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British blues fan Mike Leadbitter launched the magazine Blues Unlimited in 1963. The groundbreaking publication fueled the then-nascent, now-legendary blues revival that reclaimed seminal figures like Son House and Skip James from obscurity. Throughout its history, Blues Unlimited heightened the literacy of blues fans, documented the latest news and career histories of countless musicians, and set the standard for revealing long-form interviews. Conducted by Bill Greensmith, Mike Leadbitter, Mike Rowe, John Broven, and others, and covering a who''s who of blues masters, these essential interviews from Blues Unlimited shed light on their subjects while gleaning colorful detail from the rough and tumble of blues history. Here is Freddie King playing a string of one-nighters so grueling it destroys his car; five-year-old Fontella Bass gigging at St. Louis funeral homes; and Arthur "Big Boy" Crudup rising from life in a packing crate to music stardom. Here, above all, is an eyewitness history of the blues written in neon lights and tears, an American epic of struggle and transcendence, of Saturday night triumphs and Sunday morning anonymity, of clean picking and dirty deals. Featuring interviews with: Fontella Bass, Ralph Bass, Fred Below, Juke Boy Bonner, Roy Brown, Albert Collins, James Cotton, Arthur "Big Boy" Crudup, Joe Dean, Henry Glover, L.C. Green, Dr. Hepcat, Red Holloway, Louise Johnson, Floyd Jones, Moody Jones, Freddie King, Big Maceo Merriweather, Walter Mitchell, Louis Myers, Johnny Otis, Snooky Pryor, Sparks Brothers, Jimmy Thomas, Jimmy Walker, and Baby Boy Warren.
Richly historical portraits of five exceptional women musicians
Collects material from mid-1970s through 2010 to trace the evolution of ethnomusicological thinking about women, gender, and music, offering a perspective of how questions emerged and changed in those years, as well as Koskoff's reassessment of the early years and development of the field.
Expands the diaspora framework to include Mexico, Peru, Ecuador, and Cuba, exploring the connections and disjunctures between colonial Latin America and the African diaspora in the Spanish empires.
Offers an account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer. As witness to and participant in over a half century of music history, this title provides a sophisticated window into American vernacular music.
Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. The author argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art.
Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, this book ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many.
Focusing on institutional history, this book explores the Pekin Theater's philosophy of hiring only African American staff, its embrace of multi-racial upper class audiences, and its ready assumption of roles as diverse as community center, social club, and fundraising instrument.
Using plantation documents, missionary records, government documents, and oral histories, this book analyzes how the workers interacted with Hawaiian government structures and businesses, how US policies for colonial workers differed from those for citizens or foreigners, and how policies aided corporate and imperial interests.
A provocative reexamination of the shared monotheistic views of Jews and Christians in New Testament times
Discusses College sports' ignominious history of game fixing
Breaking the gender barrier inside a world-class orchestra
Highlights Clinton Jencks's dramatic influence on the history of labour culture in the American Southwest through a lifetime devoted to progress and change for the social good.
Explores the life, work, and persona of saxophonist Fred Ho, an unabashedly revolutionary artist whose illuminating and daring work redefines the relationship between art and politics.
Gathers Ernesto Galarza's key writings, reflecting a constructive concern for the working class in the face of America's growing influence over Mexico's economic system.
Documents country music station WSM's profound effect on the character and self-image of Nashville.
An interdisciplinary compendium of worldwide animal rights issues
Describes how Filipino exiles and immigrants in the United States played a crucial role in overthrowing the dictatorship of former president Ferdinand Marcos.
Rob White's highly readable book, which includes a major new interview with Todd Haynes, is the first comprehensive study of the director's work.
Highlights some of Southern Soul's most popular and important entertainers and provides first-hand accounts from the clubs, show lounges, festivals, and other local venues where these performers work.
Introduces readers to large-scale literary computing and the revolutionary potential of macroanalysis.
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