Bøker utgitt av University of Washington Press

Frank Chin, Jeffery Paul Chan, Lawson Fusao Inada, and Shawn Wong are the editors of Aiiieeeee! and The Big Aiiieeeee! As members of the Combined Asian Resources Project (CARP), they were instrumental in rediscovering many previously underappreciated works, including America Is in the Heart, No-No Boy, Nisei Daughter, and other classics. Tara Fickle is assistant professor of English at the University of Oregon.

Jeffrey Karl Ochsner is professor of architecture and associate dean for academic affairs in the College of Built Environments, University of Washington. He is the author of Lionel H. Pries, Architect, Artist, Educator and Furniture Studio and coauthor of Distant Corner: Seattle Architects and the Legacy of H. H. Richardson. Shaping Seattle Architecture was guided by an editorial board including Dennis A. Andersen, Duane A. Dietz, Katheryn Hills Krafft, David A. Rash, and Thomas Veith.

Tens of thousands of epitaphs, or funerary biographies, survive from imperial China. Engraved on stone and placed in a grave, they typically focus on the deceased's biography and exemplary words and deeds, expressing the survivors' longing for the dead. These epitaphs provide glimpses of the lives of women, men who did not leave a mark politically, and children--people who are not well documented in more conventional sources such as dynastic histories and local gazetteers.This anthology of translations makes available funerary biographies covering nearly two thousand years, from the Han dynasty through the nineteenth century, selected for their value as teaching material for courses in Chinese history, literature, and women's studies as well as world history. Because they include revealing details about personal conduct, families, local conditions, and social, cultural, and religious practices, these epitaphs illustrate ways of thinking and the realities of daily life. Most can be read and analyzed on multiple levels, and they stimulate investigation of topics such as the emotional tenor of family relations, rituals associated with death, Confucian values, women's lives as written about by men, and the use of sources assumed to be biased. These biographies will be especially effective when combined with more readily available primary sources such as official documents, religious and intellectual discourses, and anecdotal stories, promising to generate provocative discussion of literary genre, the ways historians use sources, and how writers shape their accounts.

Roger Sale (1932¿2017) came to Seattle in 1962 to teach at the University of Washington, where he was a literature professor for nearly forty years. A prolific writer for publications such as the New York Review of Books and Seattle Weekly, Sale was the author of thirteen books, including Modern Heroism: Essays on D. H. Lawrence, William Empson, and J. R. R. Tolkien; Fairy Tales and After; On Writing; and Seeing Seattle. Host of Mossback¿s Northwest on KCTS9, Knute Berger is an award-winning columnist for Crosscut and Seattle magazine and author of two books: Pugetopolis: A Mossback Takes on Growth Addicts, Weather Wimps, and the Myth of Seattle Nice and Space Needle: The Spirit of Seattle.

Lei Xue is associate professor of art history at Oregon State University.

Revision of author's thesis (doctoral)--Columbia University, 2012, titled Making the modern slum: housing, mobility, and poverty in Bombay and its peripheries.

Born in Portland, Oregon, Christopher Howell is author of a dozen poetry collections, including Love¿s Last Number, Gaze, and Dreamless and Possible: Poems New and Selected. He has received numerous honors, including the Washington State Book Award, fellowships from the National Endowment for the Arts and the Artist Trust, and three Pushcart Prizes. A military journalist during the Vietnam War, he has been for many years director and principal editor for Lynx House Press and now lives in Spokane, Washington, where he teaches in Eastern Washington University¿s master of fine arts in creative writing program.

