Bøker utgitt av University of Wales Press

This collection of essays rediscovers and reassesses the extraordinary literary legacy of the border writer, Margiad Evans (1909-48) - novelist, poet, short story writer and autobiographer.

The book is the fifth and last volume of the series telling the story of Gwent/Monmouthshire to the end of the twentieth century - a century that saw the region's transformation by world war, social change, economic realignment, political reconfiguration and religious scepticism.

A critical examination of novels by Milan Kundera, Ian McEwan, Michel Houellebecq and J. M. Coetzee to explore aesthetically our understanding of different forms of identity, through the lens of classical and contemporary political, philosophical and social theory from within the Marxist aesthetic tradition.

A history of Welsh women's writing in both Welsh and English during the twentieth century. This book identifies and analyses a distinctive female literary tradition and reveals that Wales is represented very much as 'a different country' by its modern women writers.

'To Hell with Culture': Anarchism in Twentieth-Century British Literature explores the ways in which anarchism and anarcho-syndicalism made an impact in British twentieth-century literature.

Cultivating the Heart reveals the languages of feeling in a range of religious texts from the High Middle Ages.

Born in the village of Llangeinor, near Bridgend in south Wales, Richard Price (1723-91) was, to his contemporaries, an apostle of liberty, an enemy to tyranny and a great benefactor of the human race. His friend Benjamin Franklin described aspects of his work as 'the foremost production of human understanding that this century has afforded us'. A supporter of the American and French Revolutions, Price corresponded with the likes of Jefferson, Adams, Washington, Mirabeau and Condorcet. In November 1789 he publicly welcomed the start of the French Revolution and thus inspired not only Edmund Burke to write his rebuttal in Reflections on the Revolution in France, but also the Revolution Controversy, 'the most crucial ideological debate ever carried on in English'. Price also brought to world attention the Bayes-Price Theorem on probability, which is the invisible background to so much in modern life, and wrote a fundamental text on moral philosophy. Yet, despite all this and more, he remains little-known beyond academia, a situation that this biography helps to rectify. Liberty's Apostle tells his life story through his published works and, fully for the first time, his now published correspondence with a host of eighteenth century celebrities. The life revealed is of a truly remarkable Welshman and, as Condorcet remarked, of 'one of the formative minds' of the eighteenth century Enlightenment.

Women's Writing in Twenty-First Century France is the first book-length publication on women-authored literature of this period, and comprises a collection of challenging critical essays that engage with the themes, trends and issues, and with the writers and their texts, of the first decade of the twenty-first century.

In Wales Unchained Daniel G. Williams explores how Welsh writers, politicians and intellectuals have defined themselves - and have been defined by others - since the early twentieth century. Whether by exploring ideas of race in the 1930s or reflecting on the metaphoric uses of boxing, asking what it means to inhabit the 'American century' or probing the linguistic bases of cultural identity, Williams writes with a rare blend of theoretical sophistication and accessible clarity. This book discusses Rhys Davies in relation to D. H. Lawrence, explores the simultaneous impact that Dylan Thomas and saxophonist Charlie Parker had on the Beat Generation in 1950s America, and juxtaposes the uses made of class and ethnicity in the thought of Aneurin Bevan and Paul Robeson. Transatlantic in scope and comparative in method, this book will engage readers interested in literature, politics, history and contemporary cultural debate.

The Gothic and the Carnivalesque in American Culture offers a new account of the American Gothic. Gothic studies, the field that explores horrid and frightful narratives, usually describes the genre as exploring genuine historical fears, crises and traumas, yet this does not account for the ways in which the genre is often a source of wicked delight as much as it is of horror - its audiences laugh as often as they shriek. This book traces the carnivalesque tradition in the American Gothic from the nineteenth into the late twentieth century. It discusses the festivals offered by Poe, Hawthorne and Irving; the celebrations of wickedness offered by the Weird Tales writers, including H. P. Lovecraft, Robert E. Howard and Clark Ashton Smith; the curious aura attached to Ray Bradbury's stories; the way in which hosted horrors in comics and on television in the 1950s and 1960s taught their mass audiences how to read the genre; Stephen King's nurturing of a new audience for Gothic carnivals in the 1970s and 1980s; and the confluence of Gothic story and Goth subculture in the 1990s.Introduction: BallyhooChapter One: Theory, Practice and Gothic CarnivalChapter Two: 'The Delight of its Horror' - Poe's Carnivals and the Nineteenth-Century American GothicChapter Three: Weird Tales and Pulp SubjunctivityChapter Four: Ray Bradbury and the October AuraChapter Five: Hosted Horrors of the 1950s and 1960sChapter Six: Stephen King, Affect and the Real Limits of Gothic PracticeChapter Seven: Every Day is Halloween - Goth and the GothicConclusion: Waiting for the Great Pumpkin

Dyma lyfr arloesol gan arbenigwyr yn y maes, sy'n cynnig golwg ar rai o brif gysyniadau'r astudiaeth ar theatr a pherfformio dros y blynyddoedd diwethaf.

