Bøker utgitt av University of Toronto Press

By applying the techniques of linguistic anthropology to the pre-history of medicine, anatomical knowledge, and law, Lisi Oliver has produced a remarkable study that sheds new light on early Germanic conceptions of the body in terms of medical value, physiological function, psychological worth, and social significance.

Lyrical, mysterious, and laden with symbolism, Franz Kafka’s novels and stories have been translated into more than forty languages ranging from Icelandic to Japanese. In Transforming Kafka, Patrick O’Neill approaches these texts through the method he pioneered in Polyglot Joyce and Impossible Joyce, considering the many translations of each work as a single, multilingual “macrotext.”Examining three novels – The Trial, The Castle, and America – and two short stories – “The Judgment” and “The Metamorphosis” – O’Neill offers comparative readings that consider both intertextual and intratextual themes. His innovative approach shows how comparing translations extends and expands the potential meanings of the text and reveals the subtle differences among the hundreds of translations of Kafka’s work. A sophisticated analysis of the ways in which translation shapes, rearranges, and expands our understanding of literary works, Transforming Kafka is a unique approach to reading the works of a literary giant.

Friedrich-Wilhelm von Herrmann is known as a major figure in phenomenological and hermeneutics research: he was Martin Heidegger’s personal assistant for the last ten years of Heidegger’s life, and assistant to Eugen Fink, who in turn was primary assistant to Edmund Husserl. However, his own philosophical commentaries and readings of Heidegger’s work are not familiar to many in the English-speaking world.Von Herrmann’s Hermeneutics and Reflection, translated here from the original German, represents the most fundamental and critical reflection in any language of the concept of phenomenology as it was used by Heidegger and by Husserl. It provides a careful rendition of Husserl’s essential contribution to phenomenology, then draws a clear demarcation between Husserl’s reflective phenomenology and Heidegger’s hermeneutic phenomenology. While showing the fullest respect for Husserl’s phenomenology, Hermeneutics and Reflection offers a full-fledged critique of Husserl from the perspective of Heidegger’s hermeneutic phenomenology.

Colette A. Granger's highly original book considers moments in several areas of education in which silence may serve as both a response to difficulty and a means of working through it. The author, a teacher educator, presents narratives and other textual artefacts from her own experiences of learning and instruction. She analyses them from multiple perspectives to reveal how the qualities of education's silences can make them at once difficult to observe and challenging to think about.Silent Moments in Education combines autoethnography with psychoanalytic theory and critical discourse analysis in a unique consideration of the relations teachers and learners forge with knowledge, with ideas, and with one another. This provocative and thoughtful work invites scholars and educators to consider the multiple silences of participants in education, and to respond to them with generosity and compassion.

The first comprehensive study of Spanish writings on East and Southeast Asia from the Spanish colonial period, They Need Nothing draws attention to many essential but understudied Spanish-language texts from this era. Robert Richmond Ellis provides an engaging, interdisciplinary examination of how these writings depict Asia and Asians as both similar to and different from Europe and Europeans, and details how East and Southeast Asians reacted to the Spanish presence in Asia.They Need Nothing highlights texts related to Japan, China, Cambodia, and the Philippines, beginning with Francis Xavier’s observations of Japan in the mid-sixteenth century and ending with José Rizal’s responses to the legacy of Spanish colonialism in the late nineteenth century. Ellis provides a groundbreaking expansion of the geographical and cultural contours of Hispanism that bridges the fields of European, Latin American, and Asian Studies.

