Bøker utgitt av University of Minnesota Press

Igniting political power through the lens of art and the imaginationPostpolitics and the Aesthetic Imagination investigates the erosion of meaningful political action in today's world. Gathering together writings from an array of scholars, editor Juan Meneses asks: can an aesthetic theory of postpolitics help us understand and counteract the most insidious processes of depoliticization? The contributors to this volume explore how the aesthetic imagination can play a crucial role in reenvisioning key political elements, including governance, agency, rights, and responsibility. With a survey of various artistic mediums-film, dance, music, literature, and digital media-the essays illustrate how the aesthetic can reveal ways to breathe new life into the work of emancipatory politics. Reclaiming the arts and humanities as vital to political life, the contributors revisit but also move beyond the social sciences' central focus on neoliberalism and public administration to address other topics such as tech-capitalism, race, environmental violence, and patriarchy. Postpolitics and the Aesthetic Imagination argues for a conscious deployment of aesthetics to resist political anesthesia and promote a more just society, underscoring the role of the imagination in political engagement and change. Contributors: Jacquelyn Arcy, U of Wisconsin-Parkside; Christopher Breu, Illinois State U; Stephen Charbonneau, Florida Atlantic U; Eric Lemmon, Webster U; Robert P. Marzec, Purdue U; Allison Page, Rutgers U-Camden; Matthew Scully, U of Lausanne; Eric Swyngedouw, U of Manchester; Sherryl Vint, U of California, Riverside.

Igniting political power through the lens of art and the imaginationPostpolitics and the Aesthetic Imagination investigates the erosion of meaningful political action in today's world. Gathering together writings from an array of scholars, editor Juan Meneses asks: can an aesthetic theory of postpolitics help us understand and counteract the most insidious processes of depoliticization? The contributors to this volume explore how the aesthetic imagination can play a crucial role in reenvisioning key political elements, including governance, agency, rights, and responsibility. With a survey of various artistic mediums-film, dance, music, literature, and digital media-the essays illustrate how the aesthetic can reveal ways to breathe new life into the work of emancipatory politics. Reclaiming the arts and humanities as vital to political life, the contributors revisit but also move beyond the social sciences' central focus on neoliberalism and public administration to address other topics such as tech-capitalism, race, environmental violence, and patriarchy. Postpolitics and the Aesthetic Imagination argues for a conscious deployment of aesthetics to resist political anesthesia and promote a more just society, underscoring the role of the imagination in political engagement and change. Contributors: Jacquelyn Arcy, U of Wisconsin-Parkside; Christopher Breu, Illinois State U; Stephen Charbonneau, Florida Atlantic U; Eric Lemmon, Webster U; Robert P. Marzec, Purdue U; Allison Page, Rutgers U-Camden; Matthew Scully, U of Lausanne; Eric Swyngedouw, U of Manchester; Sherryl Vint, U of California, Riverside.

"Kitchens of Hope brings together recipes and memories from immigrants to America who hail from more than thirty countries and come from vastly varied circumstances, offering a glimpse into their kitchens and insight into their lives. This vibrant cookbook is structured around the contributors' personal stories of their journeys, reflecting community, resilience, opportunity, justice, hope, and celebration"--

Offers much-needed care models beyond capitalist constraints For too long, questions of care provision and inclusion have been shaped by economic justifications. This has led to the deprivation of care to individuals and communities based on capitalist assumptions about what and who can be cared for. Proposals for a Caring Economy takes these assumptions to task. Moving between examples focused on immigration and agriculture, patients and art audiences, green energy transitions and unhoused people, prison abolitionists and clients of domestic violence services, the contributors here argue that we need new ways to conceptualize care and its applications. Proposals for a Caring Economy articulates an economy that situates care at the forefront; that sees the preservation of individual, community, and environmental wellbeing as the primary good; and that focuses attention on building a sustainable economy of caring that will radically transform social connections and possibilities. Contributors: Chelsey R. Carter, Yale U; David McDermott Hughes, Rutgers U; Stephanie Delise Jones, U of California, Riverside; Sameena Mulla, Emory U; Katy Overstreet, Saxo Institute, U of Copenhagen; Michelle Parsons, Northern Arizona U; Adair Rounthwaite, U of Washington; Damien M. Sojoyner, U of California, Irvine; Emily Yates-Doerr, Oregon State U.

