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Exploring the interface between the cultural politics of the Black Power and the Black Arts movements and the production of postwar African American popular culture, Amy Ongiri shows how the reliance of Black politics on an oppositional image of African Americans was the formative moment in the construction of "e;authentic blackness"e; as a cultural identity. While other books have adopted either a literary approach to the language, poetry, and arts of these movements or a historical analysis of them, Ongiri's captures the cultural and political interconnections of the postwar period by using an interdisciplinary methodology drawn from cinema studies and music theory. She traces the emergence of this Black aesthetic from its origin in the Black Power movement's emphasis on the creation of visual icons and the Black Arts movement's celebration of urban vernacular culture.

Placing environmental literature in the life sciences, Love argues that literary studies has been diminshed by a lack of recognition for the role that the biological foundation of human life plays in cultural imagination. He presents a model incorporating Darwinian ideas into ecocritical thinking.

This work presents links between the myth of Caribbean Paradise and colonial ideologies and economics. It considers the cultural, economic and social effects of tourism's contemporary Caribbean and explores the way post colonial writers have responded to the paradise-plantation dichotomy.

Representations of Joan of Arc have been used in the United States for the past two hundred years, appearing in advertising, cartoons, popular song, art, criticism, and propaganda. The presence of the fifteenth-century French heroine in the cinema is particularly intriguing in relation to the role of women during wartime. Robin Blaetz argues that a mythic Joan of Arc was used during the First World War to cast a medieval glow over an unpopular war, but that she only appeared after the Second World War to encourage women to abandon their wartime jobs and return to the home.In Visions of the Maid, Blaetz examines three pivotal films-Cecil B. DeMille's 1916 Joan the Woman, Victor Fleming's 1948 Joan of Arc, and Otto Preminger's 1957 Saint Joan-as well as addressing a broad array of popular culture references and every other film about the heroine made or distributed in the United States. Blaetz is particularly concerned with issues of gender and the ways in which Joan of Arc's androgyny, virginity, and sacrificial victimhood were evoked in relation to the evolving roles of women during war throughout the twentieth century.

As anyone who lived through that decade knows, the 1980s in South Africa were marked by protest, violent confrontation, and international sanctions. Internally, the country saw a bewildering growth of grassroots organizations--including trade unions, civic associations in the black townships, student and other youth organizations, church-based groups, and women's movements--many of which operated under the umbrella of the United Democratic Front (UDF). "Beyond Our Wildest Dreams" explores the often conflicted relationship between the UDF's large-scale resistance to apartheid and its everyday struggles at the local level.In hindsight, the UDF can be seen as a transitional front, preparing the ground for leaders of the liberation movement to return from exile or prison and take over power. But the founding fathers of the UDF initially had far more modest ambitions. As Azhar Cachalia, one of its core activists, later explained: "Look, when we founded the UDF, we had never in our wildest dreams expected that events would take off in the way they did. What happened was beyond everybody's expectations."Interviews with Cachalia and other leading personalities in the UDF examine the organization's workings at the national level, while stories of ordinary people, collected by the author, illuminate the grassroots activism so important to the UDF's success. Even in South Africa, writes Ineke van Kessel, who covered the anti-apartheid movement as a journalist, resistance was not the obvious option for ordinary citizens. Van Kessel shows how these people were mobilized into forming a radical social movement that developed a highly flexible and innovative form of resistance that ultimately ended apartheid.

Shaman of Oberstdorf tells the fascinating story of a sixteenth-century mountain village caught in a panic of its own making. Four hundred years ago the Bavarian alpine town of Oberstdorf, surrounded by the towering peaks of the Vorarlberg, was awash in legends and rumors of prophets and healers, of spirits and specters, of witches and soothsayers. The book focuses on the life of a horse wrangler named Chonrad Stoeckhlin [1549-1587], whose extraordinary visions of the afterlife and enthusiastic practice of the occult eventually led to his death--and to the death of a number of village women--for crimes of witchcraft.In addition to recounting Stoeckhlin's tale, this book examines the larger world of alpine myths concerning ghosts and other spirits of the night, documenting how these myths have been abused by German political movements over the years. As an introduction to modern German witchcraft research, as a study of the local impact of the Counter Reformation, and as a historical investigation into popular culture, Behringer's book has the advantage of telling a compelling individual story amidst larger discussions of peasant raptures, magical healing, and unfamiliar alpine notions such as the "furious army," the "wild hunt," popular bonfire festivals, and eerie echoes of pagan Wotan.Wolfgang Behringer is one of the premier historians of German witchcraft, not only because of his mastery of the subject at the regional level, but because he also writes movingly, forcefully, and with an eye for the telling anecdote. Reminiscent of such classics as The Cheese and the Worms and The Return of Martin Guerre, Shaman of Oberstdorf is an unforgettable look at early modern German folklore and culture.

In the nineteenth century, a woman who could prove a man had broken his promise to marry her was legally entitled to compensation for damages. Bridging the gap between history and literature, Ginger Frost offers an in-depth examination of these breaches of promise and compares actual with fictional cases.

This text is both a biography of Ethan Allen and a social history of the conflict between agrarian commoners and their wealthy adversaries.

Since the 1950s, David Apter and Carl Rosberg have been among the leading American scholars in African studies. In this volume they, along with other specialists in the field, explore the new configurations of African politics.

This work on the religious thought of Thomas Jefferson grew out of a study of Jefferson's reading interests, particularly in religious and ethical subjects as reflected in his library holdings and literary comments.

Volume 10 of the ""Presidential Series"" continues the fourth chronological series of ""The Papers of George Washington"". In the period covered by this volume, the spring and summer of 1792, George Washington was busy dealing with a host of foreign and domestic issues.

