Bøker utgitt av University of Iowa Press

Looks back through the twentieth century in order to confront issues of self and community in veterans' literature, exploring how war and the military have shaped the identities of Ernest Hemingway, James Salter, and Tim O'Brien, three of the twentieth century's most respected authors.

For fifty years, the music, words, story, and fans of Bob Dylan have fascinated David Gaines. Talking with students, exchanging Dylan trivia with fellow fans, or cheering on fan musicians doing Dylan covers during the Dylan Days festival, Gaines shows that, for many people, being a fan of popular culture couples serious critical and creative engagement with heartfelt commitment.

In Control Bird Alt Delete, the reader is invited to explore strange landscapes: some based on the ruins of New England and others following the architectural prints of the unconscious. The reader walks through woods filled with cellar holes, rock walls, and lilac bushes, and is made to think of people gone missing.

This novella and collection of stories is a moving portrait of American domestic life of the last half-century. Often spanning generations, the stories are defined by subtle shifts in both family relationships and the ways in which we reconfigure them in memory and mind.

An anthology of 100 poems, written by physicians, exploring the connections between medicine and poetry.

Real musicians don't sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to the working musician. By turns melancholy and hilarious, it is not only a deeply felt look at the lives of musicians but also an exploration of the secret music that plays inside us all.

In these intertwined essays on art, music, and identity, Aisha Sabatini Sloan, the daughter of African American and Italian American parents, examines the experience of her mixed-race identity. Embracing the far-ranging stimuli of her media-obsessed upbringing, she grasps at news clippings, visual fragments, and lyrics from past and present in order to weave together a world of sense.

In Must a Violence, the tones and personalities vary widely but trust is always placed in the five senses. These poems gather and relay extraordinary sense data, from inaudible sounds to long-absent smells. These deeply musical poems demand the reader attend to their sounds: to the waveforms, repetitions, durations, and delicate interrelationships of words.

By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime, Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity.

The stories of Safe as Houses are magical and original and help answer such universal and existential questions as: How far will we go to stay loyal to our friends? Can we love a man even though he is inches shorter than our ideal? Why doesn't Bob Dylan ever have his own smokes? And are there patron saints for everything, even lost socks and bad movies?

In this whip-smart study, Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell.

Examines four emblematic small-town libraries in the US Midwest from the late nineteenth century through the federal Library Service Act of 1956, and shows that these institutions served a much different purpose than is so often perceived. Rather than acting as neutral institutions that are vital to democracy, these libraries were actually mediating community literary values and providing a public space for the construction of social harmony.

In this modern-day picaresque, Peter Selgin narrates an artist's journey from unconventional roots through gritty experience to artistic achievement. With an elegant narrative voice that is, by turns, frank, witty, and acid-tongued, Selgin confronts his past while coming to terms with approaching middle age, reaching self-understanding tempered by reflection, regret, and a sharply self-deprecating sense of humour.