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Looks into the early history of the baseball game and of the 150-year-old debate about its beginnings. This title tackles one stubborn misconception after another, debunking the enduring belief that baseball descended from the English game of rounders and revealing an explanation for the notorious myth - the Abner Doubleday-Cooperstown story.

In Of Corn and Catholicism Andrea Maria McComb Sanchez examines the development of the patron saint feast days among Eastern Pueblo Indians of New Mexico from the seventeenth century to the late nineteenth century. Focusing on the ways Pueblo religion intertwined with Spanish Catholicism, McComb Sanchez explores feast days as sites of religious resistance, accommodation, and appropriation. McComb Sanchez introduces the term "bounded incorporation" to conceptualize how Eastern Pueblo people kept boundaries flexible: as they incorporated aspects of Catholicism, they changed Catholicism as well, making it part of their traditional religious lifeways. McComb Sanchez uses archival and published primary sources, anthropological records, and her qualitative fieldwork to discuss how Pueblo religion was kept secret and safe during the violence of seventeenth-century Spanish colonialism in New Mexico; how Eastern Pueblos developed strategies of resistance and accommodation, in addition to secrecy, to deal with missionaries and Catholicism in the eighteenth and early nineteenth centuries; how patron saint feast days emerged as a way of incorporating a foreign religion on the Pueblo's own terms; and how, by the later nineteenth century, these feast days played significant roles in both Pueblo and Hispano communities through the Pueblos' own initiative.

Boston is a city known for its sports as well as its troubled racial reputation. But generations of Black athletes, teams, sportswriters, and front-office executives have exercised historic influence in Boston over the years as they advocated for racial integration and transformed their sports into modes of racial pride, resistance, and cultural expression. Race and Resistance in Boston goes beyond the familiar topics associated with the city's premiere professional teams, the Red Sox and Celtics, to recount the long history of Black sporting culture in the city. This collection of essays takes a closer look at Black Bostonians' involvement in sports as varied as soccer, cricket, boxing, baseball, golf, tennis, basketball, and hockey--and illuminates the effect of Boston's desegregation and busing crisis on scholastic athletics in the 1970s and 1980s. With personal reminiscences from former Patriot Devin McCourty and journalist Bijan Bayne and research from scholars of sport, Race and Resistance in Boston captures the intersection of Black history and sporting culture in America's City on a Hill.

Star Bound is a book for anyone who wants to learn about the American space program but isn't sure where to start. First and foremost, it's a history--short, sweet, and straightforward. From rocketry pioneer Robert Goddard's primitive flight tests in 1926 through the creation of NASA, from our first steps on the moon to construction of the International Space Station and planning a trip to Mars, readers will meet the people and projects that have put the United States at the forefront of space exploration. Along the way, they'll learn: - How the United States beat the Soviets to the moon - Why astronauts float in space (Hint: It's not for lack of gravity!) - How fast rockets have to go to stay in orbit around Earth - How we can "look back in time" through a space telescope With technology evolving and humanity's understanding of the universe expanding, we are entering an exciting period of space exploration. Authored by two veteran space writers with unique insights into the topic, Star Bound offers up the story of Americans in space with a focus on the cultural and societal contexts of the country's most important missions rather than engineering and technical minutiae. Vibrant, positive, and humorous, Star Bound is packed with facts and stories for novice space fans. And sprinkled in with the history are lists of the greatest space songs, books, movies, and more--all designed to make space exploration accessible to even the casual reader.

Winner of the Sillerman First Book Prize for African Poets The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological. Here, the camera, the closed-circuit TV, cinematographic techniques, and the cyborg are trusted for truth-telling. Reality is represented in footage seen through the eyes of multifaceted speakers. In Abu Bakr Sadiq's exploration of northern Nigeria in speculative poetry, the lyrical meets the chronicle. In this fusion of Afrofuturism with experimental poetic techniques, the reader witnesses a country ravaged by terrorism and the consequences of war, as well as the effects of these on those who survive. While the tone is grave with concern and conscience, the poems do not take the easy route of sentiment. Instead, attention is paid to structure--from the erasure poems that are informed by the theme of disappearance to the contrapuntal poems that are influenced by the testaments of leaving.

Taking Charge, Making Change gives voice to generations of Native people--from Crow Creek, Lower Brule, and other reservations in North Dakota and South Dakota--who shaped a school originally designed to foster Catholicism and assimilation. Local initiatives and collaboration transformed the Catholic Stephan Mission boarding school into the Crow Creek Tribal School, which now features both tribal traditions and American educational programs. Through archival research and interviews with parents, graduates, teachers, and staff at Crow Creek and the surrounding community, Robert W. Galler Jr. places Native students at the heart of the narrative, demonstrating multifaceted family connections at a nineteenth-century, on-reservation religious school that evolved into a tribally-run institution in the 1970s. He shows numerous ways that community members worked with Catholic leaders and ultimately transformed their mindsets and educational approaches over nearly a century. While recognizing the many challenges and tragedies that Native students endured, Galler highlights the creativity, collaborations, and contributions of the students and graduates to their communities. Taking Charge, Making Change shows how individuals and families helped to found the school, maintain enrollment, secure funding, and influence school policies. Its graduates went on to serve with distinction in the U.S. military, earned advanced degrees after college, joined and led tribal councils in North and South Dakota, helped their communities push back against federal policies, and continue to run their own education system.

