered in this volume. Illustrated.

This book explores the history of Cornwall`s portrayal on screen, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham's Poldark books. Innovative new research looking at amateur film and newsreels, avant-garde and documentary works alongside mainstream popular film and television. 7 b&w and 13 col. illus.

Silent Features is a collection of essays on seventeen feature-length silent films and two silent serial features, their diverse stylistic, generic and structural characteristics, and the national, historical and industrial contexts from which they emerged. Of the 17 films discussed, 15 are still currently available on DVD. 200 b&w illustrations.

Dialogues Revolutionnaires is an edition of twelve fictional dialogues of the Revolutionary period in which the various interlocuters try to come to terms with an evolving political reality and a language which is constantly developing.

The demise of the Soviet Union, and the emergence of independent republics, have had profound implications for the regions on its periphery such as the Caucasus and Central Asia. This book explores the complex ways in which these republics have found both independence and a new regional identity in their relations with the neighbouring Middle East.

Contains 29 essays on subjects relating to the French Enlightenment, written in 1975 to mark the retirement of Professor Robert Nicklaus, Head of Department of French and Italian at the University of Exeter.

A new edition of Philip Payton's modern classic Cornwall: A History, published now by University of Exeter Press, telling the story of Cornwall from earliest times to the present day. This edition incorporates the latest research and brings the story of Cornwall right up to date, examining the events and debates of the early twenty-first century.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Acting Greek Tragedy explores the dynamics of physical interaction and the dramaturgical construction of scenes in ancient Greek tragedy. Ley argues that spatial distinctions between ancient and modern theatres are not significant, as core dramatic energy can be placed successfully in either context.Guiding commentary on selected passages from Aeschylus, Sophocles and Euripides illuminates the problems involved with performing monologue, dialogue, scenes requiring three actors, and scenes with properties. A companion website - actinggreektragedy.com - offers recorded illustrations of scenes from the Workshops.What the book offers is a practical approach to the preparation of Greek scripts for performance. The translations used have all been tested in workshops, with those of Euripides newly composed for this book.The companion website can be found here: www.actinggreektragedy.com

British Instructional Films was at the centre of a number of issues important to Britain and the Empire in the 1920s: the memory and history of the Great War, national and imperial identities, the role of cinema as a shaper of attitudes and identities, power relations between Britain and the USA and the nature of popular culture as an international contest in its own right.

Besides providing a new appraisal of Guillaume Apollinaire, the foremost French poet of early Modernism and WWI, Translating Apollinaire aims to put the ordinary reader at the centre of the translational project.

The twelfth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.

This edition of Antonio Machado's work offers a complete revision of the interpretations advanced by critics on the first version of Soledades (1903). Based on Machado's original edition it will be the only reliable text on the market of this work, the very embodiment of Spanish modernism. It will offer, as well as the text, a substantial analysis of the changes made for the second edition of 1907 that reveal the progressive influence of Modernismo on Machado's conceptionsUsing new theoretical models, the editor has been able to tell us more about Machado's poetic practice, his evolution as a poet and, consequently, more about the development of Symbolism in Spain than has previously been possible.The text will be useful to specialists of Machado and the period (18901910) and to postgraduates and final-year students working on the period.

Gregoire Le Roy was at school in Ghent with Maeterlinck and Van Leberghe, and grew up in the same atmosphere of intellectual ferment. His first collection of published verse just pre-dates Maeterlinck's Serres chaudes. His fin-de-siecle poetry was highly considered at the time of its first appearance, and was widely published in reviews. He treats all the major themes of the period, with special emphasis on a melancholy tone, half-tint landscapes, overt musicality, and (almost obsessively) the destructive nature of time.This is the first edition since their original publication in 1889 and 1907 of the three collections of poems by a significant member of the Belgian Symbolist school.Republishing Le Roy's early work is an important step in recreating an accurate intellectual portrait of an important and influential movement.

From Goethe to Gide brings together twelve essays on canonical male writers commissioned from leading specialists from Britain and North America. These essays, aimed at final year undergraduates and postgraduates, focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, Gide.