This volume presents documents written during the final sessions of the First Congress. Congress passed legislation that established a national bank and federal excise, and increased the size of the army. Washington also gave a lot of time to the new federal city on the Potomac.

Brings together some of the most highly regarded historians and literary critics of the American South to consider race, gender and texts through three centuries and from different vantage points.

The author of this text set out to capture and relate the history of her ancestors - African Americans in central Virginia after the Civil War. Using plantation documents and oral histories in the form of stories, anecdotes and sayings, she has created a history of a slave community.

John Stilgoe is just looking around. This is more difficult than it sounds, particularly in our mediated age, when advances in both theory and technology too often seek to replace the visual evidence before our own eyes rather than complement it. We are surrounded by landscapes charged with our past, and yet from our earliest schooldays we are instructed not to stare out the window. Someone who stops to look isn't only a rarity; he or she is suspect. Landscape and Images records a lifetime spent observing America's constructed landscapes. Stilgoe's essays follow the eclectic trains of thought that have resulted from his observation, from the postcard preference for sunsets over sunrises to the concept of "e;teen geography"e; to the unwillingness of Americans to walk up and down stairs. In Stilgoe's hands, the subject of jack o' lanterns becomes an occasion to explore centuries-old concepts of boundaries and trespassing, and to examine why this originally pagan symbol has persisted into our own age. Even something as mundane as putting the cat out before going to bed is traced back to fears of unwatched animals and an untended frontier fireplace. Stilgoe ponders the forgotten connections between politics and painted landscapes and asks why a country whose vast majority lives less than a hundred miles from a coast nonetheless looks to the rural Midwest for the classic image of itself.At times breathtaking in their erudition, the essays collected here are as meticulously researched as they are elegantly written. Stilgoe's observations speak to specialists-whether they be artists, historians, or environmental designers-as well as to the common reader. Our landscapes constitute a fascinating history of accident and intent. The proof, says Stilgoe, is all around us.

In Performatively Speaking, Debra Rosenthal draws on speech act theory to open up the current critical conversation about antebellum American fiction and culture and to explore what happens when writers use words not just to represent action but to constitute action itself. Examining moments of discursive action in a range of canonical and noncanonical works-T. S. Arthur's temperance tales, Fanny Fern's Ruth Hall, Nathaniel Hawthorne's The Scarlet Letter, Harriet Beecher Stowe's Uncle Tom's Cabin, and Herman Melville's Moby-Dick-she shows how words act when writers no longer hold to a difference between writing and doing. The author investigates, for example, the voluntary self-binding nature of a promise, the formulaic but transformative temperance pledge, the power of Ruth Hall's signature or name on legal documents, the punitive hate speech of Hester Prynne's scarlet letter A, the prohibitory vodun hex of Simon Legree's slave Cassy, and Captain Ahab's injurious insults to second mate Stubb. Through her comparative methodology and historicist and feminist readings, Rosenthal asks readers to rethink the ways that speech and action intersect.

This volume demonstrates how visions of home, past and present have helped to shape African-American's sense of place, often under hostile conditions. It focuses on the ways in which an exiled people has located itself through such activities as ""yard work"".

This truly transnational history reveals the important role of Americans abroad in the Age of Revolution, as well as providing an early example of the limits of American influence on other nations. From the beginning of the French Revolution to its end at the hands of Napoleon, American cosmopolitans like Thomas Jefferson, Gouverneur Morris, Thomas Paine, Joel Barlow, and James Monroe drafted constitutions, argued over violent means and noble ends, confronted sudden regime changes, and negotiated diplomatic crises such as the XYZ Affair and the Louisiana Purchase. Eager to report on what they regarded as universal political ideals and practices, Americans again and again confronted the particular circumstances of a foreign nation in turmoil. In turn, what they witnessed in Paris caused these prominent Americans to reflect on the condition and prospects of their own republic. Thus, their individual stories highlight overlooked parallels between the nation-building process in both France and America, and the two countries' common struggle to reconcile the rights of man with their own national identities.

Combining research, political philosophy, and intellectual history, this book explores the invention of universal emancipation - both in the context of the Age of Enlightenment and in relation to certain key figures and trends in contemporary political philosophy.

"e;To attain some sort of universal value,"e; Veronique Tadjo has said, "e;a piece of work has to go deep into the particular in order to reveal our shared humanity."e; In Far from My Father, the latest novel from this internationally acclaimed author, a woman returns to the Cte d'Ivoire after her father's death. She confronts not only unresolved family issues that she had left behind but also questions about her own identity that arise amidst the tensions between traditional and modern worlds. The drama that unfolds tells us much about the evolving role of women, the legacy of polygamy, and the economic challenges of daily life in Abidjan. On a more autobiographical level, the author depicts a daughter's efforts to come to terms with what she knew and did not know about her father. Set against the backdrop of civil strife that has wracked the Cte d'Ivoire since the turn of the century, this story shows Tadjo's remarkable ability to inhabit a character's inner world and emotional landscape while creating a narrative of great historic and cultural dimensions.CARAF Books: Caribbean and African Literature Translated from the French

Exploring the central role that electronic technology plays in the editing process, this book provides a treatment of the craft's fundamental issues. It covers locating and collecting sources, transcribing source texts, conventions of textual treatment, dealing with nontextual elements, and preparing editions for publishers.

Covers the period 1 November 1778 through 14 January 1779. This title begins with George Washington at Fredericksburg, New York, watching New York City for signs that the British were about to evacuate North America. The British had different intentions, however, dispatching the first of several amphibious expeditions to invade the Deep South.

Describes how Washington moved his army north from White Plains, New York, into new positions that ran from West Point to Danbury, Connecticut. His purpose in doing so was threefold: to protect his army, to protect the strategically important Hudson highlands, and to shore up the equally vital French fleet anchored at Boston.