Willie McCovey, known as "Stretch," played Major League Baseball from 1959 to 1980, most notably as a member of the San Francisco Giants for nineteen seasons. A fearsome left-handed power hitter, McCovey ranked second only to Babe Ruth in career home runs among left-handed batters, and tied for eighth overall with Ted Williams, at the time of his retirement. He was a six-time All-Star, three-time National League home run champion, and 1969 league MVP, and he was inducted into the Baseball Hall of Fame in 1986 in his first year of eligibility. Known as a dead-pull line-drive hitter, McCovey was called "the scariest hitter in baseball" by pitcher Bob Gibson. Born in Mobile, Alabama, McCovey encountered daunting hurdles, such as Jim Crow laws that prevented him from playing organized ball as a youth and playing for Major League managers such as Tom Sheehan and Alvin Dark who took a dim view of his abilities. But neither that nor other difficulties on the field--the platooning, the slights, the unrelenting injuries--seemed to affect McCovey as he remained grateful to be playing baseball. McCovey was the most treasured Bay Area icon of all, a humble, approachable superstar who earned the admiration of seemingly everyone he encountered. McCovey's life wasn't measured in his home run and RBI totals, though those were impressive. His greatest significance lay in the warmth and respect he extended and which others reciprocated. These elements elevated McCovey to a pantheon where relatively few athletes reside. He remains synonymous with not just the team he ennobled but also the city he represented. In A Giant among Giants, the first biography of McCovey, who passed away in 2018 at the age of eighty, Chris Haft tells the story of one of baseball's best hitters and most beloved players.

Free Listening offers a radical reframing of seemingly intractable debates and polarized positions on free speech, academic freedom, systemic injustice, and political dissent by shifting attention from our voices to our ears. Instead of reclaiming the terrain of free speech that is increasingly ceded to conservatives, Naomi Waltham-Smith argues that progressives should assume a more radical task--to liberate listening from those frameworks that have determined what freedom looks like, who enjoys it, and at what cost. Refocusing on aural responsiveness forces a confrontation with the liberal tradition that has traditionally anchored claims for freedom of expression and inquiry. If listening is placed at the heart of public deliberation and disagreeing well, the relational, open-ended, and unpredictable character of free expression becomes a common good. In a wide-ranging critical reflection on issues from civility to criticality, righteous anger to gentle listening, and silencing to streaming platforms, Free Listening makes an ambitious contribution to sound studies and political philosophy. Weaving together deconstruction, Black political thought, and decolonial theory, Waltham-Smith argues that the retort to accusations of "cancel culture" should be a revival of abolition democracy.

In earlier work Patrick Colm Hogan argued that a few story genres--heroic, romantic, sacrificial, and others--recur prominently across separate literary traditions. These structures recur because they derive from important emotion-motivation systems governing human social interaction, such as group pride and shame. In Colonialism and Literature Hogan extends this work to argue that these genres play a prominent role in the fashioning of postcolonization literature--literature encompassing both the colonial and postcolonial periods. Crucially, colonizers and colonized people commonly understand and explain their situation in terms of these narrative structures. In other words, the stories we tell to some degree simply reflect the facts. But we also tend to interpret our condition in terms of genre, with the genre guiding us about what to record and how to evaluate it. Hogan explores these consequential processes in theoretical and literary analysis, presenting extended, culturally and historically specified interpretations of works by Pádraic Pearse (Ireland), Ngũgĩ wa Thiong'o (Kenya), Yasujiro Ozu (Japan), J. M. Coetzee (South Africa), Margaret Atwood (Canada), Rabindranath Tagore (India), Abderrahmane Sissako (Mali), and Dinabandhu Mitra (India).

In recent years the Grand Staircase-Escalante National Monument in southern Utah has figured prominently in the long and ongoing struggle over the meaning and value of America's public lands. In 1996 President Bill Clinton used the Antiquities Act to create the monument, with the goal of protecting scientific and historic resources. His action incensed Utah elected officials and local residents who were neither informed nor consulted beforehand, and opposition to the monument has continued to make its day-to-day management problematic. In 2017 President Donald Trump reduced the monument's size, an action immediately challenged by multiple lawsuits; subsequently, President Joe Biden restored the monument in 2021. In Public Land and Democracy in America Julie Brugger brings into focus the perspectives of a variety of groups affected by conflict over the monument, including residents of adjacent communities, ranchers, federal land management agency employees, and environmentalists. In the process of following management disputes at the monument over the years, Brugger considers how conceptions of democracy have shaped and been shaped by the regional landscape and by these disputes. Through this ethnographic evidence, Brugger proposes a concept of democracy that encompasses disparate meanings and experiences, embraces conflict, and suggests a crucial role for public lands in transforming antagonism into agonism.