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At the age of ten and without his parents, Easurk Charr, a convert to Christianity, came to Hawa'ii in 1904 to earn enough money to acquire an education and return to his native Korea as a medical missionary. The Golden Mountain is Charr's story of his early years in Korea, his migration to Hawai'i and the American mainland, and the joys and pain of his life as one of some seven thousand Koreans who migrated to the United States between 1903 and 1905. First published in 1961, Charr's memoir offers touching insights into the experience of early Korean immigrants. He tells eloquently of how difficult it was for him to become a naturalized citizen, even after serving in the U.S. Army. An introduction by Wayne Patterson provides a broader perspective on both Charr and the Korean immigrant experience.

Jane Rhodes is professor and department head of African American Studies at the University of Illinois at Chicago. She is the author of Mary Ann Shadd Cary: The Black Press and Protest in the Nineteenth Century.

An expansive tour of the instruments that Bach knew

Examines the regional and national history that shaped Cline's career and the popular culture that she so profoundly influenced with her music.

Exploring the cultural impact of a northern band's southern music

Bringing together the latest and most innovative scholarship on the history of the emotions.

An extensive historical exploration of touch which lies at the heart of our experience of the world

      Meet Aunt Molly Jackson (1880-1960), one of American folklore''s most         fascinating characters.       A coal miner''s daughter, she grew up in eastern Kentucky, married a miner,         and became a midwife, labor activist, and songwriter. Fusing hard experience         with rich Appalachian musical tradition, her songs became weapons of struggle.       In 1931, at age fifty, she was "discovered" and brought north,         sponsored and befriended by an illustrious circle of left-wing intellectuals         and musicians, including Theodore Dreiser, Alan Lomax, and Charles Seeger         and his son Pete. Along with Sarah Ogan Gunning, Jim Garland (two of Aunt         Molly''s half-siblings), Woody Guthrie, Leadbelly, and other folk musicians,         she served as a cultural broker, linking the rural working poor to big-city         left-wing activism.       Shelly Romalis draws upon interviews and archival materials to construct         this portrait of an Appalachian woman who remained radical, raucous, proud,         poetic, offensive, self-involved, and in spirit the "real" pistol         packin'' mama of the song.       "Mr. Coal operator call me anything you please, blue, green, or         red, I aim to see to it that these Kentucky coalminers will not dig your         coal while their little children are crying and dying for milk and bread."                 -- Aunt Molly Jackson