Bøker utgitt av University of North Texas Press,U.S.

"Tombstone, Arizona, is forever associated with Wyatt Earp, Bat Masterson, Doc Holliday, and the legendary OK Corral gunfight that made it a cultural symbol of the Old West. The town's most iconic and storied original building is the Bird Cage Theater-a stunning example of late nineteenth-century variety theaters that were a staple in entertainment around the globe. The modest interior that was once filled with orchestra music, cigar smoke, laughter and whistles, and cheers and jeers is now an empty canvas for the echoes of the past. Every year tens of thousands of tourists are welcomed through its doors to experience an atmosphere that begs wonder and imagination. Private and public tours of its interior have inspired questions, evolving lore, and conflicting stories. In recent decades its history has been fabricated from modern myth, romantic fiction, and pure fantasy. Now, for the first time, historical researcher and author Michael Paul Mihaljevich has pieced together the real story of the Bird Cage. It began in the months leading up to the OK Corral gunfight in 1881, when property owner William J. Hutchinson engaged in a violent three-way property war between lot-owning citizens, a corrupt townsite company, and greedy mine owner Ed Field just to erect the building. After its construction was completed, Hutchinson kicked off a ten-year performance run that saw more than 250 world-traveling entertainers bring their array of acts to the people of Tombstone in scenes of classic western romance. When mines faltered and the local economy edged toward death, it was the Bird Cage that became the key player in the twentieth-century revival that established Tombstone as a tourist mecca and rescued it from near desertion"--

William L. Wright (1868-1942) was born to be a Texas Ranger, and hard work made him a great one. Wright tried working as a cowboy and farmer, but it did not suit him. Instead, he became a deputy sheriff and then a Ranger, battling a mob in the Laredo Smallpox Riot, policing both sides in the Reese-Townsend Feud, and winning a gunfight at Cotulla.

Denton County and the City of Denton are named for preacher, lawyer, and Indian fighter John B. Denton, but little has been known about him. This biography separates the truth from the myth, which also contains a detailed discussion of the controversy surrounding his burial and offers some alternative scenarios for what happened to his body.

Makes the case that the wartime experiences of combat units such as the Tank Battalions and the Tuskegee Airmen ultimately convinced President Truman to desegregate the military, without which the progress of the Civil Rights Movement might also have been delayed.

Collects the ten winners of the 2020 Best American Newspaper Narrative Writing Contest at UNT's Mayborn Literary Nonfiction Conference. First place winner: Christopher Goffard,'Detective Trapp' (Los Angeles Times) is about a complicated murder investigation and its human impact.

Helen Corbitt is to American cuisine what Julia Child is to French. In The Best from Helen Corbitt's Kitchens, Patty MacDonald serves up more than 500 favourite recipes from Helen Corbitt's Cookbook and her four later cookbooks, as well as many never before published recipes from her cooking schools.

A collection of columns from the Lubbock Avalanche-Journal. The editorial columns included tell stories, and tell about telling stories. They also reflect boyhood dreams... and foolishness, fears, beliefs, customs, traditions, and sometimes things that are no longer part of our culture but we wish were.

This poetry collection is the record of an American's return home after a decade abroad, an exile imposed solely because he loved another man. In a virtuoso display of lyric and formal inventiveness, Bellin-Oka's poems meditate on the myriad losses engendered by diaspora: of home, family and sexual identity, and spiritual certainty.

Collects the winners of the 2019 Best American Newspaper Narrative Writing Contest at UNT's Mayborn Literary Nonfiction Conference.

The poems in James Najarian's debut collection are by turns tragic and mischievous, always with an exuberant attention to form. Najarian turns his caprine eye to the landscapes and history of Berks Country, Pennsylvania, and to the middle east of his extended Armenian family. These poems examine our bonds to the earth, to animals, to art and to desire.

This anthology collects the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, an event hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas.