Lumberjacks: the men, the myth, and the making of an American legend The folk hero Paul Bunyan, burly, bearded, wielding his big ax, stands astride the story of the upper Midwest—a manly symbol of the labor that cleared the vast north woods for the march of industrialization while somehow also maintaining an aura of pristine nature. This idea, celebrated in popular culture with songs and folktales, receives a long overdue and thoroughly revealing correction in Gentlemen of the Woods, a cultural history of the life and lore of the real lumberjack and his true place in American history. Now recalled as heroes of wilderness and masculinity, lumberjacks in their own time were despised as amoral transients. Willa Hammitt Brown shows that nineteenth-century jacks defined their communities of itinerant workers by metrics of manhood that were abhorrent to the residents of the nearby Northwoods boomtowns, valuing risk-taking and skill rather than restraint and control. Reviewing songs, stories, and firsthand accounts from loggers, Brown brings to life the activities and experiences of the lumberjacks as they moved from camp to camp. She contrasts this view with the popular image cultivated by retreating lumber companies that had to sell off utterly barren land. This mythologized image glorified the lumberjack and evoked a kindly, flannel-wearing, naturalist hero. Along with its portrait of lumberjack life and its analysis of the creation of lumberjack myth, Gentlemen of the Woods offers new insight into the intersections of race and social class in the logging enterprise, considering the actual and perceived roles of outsider lumberjacks and Native inhabitants of the northern forests. Anchored in the dual forces of capitalism and colonization, this lively and compulsively readable account offers a new way to understand a myth and history that has long captured our collective imagination.

"In this indispensable collection, digital humanities practitioners and scholars work with a wide range of archival materials to confront key challenges surrounding the adaptation and sustainability of digital editorial projects and their societal impact. From addressing outdated technical infrastructures to fostering new collaborations, Futures of Digital Scholarly Editing serves as a guide through the complexities of digital editing in an era of profound technological and societal transformation"--

"Creature Needs is a polyvocal call to arms about animal extinction and habitat loss that harnesses the power of literature and scientific research to spur action and change. A collection of new literary works by prominent writers paired with excerpts from recent scientific articles that inspired and informed them, this innovative anthology engages the collaborative spirit and energy that is necessary to address the impact of humans on all other creatures on our planet."--

Exploring technology, ethics, and culture to unlock digital scholarship's futureFutures of Digital Scholarly Editing navigates the ever-shifting terrain of digital academia, examining practical and ethical considerations as technology continues to evolve. In this indispensable collection, digital humanities practitioners and scholars work with a wide range of archival materials to confront key challenges surrounding the adaptation and sustainability of digital editorial projects as well as their societal impact. Broaching essential questions at the nexus of technology and culture, Futures of Digital Scholarly Editing is organized around three principal frameworks: access, sustainability, and interoperability; ethics and community involvement; and the evolution of textual scholarship. From addressing outdated technical infrastructures to fostering new collaborations, this volume serves as a beacon guiding scholars and institutions through the complexities of digital editing in an era of profound technological and societal transformation. Contributors: Stephanie P. Browner, The New School; Julia Flanders, Northeastern U; Ed Folsom, U of Iowa; Nicole Gray, U of Nebraska-Lincoln; Cassidy Holahan, U of Nevada, Las Vegas; Fotis Jannidis, U of Würzburg; Aylin Malcolm, U of Guelph; Sarah Lynn Patterson, U of Massachusetts Amherst; Elena Pierazzo, U of Tours; K.J. Rawson, Northeastern U; Whitney Trettien, U of Pennsylvania; John Unsworth, U of Virginia; Dirk Van Hulle, U of Oxford; Robert Warrior, U of Kansas; Marta L. Werner, Loyola U Chicago. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.