Bøker utgitt av University of Toronto Press

First published in 1891, Pellegrino Artusi's La scienza in cucina e l'arte di mangier bene has come to be recognized as the most significant Italian cookbook of modern times. It was reprinted thirteen times and had sold more than 52,000 copies in the years before Artusi's death in 1910, with the number of recipes growing from 475 to 790. And while this figure has not changed, the book has consistently remained in print.Although Artusi was himself of the upper classes and it was doubtful he had ever touched a kitchen utensil or lit a fire under a pot, he wrote the book not for professional chefs, as was the nineteenth-century custom, but for middle-class family cooks: housewives and their domestic helpers. His tone is that of a friendly advisor - humorous and nonchalant. He indulges in witty anecdotes about many of the recipes, describing his experiences and the historical relevance of particular dishes.Artusi's masterpiece is not merely a popular cookbook; it is a landmark work in Italian culture. This English edition (first published by Marsilio Publishers in 1997) features a delightful introduction by Luigi Ballerini that traces the fascinating history of the book and explains its importance in the context of Italian history and politics. The illustrations are by the noted Italian artist Giuliano Della Casa.

Behavioral Science in the Wild helps practitioners understand how to use insights from the behavioral sciences to create change in the real world.

This powerful graphic novel illustrates the personal text messages and lived experiences of Ukrainians during the 2022 Russian invasion of Ukraine.

This special centenary edition of The Discovery of Insulin celebrates a path-breaking medical discovery that has changed lives around the world.

In this volume, based on the series of Alexander Lectures she delivered at the University of Toronto, Julia Kristeva explores the philosophical aspects of Hannah Arendt's work: her understanding of such concepts as language, self, body, political space, and life. Kristeva's aim is to clarify contradictions in Arendt's thought as well as correct misapprehensions about her political and philosophical views.The first two chapters describe how Arendt followed an original conception of human narrative, such that life, action, and even thought, are only human when they can be narrated and thus shared with other persons who, through the evocation of memory, complete the story and make history into a condensed sign, into a revelation of the 'who.' The third chapter concentrates on Arendt's work in relation to her twentieth-century contemporaries, especially Isak Dinesen, Brecht, Kafka, and Nathalie Sarraute. In the last two chapters, on the body and the Kantian concept of judgment, Kristeva offers a subtle critical exploration of Arendt's ignoring of the world of the unconscious opened up by psychoanalysis, an exploration that, paradoxically, reveals the political force of Arendt's acceptance of herself as woman and Jew.Kristeva's account of Arendt's 'philosophy of narrative' is clear, coherent, forceful, and often impassioned. Much has been written in North America about Arendt's political work, but little about her more philosophical endeavours. Hannah Arendt: Life Is a Narrative makes a compelling case that Arendt may be the twentieth century's only true political philosopher.

In this newest edition of her bestselling book, Barbara H. Rosenwein integrates the history of European, Byzantine, and Islamic medieval cultures-as well as their Eurasian connections-in a dynamic narrative.

Attracting over fifteen million visitors, the 1925 Paris Expo had an ambitious goal to create a new modernist style which would reflect the great scientific, industrial, and technological advances that produced a new spirit known as "e;modern."e; In April in Paris, author Irena R. Makaryk explores the theatre arts' vital cultural and political impact at this celebrated international exhibition. Drawing extensively from unexplored archival documents from France, Austria, and North America, April in Paris is the first major study to focus on theatre arts at the 1925 Paris Expo and the audacious Soviet contributions to this fair. Turning a spotlight on the uses and representations of theatricalized spaces, Makaryk analyses their political challenge at a time when relations between the West and the USSR were rife with tension. Copiously illustrated with beautiful colour and black and white illustrations, this book elucidates the complex role of the international fair as a catalyst for spirited cultural debate and for aesthetic change.

As Anna and Layla reckon with illness, risk, and loss in different ways, they learn the power of friendship and the importance of hope.

Personal Liberty and Public Good is a compelling addition to the corpus of writing on the work of John Stuart Mill. It will be of great interest to historians of political thought, liberalism, and translation, as well as scholars of East Asian studies.

These are Mr Watson's recollections of struggle and triumph, written late in life and edited by his daughters, Claire and Louise. They include good-humoured anecdotes and recollections of the art business, of collectors like William Van Horne and Harry Norton, and of the painters who became Watson's friends.

Developed over a period of some six years by teachers of the subject at the University of Toronto's Faculty of Law, this book provides the first comprehensive and integrated teaching tool for the very basic field of debtor and creditor relations.

In this review and examination of what the American press and statesmen thought about Russia during the years 1971 to 1920, the author attempts to show, as events unfold, the results of opinion based on emotion rather than on reason.

This volume recounts the history of the rich life of William C. White, first as a missionary in China, and then as a collector and curator of Chinese archaeology.

The varying patterns in the development of English prose from the discursiveness of the fourteenth century to the directness of the twentieth are outlined in this book.

Elisabeth Wallace has written a brilliant and authoritative biography of his distinguished Canadian man of letters. Her research has been thorough, not merely in the large collection of Goldwin Smith papers at Cornell University, but in many little-known sources in Canada and Britain.

Dr. Tillyard discusses religious dogma, evil, human nature, and youth and age, before tracing their effect in the individual plays, so that his study not only illumines each piece but also its neighbours. He thus succeeds in bringing these apparently disparate works into sharp focus.

Miss Sinden provides an extensive analysis and a careful consideration of the biographical, ethical, and aesthetic aspects of the prose dramas, bringing out the growth and decline of Hauptmann's powers as a dramatist.

The book's clear focus and wide-ranging perspective result in a fresh and important reassessment of early Canadian history.

This book throws new light on the origins of probability and statistics. Heretofore these were thought to be entirely the creation of recent centuries, but it is demonstrated here that probability has a much longer history, reaching back to biblical times.

This study of the influence of one on the work of the other begins with an outline of those parallels, and of the Machiavellian atmosphere in Kleist's first play, Die Familie Schroffenstein.

An important contribution to the sociological study of immigration, this book will be of interest to all those in Canada concerned with the practical implications of Canada's immigration policy, and especially to immigrants themselves.

This study makes a substantial contribution to our understanding of the development of ancient Platonism and of the influence of Greek philosophy on Christian thought. The author examines a number of themes such as Eros, Virtue, and Knowledge in the writings of Plato.

The wide scope of this enquiry, taking in all of Shakespeare's plays, and the thoroughness with which Van Laan has pursued his argument provide a coherent and illuminating perspective on two of the most intriguing qualities of Shakespeare's work as a whole: the sense of continuity and the sense of an underlying unity within such great variety.

Beyond the Word provides an implicit critique of postmodernism, redefining it as a further radical stage of modernism.

Using epic works of literature, Journey to Oblivion examines the two linguistically related cultures and how their symbiotic relationship ended in a macabre dance of death.

This unique bibliography provides detailed and up-to-date bibliographic and buying information on over 4,000 English- and French-language Canadian periodicals.

The five texts before us add in various ways to the lore of the Mesopotamian incantation bowls, and in particular the three Mandaean ones make a modest contribution to the known vocabulary of Mandaic.