From fish and fiddleheads to salmonberries and Spam, Alaskan cuisine spans the two extremes of locally abundant wild foods and shelf-stable ingredients produced thousands of miles away. As immigration shapes Anchorage into one of the most ethnically diverse cities in the country, Alaskäs changing food culture continues to reflect the tension between self-reliance and longing for distant places or faraway homes. Alaska Native communities express their cultural resilience in gathering, processing, and sharing wild food; these seasonal food practices resonate with all Alaskans who come together to fish and stock their refrigerators in preparation for the long winter. In warm home kitchens and remote cafés, Alaskan food brings people together, creating community and excitement in canning salmon, slicing muktuk, and savoring fresh berry pies.This collection features interviews, photographs, and recipes by James Beard Award¿winning journalist and third-generation Alaskan Julia O¿Malley. Touching on issues of subsistence, climate change, cultural mixing and remixing, innovation, interdependence, and community, The Whale and the Cupcake reveals how Alaskans connect with the land and each other through food.

Rivi Handler-Spitz is associate professor of Chinese language and literature at Macalester College.

The Gift of Knowledge / Ttnuwit Atawish Nchinchimam is a treasure trove of material for those interested in Native American culture. Author Virginia Beavert grew up in a traditional, Indian-speaking household. Both her parents and her maternal grandmother were shamans, and her childhood was populated by people who spoke tribal dialects and languages: Nez Perce, Umatilla, Klikatat, and Yakima Ichishkin. Her work on Native languages began at age twelve, when she met linguist Melville Jacobs while working for his student, Margaret Kendell. When Jacobs realized that Beavert was a fluent speaker of the Klikatat language, he taught her to read and write the orthography he had developed to record Klikatat myths.After a stint in the U.S. Air Force during World War II, Beavert went on to earn graduate degrees in education and linguistics, and she has contributed to numerous projects for the preservation of Native language and teachings.Beavert narrates highlights from her own life and presents cultural teachings, oral history, and stories (many in bilingual Ishishkin-English format) about family life, religion, ceremonies, food gathering, and other aspects of traditional culture.

Written around 1660, the unique Chinese short story collection Idle Talk under the Bean Arbor (Doupeng xianhua), by the author known only as Aina the Layman, uses the seemingly innocuous setting of neighbors swapping yarns on hot summer days under a shady arbor to create a series of stories that embody deep disillusionment with traditional values. The tales, ostensibly told by different narrators, parody heroic legends and explore issues that contributed to the fall of the Ming dynasty a couple of decades before this collection was written, including self-centeredness and social violence. These stories speak to all troubled times, demanding that readers confront the pretense that may lurk behind moralistic stances.Idle Talk under the Bean Arbor presents all twelve stories in English translation along with notes from the original commentator, as well as a helpful introduction and analysis of individual stories.

Wilt L. Idema is professor emeritus of Chinese literature at Harvard University. He is the translator of Heroines of Jiangyong: Chinese Narrative Ballads in Women¿s Script and Meng Jiangnu Brings Down the Great Wall: Ten Versions of a Chinese Legend, and coauthor of The Red Brush: Writing Women of Imperial China.

In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court¿s Inner Mongolian allies. The Mountain Estate to Escape the Heat (Bishu Shanzhuang) was strategically located at the node of mountain ¿veins¿ through which the Qing empire¿s geomantic energy was said to flow. At this site, from late spring through early autumn, the Kangxi emperor presided over rituals of intimacy and exchange that celebrated his rule: garden tours, banquets, entertainments, and gift giving.Stephen Whiteman draws on resources and methods from art and architectural history, garden and landscape history, early modern global history, and historical geography to reconstruct the Mountain Estate as it evolved under Kangxi, illustrating the importance of landscape as a medium for ideological expression during the early Qing and in the early modern world more broadly. Examination of paintings, prints, historical maps, newly created maps informed by GIS-based research, and personal accounts reveals the significance of geographic space and its representation in the negotiation of Qing imperial ideology. The first monograph in any language to focus solely on the art and architecture of the Kangxi court, Where Dragon Veins Meet illuminates the court¿s production and deployment of landscape as a reflection of contemporary concerns and offers new insight into the sources and forms of Qing power through material expressions.Art History Publication Initiative

Elissa Washuta (Cowlitz) is assistant professor of creative writing at the Ohio State University. Theresa Warburton is a Mellon Postdoctoral Fellow in American studies and English at Brown University and assistant professor of English at Western Washington University.