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A collection of poems by the Martinician poet Aime Cesaire, who was read as a poet of revolutionary zeal during the Black Power movement of the 1960s. This collection is the first English edition to include "And the Dogs Were Silent" and "i, laminaria". There is a critical introduction.

Winner of the coveted Grand Prix de Litterature d'Afrique Noire, this novel has been seen as a story about the struggles of nation-building in Africa, as a fierce depiction of dictatorships in the Third World, and as a profound meditation on the nature of pwer everywhere.

A reproduction of the original 1873 edition of "The Romance of the Harem" by Anna Leonowens which was the source for the 20th-century book "Anna and the King of Siam", known to many through Rogers and Hammerstein's "The King and I".

This study uses 19th-century urban fiction - in particular the novels of Hugo and Dickens - to define a genre: the novel of urban mysteries. He argues that within these extravagant but fact-obsessed narratives the archaic form of allegory became a means for understanding modern cities.

Incorporating elements of literary criticism, cultural studies, and social history, Pleasures and Pains takes a new look at the complicated dynamics of empire as well as the development of still-prevalent perceptions of drugs as alien invaders responsible for the decay of national character.

Traces the phenomenon of ascribing sentimental meaning to floral imagery from its beginnings in Napoleonic France through its later transformations in England and America. At the heart of the book is a depiction of what the three most important flower books from each of the countries divulge about the period and the respective cultures.

Established in 1836, the Bristol Zoo is the world's oldest surviving zoo outside of a capital city and has frequently been at the vanguard of zoo innovation. In The Wild Within, Andrew Flack uses the experiences of the Bristol Zoo to explore the complex and ever-changing relationship between human and beast, which in many cases has altered radically over time.

Explores the influence of landscape architecture, city planning, and parks management on American poetry to show how modernists engaged with the green worlds and social playgrounds created in the early twentieth century. Through a combination of ecocriticism, urban studies, and historical geography, this book unveils the neglected urban context for seemingly natural landscapes in modernist poems.

Clarence Glacken wrote one of the most important books on environmental issues published in the twentieth century. His magnum opus, Traces on the Rhodian Shore, first published in 1967, details the ways in which perceptions of the natural environment have profoundly influenced human enterprise over the centuries while, conversely, permitting humans to radically alter the Earth. Although Glacken did not publish a comparable book before his death in 1989, he did write a follow-up collection of essays-lost works now compiled at last in Genealogies of Environmentalism.This new volume comprises all of Glacken's unpublished writings to follow Traces and covers a broad temporal and geographic canvas, spanning the globe from the mid-eighteenth to the mid-twentieth centuries. Each essay offers a brief intellectual biography of an important environmental thinker and addresses questions such as how many people the Earth can hold, what resources can sustain such populations, and where land for growth is located. This collection-carefully edited and annotated, and organized chronologically-will prove both a classic text and a springboard for further discussions on the history of environmental thought.

Disputing the claim that Algerian writing during the struggle against French colonial rule dealt almost exclusively with revolutionary themes, The Algerian New Novel shows how Algerian authors writing in French actively contributed to the experimental forms of the period, expressing a new age literarily as well as politically and culturally. Looking at canonical Algerian literature as part of the larger literary production in French during decolonization, Valrie K. Orlando considers how novels by Rachid Boudjedra, Mohammed Dib, Assia Djebar, Nabile Fars, Yamina Mechakra, and Kateb Yacine both influenced and were reflectors of the sociopolitical and cultural transformation that took place during this period in Algeria. Although their themes were rooted in Algeria, the avant-garde writing styles of these authors were influenced by early twentieth-century American modernists, the New Novelists of 1940s-50s France, and African American authors of the 1950s-60s. This complex mix of influences led Algerian writers to develop a unique modern literary aesthetic to express their world, a tradition of experimentation and fragmentation that still characterizes the work of contemporary Algerian francophone writers.

In this volume, the author reflects on anthropological uses of the concept of popular culture. He retraces how his explorations of popular culture in the Shaba region of Zaire, now the Congo, showed that classical culture theory did not account for large aspects of contemporary African life.

'Two men died the last week of June 1944.' 'Actually, three died...' 'But the third one didn't die, miraculously perhaps. Who knows? The three men were, of course, acquainted... When I say that the third one didn't die, I mean not the same week. How and why? If I told you now, you wouldn't understand this strange case any better....

Considered a wonder of the ancient world, the Newark Earthworks have been a focal point for archaeologists and surveyors, researchers and scholars for almost two centuries. The first book-length volume devoted to the site, this text reveals the magnitude and the geometric precision of what remains of the earthworks and the site's undeniable importance to history.

In an interdisciplinary study of black intellectual history at the dawn of the nineteenth century, Stefan M. Wheelock shows how black antislavery writers were able to counteract ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he discusses-Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart-engaged the concepts of democracy, freedom, and equality as these ideas ripened within the context of racial terror and colonial hegemony. Wheelock highlights the ways in which religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. By appealing to religious sensibilities and calling for emancipation, these writers addressed slavery and its cultural bearing on the Atlantic in varied, complex, and sometimes contradictory ways during a key period in the development of Western political identity and modernity.