In the Texas Reconstruction Era (1865-1877), many returning Confederate veterans organized outlaw gangs and Ku Klux Klan groups to continue the war. This study of Benjamin Bickerstaff and other Northeast Texans provides a microhistory of the larger whole. Bickerstaff founded Ku Klux Klan groups in at least two Northeast Texas counties.

Drawing from fairy tales, ghost stories, and science-fiction, the stories in ActivAmerica explore how we confront (and exert) power and re-imagine ourselves through sports and athletic activities.

Collects the essays of Harold R. Schoen and Andrew Forest Muir, early scholars who conducted the most complete studies on the topic, although neither published a book. Schoen published six articles on "The Free Negro in Republic of Texas" and Muir four articles on free blacks in Texas before the Civil War.

Offers a glimpse into the turbulent life of Texas music legend Blaze Foley (1949-1989). This book is suitable for Blaze Foley and Texas music fans, as well as romantics of different ages.

The task of providing military defense for the Texas Frontier was never an easy one because the territory was claimed by some of the greatest querrilla fighters of all times-the Comanches, Kiowas, Apaches, and Lipans. Protecting a line running from the Red River southwest to El Paso was an impossible task, but following the Mexican War the federal government attempted to do so by establishing a line of forts. During the Civil War the forts were virtually abandoned and the Indians once again ruled the area. Following the war when the military began to restore the old forts, they found that the Indians no longer fought with bows and arrows but shouldered the latest firearms. With their new weapons the Indians were able to inflict tremendous destruction, bringing demands from settlers for more protection. In the summer of 1866 a new line of forts appeared through central Texas under the leadership of General Philip H. Sheridan, commander of federal forces in Louisiana and Texas. Guardians of a raw young land and focal points of high adventure, the old forts were indispensable in their day of service and it is fitting that they be preserved. In and around the forts and along the route of the Texas Forts Trail, history is abundant and enduring. Historian Rupert Richardson first wrote the travel guide of the fort locations for the Texas Highway Department. B. W. Aston and Donathan Taylor took the original version and revised and expanded it, giving additional historical information on the forts and their role in frontier defense, making this a valuable historical resource as well as a travel guide to the forts and surrounding towns.

Written to inform about the processes, services, activities, issues and problems of being incarcerated, this is a valuable guide to anyone who has a relative or friend incarcerated in Texas, or for those who want to understand how prisoners live, eat, work, play and die in a contemporary US prison.

Trying to make sense of a disordered world, Stefanie Wortman's debut collection examines works of art as varied as casts of antique sculpture, 19th-century novels, and even scenes from reality television to investigate the versions of order that they offer. These deft poems yield moments of surprising levity even as they mount a sharp critique of human folly.

"This volume is," in Owens's words, "a sampling of a rich experience in a richer land." The 135 songs included, a number of them in versions by more than one singer, are divided into nine chapters containing British popular ballads, Anglo-American ballads, Anglo-American love songs, Anglo-American comic songs, songs and games for children, play-party songs and games, Anglo-American spirituals, African-American spirituals, and African-American secular songs. The British ballads were brought to America in the seventeenth century and later were carried westward to Texas by the adventurous pioneers who settled the state. The American ballad section is full of the stories of battles, crimes, and catastrophes that appealed as subjects to our country's folk singers when they adapted the British ballad traditions to their own use. There is heroism aplenty in these ballads; but when it came to love, the American singers deserted the heroically tragic tales of British balladry for mournful, plaintive songs in which the sad lover has nothing much to do but waste away in sorrow. Songs like these helped Texas pioneer women--and men also--to find release from the sternness of frontier life by "having a good cry." On the other hand, humor, too, helped--raw, rugged, raucous humor, as the section of comic songs demonstrates. New musical transcriptions of the melodies have been provided by musicologist Jessie Ann Owens from the original recordings, with guitar chords indicated where the singer provided accompaniment. Bibliographical source notes are included for the benefit of the scholar; but this is not a book just for scholars. These songs have been collected, as Owens has written, "for those who love to sing them as well as for those who have an interest in the past."