In classical and early modern rhetoric, to write or speak using the voice of a dead individual is known as eidolopoeia. Whether through ghost stories, journeys to another world, or dream visions, Renaissance writers frequently used this rhetorical device not only to co-opt the authority of their predecessors but in order to express partisan or politically dangerous arguments.In Speaking Spirits, Sherry Roush presents the first systematic study of early modern Italian eidolopoeia. Expanding the study of Renaissance eidolopoeia beyond the well-known cases of the shades in Dante’s Commedia and the spirits of Boccaccio’s De casibus vivorum illustrium, Roush examines many other appearances of famous ghosts – invocations of Boccaccio by Vincenzo Bagli and Jacopo Caviceo, Girolamo Malipiero’s representation of Petrarch in Limbo, and Girolamo Benivieni’s ghostly voice of Pico della Mirandola. Through close readings of these eidolopoetic texts, she illuminates the important role that this rhetoric played in the literary, legal, and political history of Renaissance Italy.

This collection of original essays offers new ways of understanding the production of epic poetry in Portugal and Spain from 1543 to 1639.

This book recounts the many and varied transformations in the history of law in Canada in the half century after Confederation.

A Woman’s Empire sheds light on how women’s voices, activities, and writings were part of Russia’s late imperial expansion into Asia.

This book shares the life story of William Playfair, the father of statistical graphics, who experienced extreme ups and downs in his various careers, including as a statistician, economist, and fraudster.

Onscreen/Offscreen is an ethnographic study of the ontological politics of cinema in South India.

Built upon the principle that divides and elevates humans above other animals, humanism is the cornerstone of a worldview that sanctifies inequality and threatens all animal life. Adorno, Politics, and the Aesthetic Animal analyses this state of affairs and suggests an alternative - a way for humanity to make itself into a new kind of animal.Theodor W. Adorno has been accused of leading critical theory into a blind alley, divorced from practical social and political concerns. In Adorno, Politics, and the Aesthetic Animal, Caleb J. Basnett argues that by placing the problem of the human/animal distinction at the centre of Adorno's thought, we discover a new Adorno, one whose critique of domination is in dialogue with classic concerns of political thought forged by Aristotle, including questions of humanist political education and the role of art.Through a close reading of primary sources, Basnett identifies the principal conceptual structure entwined with the understanding of human life as antagonistic to other animals, and outlines how forms of aesthetic experience disrupt this problematic concept in favour of a reconceptualization of what we call human. His analysis displaces the centrality of the human and attempts to open up a space for its transformation, both in terms of how humans relate to each other and in how humans relate to other animals.

Balancing Acts offers consultants and managers a simple, powerful way to think about change, and ascribes a four-phase iterative process for implementing change. Reviewing change initiatives from different types of organizations, Balancing Acts confronts the problems and pitfalls head-on that often arise during workplace transitions. Conklin explains why organizational change can be so difficult, and shows that by balancing a set of competing psychological and systemic challenges, interveners will increase their chance of success.Conklin shows that human groups function as complex systems, and that a change initiative is not a linear progression toward a predefined result. Instead, change is an iterative process that involves a search for feasible and useful solutions. The book's central argument is that while leading or supporting this search, consultants and leaders must balance four critical concerns: confrontation and compassion, participation and observation, assertion and inquiry, and planfulness and emergence.

Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashioning Spanish Cinema, Jorge Perez analyses the use of clothing and fashion as costumes within Spanish cinema, paying particular attention to the significance of those costumes in relation to the visual styles and the narratives of the films. The author examines the links between costume analysis and other fields and theoretical frameworks such as fashion studies, the history of dress, celebrity studies, and gender and feminist studies.Fashioning Spanish Cinema looks at instances in which costumes are essential to shaping the public image of stars, such as Conchita Montenegro, Sara Montiel, Victoria Abril, and Penlope Cruz. Focusing on examples in which costumes have discursive autonomy, it explores how costumes engage with broader issues of identity and, relatedly, how costumes impact everyday practices and fashion trends beyond cinema. Drawing on case studies from multiple periods, films by contemporary directors and genres, and red-carpet events such as the Oscars and Goya Awards, Fashioning Spanish Cinema contributes a pivotal Spanish perspective to expanding interdisciplinary work on the intersections between film and fashion.