Bøker utgitt av University of Minnesota Press

Igniting political power through the lens of art and the imaginationPostpolitics and the Aesthetic Imagination investigates the erosion of meaningful political action in today's world. Gathering together writings from an array of scholars, editor Juan Meneses asks: can an aesthetic theory of postpolitics help us understand and counteract the most insidious processes of depoliticization? The contributors to this volume explore how the aesthetic imagination can play a crucial role in reenvisioning key political elements, including governance, agency, rights, and responsibility. With a survey of various artistic mediums-film, dance, music, literature, and digital media-the essays illustrate how the aesthetic can reveal ways to breathe new life into the work of emancipatory politics. Reclaiming the arts and humanities as vital to political life, the contributors revisit but also move beyond the social sciences' central focus on neoliberalism and public administration to address other topics such as tech-capitalism, race, environmental violence, and patriarchy. Postpolitics and the Aesthetic Imagination argues for a conscious deployment of aesthetics to resist political anesthesia and promote a more just society, underscoring the role of the imagination in political engagement and change. Contributors: Jacquelyn Arcy, U of Wisconsin-Parkside; Christopher Breu, Illinois State U; Stephen Charbonneau, Florida Atlantic U; Eric Lemmon, Webster U; Robert P. Marzec, Purdue U; Allison Page, Rutgers U-Camden; Matthew Scully, U of Lausanne; Eric Swyngedouw, U of Manchester; Sherryl Vint, U of California, Riverside.

Igniting political power through the lens of art and the imaginationPostpolitics and the Aesthetic Imagination investigates the erosion of meaningful political action in today's world. Gathering together writings from an array of scholars, editor Juan Meneses asks: can an aesthetic theory of postpolitics help us understand and counteract the most insidious processes of depoliticization? The contributors to this volume explore how the aesthetic imagination can play a crucial role in reenvisioning key political elements, including governance, agency, rights, and responsibility. With a survey of various artistic mediums-film, dance, music, literature, and digital media-the essays illustrate how the aesthetic can reveal ways to breathe new life into the work of emancipatory politics. Reclaiming the arts and humanities as vital to political life, the contributors revisit but also move beyond the social sciences' central focus on neoliberalism and public administration to address other topics such as tech-capitalism, race, environmental violence, and patriarchy. Postpolitics and the Aesthetic Imagination argues for a conscious deployment of aesthetics to resist political anesthesia and promote a more just society, underscoring the role of the imagination in political engagement and change. Contributors: Jacquelyn Arcy, U of Wisconsin-Parkside; Christopher Breu, Illinois State U; Stephen Charbonneau, Florida Atlantic U; Eric Lemmon, Webster U; Robert P. Marzec, Purdue U; Allison Page, Rutgers U-Camden; Matthew Scully, U of Lausanne; Eric Swyngedouw, U of Manchester; Sherryl Vint, U of California, Riverside.

"Kitchens of Hope brings together recipes and memories from immigrants to America who hail from more than thirty countries and come from vastly varied circumstances, offering a glimpse into their kitchens and insight into their lives. This vibrant cookbook is structured around the contributors' personal stories of their journeys, reflecting community, resilience, opportunity, justice, hope, and celebration"--

Offers much-needed care models beyond capitalist constraints For too long, questions of care provision and inclusion have been shaped by economic justifications. This has led to the deprivation of care to individuals and communities based on capitalist assumptions about what and who can be cared for. Proposals for a Caring Economy takes these assumptions to task. Moving between examples focused on immigration and agriculture, patients and art audiences, green energy transitions and unhoused people, prison abolitionists and clients of domestic violence services, the contributors here argue that we need new ways to conceptualize care and its applications. Proposals for a Caring Economy articulates an economy that situates care at the forefront; that sees the preservation of individual, community, and environmental wellbeing as the primary good; and that focuses attention on building a sustainable economy of caring that will radically transform social connections and possibilities. Contributors: Chelsey R. Carter, Yale U; David McDermott Hughes, Rutgers U; Stephanie Delise Jones, U of California, Riverside; Sameena Mulla, Emory U; Katy Overstreet, Saxo Institute, U of Copenhagen; Michelle Parsons, Northern Arizona U; Adair Rounthwaite, U of Washington; Damien M. Sojoyner, U of California, Irvine; Emily Yates-Doerr, Oregon State U.

The role of modernist interior design in the construction of Italian nationalism Along with the rise of Mussolini's fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime's politics were overtly manifest in monumental government architecture, Furnishing Fascism examines the subtler role of household goods and decor in the cultivation of Italy's sense of national identity. Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Ignacio G. Galán explores how seemingly benign products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country's colonial territories, Italy's modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony. Interweaving interior design theory, architectural history, and film scholarship, Furnishing Fascism reexamines the period's so-called minor arts to reveal the entanglement of modernist aesthetics and nation-building in early twentieth-century Italy and offers valuable insight into the complications of artistic production under the auspices of authoritarian power.

Lumberjacks: the men, the myth, and the making of an American legend The folk hero Paul Bunyan, burly, bearded, wielding his big ax, stands astride the story of the upper Midwest—a manly symbol of the labor that cleared the vast north woods for the march of industrialization while somehow also maintaining an aura of pristine nature. This idea, celebrated in popular culture with songs and folktales, receives a long overdue and thoroughly revealing correction in Gentlemen of the Woods, a cultural history of the life and lore of the real lumberjack and his true place in American history. Now recalled as heroes of wilderness and masculinity, lumberjacks in their own time were despised as amoral transients. Willa Hammitt Brown shows that nineteenth-century jacks defined their communities of itinerant workers by metrics of manhood that were abhorrent to the residents of the nearby Northwoods boomtowns, valuing risk-taking and skill rather than restraint and control. Reviewing songs, stories, and firsthand accounts from loggers, Brown brings to life the activities and experiences of the lumberjacks as they moved from camp to camp. She contrasts this view with the popular image cultivated by retreating lumber companies that had to sell off utterly barren land. This mythologized image glorified the lumberjack and evoked a kindly, flannel-wearing, naturalist hero. Along with its portrait of lumberjack life and its analysis of the creation of lumberjack myth, Gentlemen of the Woods offers new insight into the intersections of race and social class in the logging enterprise, considering the actual and perceived roles of outsider lumberjacks and Native inhabitants of the northern forests. Anchored in the dual forces of capitalism and colonization, this lively and compulsively readable account offers a new way to understand a myth and history that has long captured our collective imagination.