Bøker utgitt av University of Wales Press

Wales has a long history of interest in Palestine and Israel, and a close interest in Jews and Zionism. This monograph, the first to explore the subject, asks searching questions about the relationship that Wales has with the Israel-Palestine situation.

Cyfrol sydd yn trafod mewn modd difyr a darllenawdwy rhai o'r pynciau mwyaf heriol a dadleuol ym myd y gyfraith yng Nghymru heddiw.

This experimental volume of literary criticism offers various interpretations of the work of the poet Menna Elfyn, and gives an outline of our relationship with literature and our reading habits. It is an attempt to provide a fresh interpretation of the work by experimenting for the first time in Welsh with the epistolary method of criticism, through a series of fictional letters. This is also the first extended study of Menna Elfyn's poetry: addressed to the poet's work in particular, but also looking at contemporary issues such as interpretation, performance and the marketing of literature in contemporary Wales. Academic practices are vigorously challenged by walking the line between 'fact' and 'fiction' to create a multi-vocal and readable criticism reflecting the complex and multifaceted nature of the reading process.

A study of the Jewish communities of South Wales in the nineteenth and twentieth centuries, both in their everyday lives and in more dramatic and sensational moments. New edition.

The source of the Nile had long eluded and tormented explorers, and John Hanning Speke's discovery of Lake Victoria in 1858 elevated him to the pantheon of heroes of African exploration, alongside Livingstone and Stanley. But the part played by the Welsh mining engineer John Petherick in the discovery was ignored after he was branded a slave trader by Speke, and the controversy that followed ended with Petherick ruined and Speke dead. This first biography of Petherick places him at the centre of one of the great discoveries in African exploration - and as the focus of a dispute that rocked the geographical establishment. Was Petherick a rogue, as portrayed by some, or the victim of a conspiracy that destroyed his reputation and denied him a share of the credit for his part in one of the greatest feats in African exploration?

Poetry, Geography, Gender examines how questions of place, identity and creative practice intersect in the work of some of Wales' best known contemporary poets, including Gillian Clarke, Gwyneth Lewis, Ruth Bidgood and Sheenagh Pugh. Merging traditional literary criticism with cultural-political and geographical analysis, Alice Entwistle shows how writers' different senses of relationship with Wales, its languages, history and imaginative, as well as political, geography feeds the form as well as the content of their poetry. Her innovative critical study thus takes particular interest in the ways in which author, text and territory help to inform and produce each other in the culturally complex and confident small nation that is twenty-first century Wales.

France's Colonial Legacies offers a timely intervention in the debates around the French empire and its place in the life of the contemporary nation, drawing on the expertise of researchers working in the fields of politics, media, cultural studies, literature and film, to offer a wide-ranging picture of remembrance in contemporary France.

This volume explores the changing nature of the settlement archaeology in north-west Wales over a period of almost two millennia, setting the region within wider discourses on the nature of the societies occupying Britain between 1150 BC and AD 1050.

After Raymond Williams: Cultural Materialism and the Break-Up of Britain has two broad aims. The first is to re-examine the concept of cultural materialism, the term used by Raymond Williams to describe his theory of how writing and other cultural forms relate to general social and historical processes. Using this theory, the second objective is to explore the material ways in which contemporary British writing participates in one particular political process - that of the break-up of Britain. The general trajectory of the book is a matter of superseding Williams: the early chapters are devoted to extrapolating Williams's materialist theory of cultural forms, while later chapters are concerned with applying this theoretical material to a series of readings of books and films produced in the years since his death in 1988. This volume provides a detailed account of some of the writing produced in Scotland and Wales in the years surrounding political devolution, and also considers the ways in which different subcultural communities use fiction to renegotiate their relationships with the British whole.

In this volume of essays, specialists explore the relations between modern literary text and visual image across a range of media - from novel, poetry and film to painting, fabric and print culture.

Gwenlyn Parry was one of the most important Welsh-language playwrights of the twentieth century and played a key role in the popularisation and flourishing of drama in the theatre and on television during the 1970s and 1980s. Parry's major stage plays - Saer Doliau, Ty ar y Tywod, Y Ffin and Y Twr - had a substantial impact, and were instrumental in solidifying a new relationship between drama and theatrical production in Welsh, bringing the theatricality of the Absurd to a popular audience for the first time. His plays have been the subject of much critical attention in Welsh, and have been reinterpreted in production on many occasions, both in their original form and in translation. This study is the first extended treatment of his life and work in English, and examines the complex and occasionally paradoxical relationship between the autobiographical aspects of his writing and his use of theatrical form.