This book uses models of 'world literature' to present this 'quintessentially English' writer as a pioneering figure in an Anglophone Welsh literary tradition, a controversial reading that contributes to the present-day reconfiguration of cultural relations between Wales, England, Scotland

Examines from a variety of perspectives, and offers a range of interpretations, of the type of rhetoric associated with the anchoritic experience during the Middle Ages and draws conclusions on the many purposes of that rhetoric.

In R.S. Thomas - A Stylistic Biography, Daniel Westover traces Thomas's poetic development over six decades, demonstrating how the complex interior of the poet manifests itself in the continually shifting style of his poems.

The Island of Apples is a brilliant study of a pre-adolescent boy's romantic imagination and dangerous enthralment, set vividly in the south Wales of Methyr Tydfil and Carmarthen in the early twentieth century

A full-length study of Swansea's urban development from the late 18th to the late 19th century. It tells the story of how Swansea gained an unrivalled position of influence as an urban centre, which led it briefly to claim to be the 'metropolis of Wales', and how it lost this status in the face of rapid urban development elsewhere in the country.

A comprehensive study of medieval Arthurian literature, comprising of literary explorations together with chapters on the political and social manifestations of the Arthurian legend and the influence of continental romance traditions.

"A Social History of the Cinema in Wales" offers a perspective on the place of cinema in Welsh popular culture. The 'golden age' of cinema entertainment is now half a century behind us, yet it continues to linger in popular memory.

This interdisciplinary study of medieval English anchoritism from 1080-1450, explodes the myth of the anchorhold as solitary death-cell, reveals it instead as the site of potential intellectual exchange, and demonstrates an anchoritic spirituality in synch with the wider medieval world.

This book tells the dramatic and often surprising story of the learning of the Irish language by Irish Republican prisoners held in the infamous H-block cells during the bloody political conflict in Northern Ireland. Using research methods and techniques, the author closely analyses the emergence of the Irish language amongst republican prisoners and ex prisoners in Northern Ireland from the 1970s up until the present. This pioneering study shows how the language was used exclusively in parts of the prison, despite the efforts of the prison authorities to suppress the language, and the dramatic impact this had on Irish society. Drawing on interviews with the prisoners, and various other materials, Mac Giolla Chriost shows how these developments gave rise to the popular coinage of the term 'Jailtacht', a deformation of 'Gaeltacht' - the official Irish-speaking districts of the Republic of Ireland, to describe this unique linguistic phenomenon.

This modern history of Gibraltar updates and enhances scholarship on the Rock's history by bringing together the author's extensive archival research and developments in the secondary literature surrounding British Gibraltar. Central to its narrative is an examination of the development of a Gibraltarian community amidst British imperial rise and decline and Anglo-Spanish diplomatic vicissitudes. Gibraltar: A Modern History, is the first twenty-first century treatment of the Rock's history and as such it augments and, in many ways, replaces older treatments of Gibraltar's History.

This pioneering study offers dynamic new answers to Christian Jacob's question: 'What are the links that bind the map to writing?'

One of the few points critics and readers can agree upon when discussing the fiction popularly known as New Space Opera - a recent subgenre movement of science fiction - is its canny engagement with contemporary cultural politics in the age of globalisation. This book avers that the complex political allegories of New Space Opera respond to the recent cultural phenomenon known as neoliberalism, which entails the championing of the deregulation and privatisation of social services and programmes in the service of global free-market expansion. Providing close readings of the evolving New Space Opera canon and cultural histories and theoretical contexts of neoliberalism as a regnant ideology of our times, this book conceptualises a means to appreciate this thriving movement of popular literature.

R. S. Thomas is recognised globally as one of the major poets of the twentieth century. Such detailed attention as has been paid to the religious dimensions of his work has, however, largely limited itself to such matters as his obsession with the 'absent God', his appalled fascination with the mixed cruelty and wonder of a divinely created world, his interest in the world-view of the 'new physics', and his increasingly heterodox stance on spiritual matters. What has been largely neglected is his central indebtedness to key features of the 'classic' Christian tradition. This book concentrates on one powerful and compelling example of this, reading Thomas's great body of religious work in the light of the three days that form the centre of the Gospel narrative; the days which tell of the death, entombment and resurrection of Christ.

The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself.