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"When New Mexico became part of the United States, the territory contained 295 land grants, the largest of these being the Maxwell Land Grant. The size and boundaries of the grant were disputed, with some believing that much of the land was public domain. Settlers on this land were fought not only by the land grant owners but also by a group of corrupt politicians and lawyers-known as the Santa Fe Ring (most notably Thomas Catron and Stephen Elkins)-who tried to use the situation for personal profit and land acquisition. The fight escalated in late 1875 with the assassination of Reverend F. J. Tolby, an outspoken critic of the Santa Fe Ring. In a confession one of the assassins stated that men connected to the ring had paid to have Tolby killed. Outrage, civil unrest, and more murders followed. The town of Cimarron alone was the scene of a lynching, a barroom gunfight in the St. James Hotel involving legendary gunman Clay Allison, and a nighttime murder of a prisoner. For a time the troubles in New Mexico were ignored by the federal government. But in 1878 the murder of John Tunstall set off a wave of violence known as the Lincoln County War. Following that, a letter came to light that appeared to show that the governor of the territory, Samuel B. Axtell, planned a mass execution of critics of the Santa Fe Ring, who he considered to be agitators in the Colfax County troubles. Finally, officials in Washington took notice and sent Frank W. Angel with orders to investigate the violence, murders, and corruption that plagued the territory. Following his investigation, Angel concluded, "It is seldom that history states more corruption, fraud, mismanagement, plots and murders, than New Mexico, has been the theatre under the administration of Governor Axtell." The actions taken as a result of Angel's investigation wouldn't end the violence in New Mexico, but they did lead to the end of the Colfax County War."--

The first systematic inquiry into the Texas Rangers did not begin until 1935 with Walter Prescott Webb's publication The Texas Rangers. Since then numerous works have appeared on the Rangers, but no volume has been published before that covers the various historians of the Rangers and their approaches to the topic. Editors Bruce A. Glasrud and Harold J. Weiss Jr. gather essays that profile individual historians of the Texas Rangers, explore themes and issues in Ranger history, and comprise archival research, biographies, and autobiographies. Several approaches in Texas historiography have influenced the writings on the Texas Rangers and serve to organize the chapters in the volume. Traditionalists (Chuck Parsons, Stephen L. Moore, and Bob Alexander) stress the revered happenings in the nineteenth century that brought about the Lone Star state and its empire-building Ranger force. To these historical writers the Texas Rangers were part of a golden age. Revisionists (Robert M. Utley, Louis R. Sadler, and Charles H. Harris) pull back from this adulation, emphasize the importance of overlooked ethnic and racial groups, and point out misbehavior on the part of Rangers. They also want to separate fact from fiction. Some Ranger historians (Frederick Wilkins and Mike Cox) straddle both traditional and revisionist approaches in their works. The final group, Cultural Constructionalists (Gary Clayton Anderson, Américo Paredes, and Monica Muñoz Martinez), continue the work of Revisionists and focus on an interconnected past that includes theoretical approaches and the study of memory and regional identities.

"In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dallas, Texas. Bertha Stevens Cassidy (1876-1959), the first organ professor and the only woman on the faculty of the new university, established herself as a leader and veritable dean of the church music community, managing a career of significant performances and teaching. Her student and protâegâe, Dora Poteet Barclay (1903-1961), a Waco native, exhibited such musical potential that she was hired by SMU the day after her graduation. Taking over the organ program upon Cassidy's retirement, Barclay broadened the pedagogical horizons for her students. The great French composer Marcel Duprâe, with whom she briefly studied, extolled Barclay's talents: "She is my best American student!" Many of her own students achieved great professional heights as performers and church musicians. With the hiring of Robert Theodore Anderson (1934-2009), SMU solidified its reputation as a school able to provide excellence not only in performance training but also in scholarship. A Chicago native who studied in New York and in Germany, Anderson represented a new, modern outlook to teaching and performance. He was intellectually able to bridge the gap between the theologians of the Methodist seminary and the performers at the Meadows School of the Arts. Through his example and guidance, organists were taught to think critically, whether about music or any other subject, and to attain excellence in the craft of organ performance. During the 1980s Anderson consulted with the Dallas Symphony to prepare for the installation of an organ in the new Meyerson Symphony Center, an organ that would influence concert hall instruments in subsequent decades. These three pedagogues played important roles in the development of the musical curriculum as well as the building of important organs on the SMU campus and around the city, each in their own ways nurturing the practice of sacred music in North Texas"--

Foundations of the Information and Knowledge Professions covers topics deemed essential for students at the graduate and undergraduate level who are seeking to join the profession. The authors cover key developments from the Library of Alexandria through contemporary libraries and digital technological platforms.The advent of the Internet and the Web removed traditional geographical boundaries and allowed individuals access to information created in different languages, different cultures, and different political views. The digital transformation of business and commerce brought about fundamental societal changes and revolutionized how people access, use, manipulate, and interact with information. The move to the knowledge economy presented opportunities but also created challenges that information and knowledge professionals must be equipped to handle. The authors also discuss issues related to privacy, security, and intellectual property, as well as social issues, including diversity, equity, and inclusion, codes of ethics, and codes of conduct.

In poems celebrating survival and renewal, Ernest Hilbert summons the ageless conflict between human affection and the passing of time, recognizing that all we love must eventually disappear. Tender poems of fatherhood weigh against unsettling explorations of natural dangers and intimations of bodily harm. From porn sets to seedy gun ranges and heavy metal tribute nights in crumbling theaters, Hilbert's eye roves over the desolation and beauty of contemporary America, all the while feeling the irresistible pull of water-what Melville called "the ungraspable phantom of life." His poems return again and again to rivers, lakes, and the sea, there to find "a universe that loves the dark," one that "bears you up as if you had no weight.""Ernest Hilbert's Storm Swimmer is a gleaming cornucopia of dreams, nightmares, tenderness, and grace. In Hilbert we encounter the poet as allegorical realist: a seer who has 'known beauty almost impossible / To believe, nearly always lost amid / All the usual distractions.' This is a rare book both willing and able to capture the wide and relentless range of the human condition, in its varying lights and shadows, and in settings spanning the mundane, the tawdry, and the sublime. Storm Swimmer is a book of great feeling and of great technical skill. Everything in it is sacrificed for poetry, which is why everything in this beautiful book lives."-Rowan Ricardo Phillips, author of Heaven and judge"In Storm Swimmer, fatherhood is neither one-dimensional nor short-sighted; instead, fatherhood is a nexus, rigged with grace and curiosity-an enduring gift for a son and for readers. Toggling between the natural world and the relentless spectacle of contemporary life, acutely aware of the passage of time, Ernest Hilbert's poems are marvelously built, resonant."-Eduardo C. Corral, author of Guillotine: Poems"Ernest Hilbert has always written from the ragged edge between tradition and the present moment, and now he goes for a deeper immersion, a swimmer in life, aware of its most desperate and beautiful currents. The sea has taught him to ride out the detritus of existence, to see it but not be consumed by it, and his forms give spine to his vision. Storm Swimmer is his strongest book so far, urgent and real."-David Mason, author of Pacific Light