Bøker utgitt av University of Iowa Press

In July 1976, a 24 year-old white woman, Margo Olson, was found in a grave in Stamford, Connecticut, with an arrow piercing through her heart. A few weeks later, Howie Carter, her black boyfriend, was killed by the police. Looking back at what might have happened, the author discovers a Bicentennial year steeped in recession, racism, and violence.

At the edge of a field a thought waits"", writes Cassie Donish, in her collection that explores the conflicting diplomacies of body and thought while stranding us in a field, in a hospital, on a shoreline. These are poems that assess and dwell in a sensual, fantastically queer mode.

Blends both the personal and the historical to complicate our understanding of the development of the Midwest, while also serving as a testament to the resilience of the Dakota and other indigenous peoples who have lived in this region from time immemorial.

Unifying personal narrative and cultural commentary, Kendra Allen's collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues.

Greg Hoch combines natural history, land management, scientific knowledge, and personal observation to examine one of the oddest birds in North America. Woodcock have a complex life history and the management of their habitat is also complex. The health of this bird can be considered a key indicator of what good forests look like.

More than a chronicle, America in the Round is a critical history that reveals how far Washington D.C.'s Arena Stage could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power.

As more and more fans rush online to share their thoughts on their favorite shows or video games, they might feel like the process of providing feedback is empowering. However, as fan studies scholar Mel Stanfill argues, these industry invitations for fan participation indicate not greater fan power but rather greater fan usefulness.

An examination of the ways in which the theatre after World War II has presented different aspects of the French Revolution and the Holocaust. The book shows that by ""performing history"" actors - as witnesses for the departed witnesses - bring the historical past and theatrical present together.

In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens.

Asks how the many options for distributing books and newspapers shaped the way writers wrote and readers read. Writers like Walt Whitman spoke to the imagination inspired by media transformations by calling attention to connectedness, to how literature not only moves us emotionally, but moves around in the world among people and places.

Analyses the development of American gothic literature alongside nineteenth-century discourses of passing and racial ambiguity. By bringing together these areas of analysis, Justin Edwards considers how the categories of ""race"" and the rhetoric of racial difference are tied to the language of gothicism.

Rukmini Pande's examination of race in fan studies will make an immediate contribution to the growing field. Until now, virtually no sustained examination of race and racism in transnational fan cultures has taken place, a lack that is concerning given that current fan spaces have never been more vocal about issues of privilege and discrimination.

Humanities scholars, in general, often have a difficult time explaining why their work matters, and eighteenth-century literary scholars are no exception. To remedy this problem, Bridget Draxler and Danielle Spratt offer this collection of essays to defend the field's relevance and demonstrate its ability to help us understand current events.

Examines the role that language played at the turn of the nineteenth century as a marker of one's identity. Focusing on six eccentric characters of the time, Tim Cassedy shows how each put language at the centre of their identities and lived out the possibilities of their era's linguistic ideas.

Shedding light on the importance of collaborative creative public projects, Contested City bridges art, design, community activism, and urban history. This is a book for artists, planners, scholars, teachers, cultural institutions, and all those who seek to collaborate in new ways with communities.

From baby boomers to millennials, attending a big music festival has basically become a cultural rite of passage in America. In Half a Million Strong, music writer and scholar Gina Arnold explores the history of large music festivals in America and examines their impact on American culture.

In the spirit of Tove Jansson, William Blake, and Calvin & Hobbes, The Lightning Jar contains a volatile mix of innocence and experience, faith and doubt, nostalgia and a sense of all there is to gain by accepting reality on fresh terms.

In this thought-provoking collection, Sri Lankan immigrants grapple with events that challenge perspectives and alter lives.

Set on the coast of Maine and in the high desert of New Mexico in the late 1970s through the early '80s, Buddhism for Western Children is a universal and timeless story of a boy who must escape subjugation, tell his story, and reclaim his soul.

After the second World War, ""technology"" came to signify both the anxieties of possible annihilation in a changing world and the exhilaration of accelerating cultural change. This book examines how some of the most well-known writers of the era described the tensions between technical, literary, and media cultures at the dawn of the Digital Age.

In this engrossing history of the Hawkeye State, Dorothy Schwieder brings her seasoned insight to the story of the Middle Land. Iowa emerges here as a place of fascinating grassroots politics, economic troubles and triumphs, surprising cultural diversity, and unsung natural beauty. Above all, this is the history of the people of Iowa and the lives they have led - the accomplishments of both ordinary and not-so-ordinary Iowans. The twenty-ninth state was admitted to the Union on December 29, 1846. After 150 years of statehood, The Middle Land gives a fresh perspective on what happened in Iowa and why. It also looks at where it happened. The underlying theme is Iowa's location in the center of the United States and the implications of that middle land status. From grasslands to factories, Black Hawk to Branstad, Schwieder takes the reader on a compelling journey. She presents the experience of seventeenth- and eighteenth-century Native Americans in the Iowa region; the beginning of white settlement; and the subsequent development of social, educational, and economic institutions. In often arresting detail, Schwieder recounts recent episodes of Iowa's history, such as the farm crisis of the 1980s and the initiation of the lottery and casino gambling. She explores previously neglected areas and issues of social history - women, minorities, community, and Prohibition. Dorothy Schwieder has given us a most valuable addition to our understanding of America's "purest of prairie states". Iowa: The Middle Land is well suited for college history courses and senior-high courses. It is a fine library reference for all Iowans (and non-Iowans) wishing to know more about the state's history. The bookuniquely emphasizes Iowa's economic and social history and draws on manuscript sources not previously cited in general histories of Iowa.

Was it a crater or a sinkhole?"" asks a voice in one of the mysterious, wonderstruck poems in Christopher Bolin's Form from Form, whose cadences modulate with the energies of form-making, deformation, and elusive reformation.

Provides the first in-depth study of the historic American Negro Theatre (ANT) and its lasting influence on American popular culture. Founded in 1940 in Harlem, the ANT successfully balanced expressions of African American consciousness with efforts to gain white support for the burgeoning civil rights movement.

Examines late twentieth-and early twenty-first-century poetics and praxis within and against the dynamic, disparate legacy of Objectivism and the Objectivists. This is the first volume in the field to investigate the continuing relevance of the Objectivist ethos to poetic praxis in our time.

Believe it or not, Waterloo, Iowa, had an NBA team during the league's first season, 1949 to 1950. Broadcaster and independent sports historian Tim Harwood uncovers the fascinating story of the Waterloo Hawks and the Midwest's influence on professional basketball.

Through meticulous reporting, in-depth interviews with key players, and a mind for labor and environmental histories, Lynn Waltz weaves a fascinating tale of the nearly two-decade struggle that eventually brought justice to the workers and accountability to the food giant, pitting the world's largest slaughterhouse against the world's largest meatpacking union.

When Barry Phipps relocated to Iowa City from Chicago in 2012, he knew nothing of Iowa. He began taking day trips across Iowa in the spirit of wonder and discovery. Along the way he plied his trade, taking photographs. Inspired by such seminal work as Robert Frank's The Americans, this is a unique vision of the Midwest and Iowa.

Explores poetry written by women from the United States and Canada, which documents the social and political turmoil of the early twenty-first century and places this poetry in dialogue with recent currents of feminist theory including new materialism, affect theory, posthumanism, and feminist engagements with neoliberalism and capitalism.