A collection of essays on a range of Welsh writers, both well-known and otherwise, by one of the leading specialists in the anglophone literary culture of Wales.

In the nineteenth century, the `Age of Nationalism', when nationalisms flowered in every small European country, no Welsh national movement emerged. Contrary to the popular view that Welsh radical politics was a boost for Welsh nationalism, Why Wales Never Was shows that this was the very reason for its failure.

The tensions and ambivalences emerging from four memoirs written in Welsh and Spanish by Welsh Patagonians towards the end of the twentieth century are explored, to foreground a broader panorama of what it means to be a Welsh descendant in Patagonia in a modern Argentine context.

This study of the works of late eighteenth-century American Gothic author Charles Brockden Brown argues that Brown was a seminal figure in the development of four forms of Gothic fiction: the Frontier Gothic, the Urban Gothic, the Psychological Gothic, and the Female Gothic.

This fourth volume in the county history of Gwent/Monmouthshire deals with the explosion of industrial development from 1780 to the eve of the First World War, and as such is first authoritative treatment of the transformation of south-east Wales into a centre of the iron and coal industry.

Presents a history of 20th-century Christianity in Wales. This title assesses the effect which the Great War made on people's spiritual convictions and on religious opinion and practise. It analyses the state of the disestablished church in Wales, an increasingly confident Catholicism and the growing inter-war crisis of Nonconformity.

As late as 1980, a quarter of the population of Wales lived within the boundaries of what had once been the lordships of the Bute estate. Powerful landowners for centuries, the Stuarts of Bute were key drivers of the many social, political, and economic changes that transformed south Wales between the eighteenth and twentieth century. This volume explores the Butes and their influence, setting them in context of a long, interwoven history of landed proprietorship, economic development, and the rise of the industrial middle class throughout Britain.

This book charts and analyses the emergence of the conventional representation of the French events of 1968 and argues that the dominance of this narrative, despite its limitations, stems from the convenience that such a consensus provides for those that have been pivotal in shaping the collective memory of this critical moment in recent history.

This is a treatment of the impact of the copper industry upon society and environment in south Wales. For the 18th century and much of the 19th a belt of coastal smelters using local coals and ores from Cornwall, Cuba and Chile produced nearly all of Britain's and much of the world's copper.

Queer Others in Victorian Gothic: Transgressing Monstrosity explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race. From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siecle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial 'safe space' in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were 'other'.

Life in Mars: from Manchester to New York is the first full account of this ground-breaking television drama, and uses textual analysis and cultural and contextual critique to explore the popular and critical success of the original UK series and the US remake.

This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.

This book deals with the introduction of romance to Scandinavia in the thirteenth century and the cultural and literary context of the translations of Latin and French Arthurian literature, including the Tristan legend (with a chapter on the Byelorussian Tristan).

The Rebecca Riots in west Wales began in the summer of 1839. They ceased as suddenly as they had started, and for three and a half years the countryside was undisturbed. Then, in the winter of 1842, they broke out again with greater violence.

Demonstrating the timely relevance of Theodore Dreiser, Edith Wharton, Jack London and Henry Adams, this book shows how debates about evolution, identity, and a shifting world picture have uncanny parallels with the emerging global systems that shape our own lives. Tracing these systems' take-off point in the early twentieth century through the lens of popular science journalism, John Bruni makes a valuable contribution to the study of how biopolitical control over life created boundaries among races, classes, genders and species. Rather than accept that these writers get their scientific ideas about evolution second-hand, filtered through a social Darwinist ideology, this study argues that they actively determine what evolution means. Furthermore, the book, examines the ecological concerns that naturalist narratives reflect - such as land and water use, waste management, and environmental pollution - previously unaddressed in a book-length study.

Rachel Bromwich's magisterial edition of Trioedd Ynys Prydein has long won its place as a classic of Celtic studies. This revised edition shows the author's continued mastery of the subject, including a new preface by Morfydd Owen, and will be essential reading for Celticists and for those interested in early British history, literature and Arthurian studies.

In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.

This innovative study of the Montreal novel in French looks at how imaginary and material landscapes come together to produce a city of neighbourhoods.

This anthology of Welsh poetry and English translations presents some of Wales's radical and reactionary responses to the French Revolution and its cultural legacy, 1789-1805.