Bøker utgitt av University of Minnesota Press

A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

Staci Lola Drouillard, a descendant of the Grand Portage Band of Lake Superior Anishinaabe, is the development director at WTIP Community Radio in Grand Marais, Minnesota, and was for many years the producer of two original radio series, Walking the Old Road: The History of Chippewa City and the Grand Marais Chippewa and Anishinaabe Way, an exploration of contemporary Ojibwe life through interviews and storytelling.

The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection,┬áThis Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.” Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.” Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.

Alan C. Love is professor of philosophy and director of the Minnesota Center for Philosophy of Science at the University of Minnesota.¿William C. Wimsatt is Peter B. Ritzma Professor of Philosophy Emeritus at the University of Chicago, and Winton Chair in the Liberal Arts and professor of philosophy at the University of Minnesota. He is author of Re-Engineering Philosophy for Limited Beings: Piecewise Approximations to Reality.

Rebecca Schneider is professor of theatre arts and performance studies at Brown University. She is the author of¿Theatre and History,¿Performing Remains: Art and War in Times of Theatrical Reenactment, and¿The Explicit Body in Performance. Jussi Parikka is professor of technological culture and aesthetics at University of Southampton. He is the author of¿A Slow Contemporary Violence,¿A Geology of Media¿(Minnesota, 2015),¿The Anthrobscene¿(Minnesota, 2014),¿What Is Media Archaeology?,¿Insect Media: An Archaeology of Animals and Technology¿(Minnesota, 2010), and¿Digital Contagions: A Media Archaeology of Computer Viruses. Ioana B. Jucan is an artist and researcher in theatre and performance studies at Brown University. She is the author of Cosmology of Worlds Apart.

Elisabeth von Samsonow is an artist, writer, curator, and professor of philosophical and historical anthropology at the Academy of Fine Arts Vienna. Two of her books have been translated into English: Transplants and Epidemic Subjects—Radical Ontology.¿Anita Fricek is an Australian artist based in Vienna.¿Stephen Zepke is an independent researcher and author of Sublime Art: Towards an Aesthetics of the Future.¿

Based on author's thesis (Ph. D., University of Victoria, 2010).

Nick Estes is Kul Wicasa, a citizen of the Lower Brule Sioux Tribe. He is assistant professor of American studies at the University of New Mexico; cofounder of The Red Nation, an organization dedicated to Indigenous liberation; and author of Our History Is the Future: Standing Rock versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance.Jaskiran Dhillon is a first-generation anticolonial scholar and organizer who grew up on Treaty Six Cree Territory in Saskatchewan, Canada. She is associate professor of global studies and anthropology at The New School and author of Prairie Rising: Indigenous Youth, Decolonization, and the Politics of Intervention.

Revision of the author's thesis (doctoral--Boston University, 2014) under the title: The decorated tenement: working-class housing in Boston and New York, 1860-1910.

"This book explores how bicycle infrastructure planning, once a fringe concern of progressive environmentalism, has become a key horizon of urban development. Using case studies from San Francisco, Oakland, Detroit, and Philadelphia, it shows how bicycling has been redefined as critical to the competitive 21st century city, reinscribing race and class inequalities in mobility in the process"--