The smoke-laden fog of London is one of the most vivid elements in English literature, richly suggestive and blurring boundaries between nature and society in compelling ways. In The Sky of Our Manufacture, Jesse Oak Taylor uses the many depictions of the London fog in the late nineteenth- and early twentieth-century novel to explore the emergence of anthropogenic climate change. In the process, Taylor argues for the importance of fiction in understanding climatic shifts, environmental pollution, and ecological collapse. The London fog earned the portmanteau "e;smog"e; in 1905, a significant recognition of what was arguably the first instance of a climatic phenomenon manufactured by modern industry. Tracing the path to this awareness opens a critical vantage point on the Anthropocene, a new geologic age in which the transformation of humanity into a climate-changing force has not only altered our physical atmosphere but imbued it with new meanings. The book examines enduringly popular works--from the novels of Charles Dickens and George Eliot to Dr. Jekyll and Mr. Hyde, Dracula, and the Sherlock Holmes mysteries to works by Joseph Conrad and Virginia Woolf--alongside newspaper cartoons, scientific writings, and meteorological technologies to reveal a fascinating relationship between our cultural climate and the sky overhead.Under the Sign of Nature: Studies in Ecocriticism

The calamitous impacts of climate change that are beginning to be felt around the world today expose the inextricability of human and natural histories. Arguing for a more complex account of such calamities, Kate Rigby examines a variety of past disasters, from the Black Death of the Middle Ages to the mega-hurricanes of the twenty-first century, revealing the dynamic interaction of diverse human and nonhuman factors in their causation, unfolding, and aftermath. Focusing on the link between the ways disasters are framed by the stories told about them and how people tend to respond to them in practice, Rigby also shows how works of narrative fiction invite ethical reflection on human relations with one another, with our often unruly earthly environs, and with other species in the face of eco-catastrophe. In its investigation of an array of authors from the Romantic period to the present-including Heinrich von Kleist, Mary Shelley, Theodor Storm, Colin Thiele, and Alexis Wright- Dancing with Disaster demonstrates the importance of the environmental humanities in the development of more creative, compassionate, ecologically oriented, and socially just responses to the perils and possibilities of the Anthropocene.Under the Sign of Nature: Explorations in Ecocriticism

In light of US attempts to project power in the world, the presidency of Woodrow Wilson has been commonly invoked. This work focuses on the years of neutrality. It reveals the importance that the law of neutrality played in Wilson's foreign policy during the fateful years from 1914 to 1917, and provides a portrait of the twenty-eighth president.

As part of the contemporary reassessment of trauma that goes beyond Freudian psychoanalysis, Laurie Vickroy theorizes trauma in the context of psychological, literary, and cultural criticism. Focusing on novels by Margaret Atwood, William Faulkner, Toni Morrison, Jeanette Winterson, and Chuck Palahniuk, she shows how these writers try to enlarge our understanding of the relationship between individual traumas and the social forces of injustice, oppression, and objectification. Further, she argues, their work provides striking examples of how the devastating effects of trauma-whether sexual, socioeconomic, or racial-on individual personality can be depicted in narrative. Vickroy offers a unique blend of interpretive frameworks. She draws on theories of trauma and narrative to analyze the ways in which her selected texts engage readers both cognitively and ethically-immersing them in, and yet providing perspective on, the flawed thinking and behavior of the traumatized and revealing how the psychology of fear can be a driving force for individuals as well as for society. Through this engagement, these writers enable readers to understand their own roles in systems of power and how they internalize the ideologies of those systems.

Since the Industrial Revolution, humans have transformed the Earth's atmosphere, committing our planet to more extreme weather, rising sea levels, melting polar ice caps, and mass extinction. This period of observable human impact on the Earth's ecosystems has been called the Anthropocene Age. The anthropogenic climate change that has impacted the Earth has also affected our literature, but criticism of the contemporary novel has not adequately recognized the literary response to this level of environmental crisis. Ecocriticism's theories of place and planet, meanwhile, are troubled by a climate that is neither natural nor under human control. Anthropocene Fictions is the first systematic examination of the hundreds of novels that have been written about anthropogenic climate change.Drawing on climatology, the sociology and philosophy of science, geography, and environmental economics, Adam Trexler argues that the novel has become an essential tool to construct meaning in an age of climate change. The novel expands the reach of climate science beyond the laboratory or model, turning abstract predictions into subjectively tangible experiences of place, identity, and culture. Political and economic organizations are also being transformed by their struggle for sustainability. In turn, the novel has been forced to adapt to new boundaries between truth and fabrication, nature and economies, and individual choice and larger systems of natural phenomena. Anthropocene Fictions argues that new modes of inhabiting climate are of the utmost critical and political importance, when unprecedented scientific consensus has failed to lead to action. Under the Sign of Nature: Explorations in Ecocriticism

Part of a series presenting public papers either written by George Washington or presented to him during both of his administrations. Volume 4 covers the autumn and early winter of 1789-90 and focuses on the problems facing the new administration.

The Limits of Optimism works to dispel persistent notions about Jefferson's allegedly paradoxical and sphinx-like quality. Maurizio Valsania shows that Jefferson's multifaceted character and personality are to a large extent the logical outcome of an anti-metaphysical, enlightened, and humility-oriented approach to reality. That Jefferson's mind and priorities changed over time and in response to changing circumstances indicates neither incoherence, hypocrisy, nor pathology.Valsania's reading of Jefferson, the Enlightenment, and negativity helps to make sense of the many paradoxes typically associated with that eighteenth-century thinker. At the same time, it provides a corrective to the common though erroneous equation of Enlightenment thinking with rationalism and shallow optimism.

This is an extended meditation on what many consider to be Dickens's and nineteenth-century England's greatest work of narrative fiction.

Brings together historians of political thought with classicists and historians of art and culture to find new approaches to the difficult questions raised by America's classical heritage. The essays explore the classical contribution to different aspects of Jefferson's thought and taste, as well as examining the significance of the ancient world to America in a broader historical context.