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In The City in Time, Pamela N. Corey provides new ways of understanding contemporary artistic practices in a region that continues to linger in international perceptions as perpetually ¿postwar.¿ Focusing on art from the last two decades, Corey connects artistic developments with social transformations as reflected through the urban landscapes of Ho Chi Minh City and Phnom Penh. As she argues, artists¿ engagements with urban space and form reveal ways of grasping multiple and layered senses and concepts of time, whether aligned with colonialism, postcolonial modernity, communism, or postsocialism.The City in Time traces the process through which collective memory and aspiration are mapped onto landscape and built space to shed light on how these vibrant Southeast Asian cities shape artistic practices as the art simultaneously consolidates the city as image and imaginary. Featuring a dynamic array of creative productions that include staged and documentary photography, the moving image, and public performance and installation, The City in Time illustrates how artists from Vietnam and Cambodia have envisioned their rapidly changing worlds.

Explores the artisans' lives and careers from various aspects. This book examines their position within early Chinese society, analyzing their social status, social mobility, and role in the early Chinese economy. It describes how they were trained, what tools they used, and what workplace hazards they faced.

In 1984 the University of Washington Huskies won every game but one, ranking second in national polls. For most coaches, such a season would be a career pinnacle. But for Don James second place motivated him to set aside what he knew about football and rethink the game. James made radical changes to his coaching philosophy, from recruitment to becoming one of the first college teams willing to blitz on any down and in any situation. His new approach initially failed, yet it finally culminated in one of the most explosive teams in college football history.In Fear No Man, Mike Gastineau recounts the riveting story of Don James and the national championship team he built. Undefeated, the 1991 Huskies outscored opponents by an average of 31 points per game on their way to winning the Rose Bowl and a national championship. The team included twenty-five future NFL players, and in Gastineaüs gripping account they come alive with all the swagger and joy they brought to the game. A brilliant examination of one of college football¿s greatest coaches and teams, Fear No Man is the inspirational story of an improbable journey that led to one classic and unforgettable season.

For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women¿s resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S¿eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks.Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. Painful Beauty is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women¿s artistic expressions on the Northwest Coast.

Although they existed more than a millennium apart, the great civilizations of New Kingdom Egypt (ca. 1548¿1086 BCE) and Han dynasty China (206 BCE¿220 CE) shared intriguing similarities. Both were centered around major, flood-prone rivers¿the Nile and the Yellow River¿and established complex hydraulic systems to manage their power. Both spread their territories across vast empires that were controlled through warfare and diplomacy and underwent periods of radical reform led by charismatic rulers¿the ¿heretic king¿ Akhenaten and the vilified reformer Wang Mang. Universal justice was dispensed through courts, and each empire was administered by bureaucracies staffed by highly trained scribes who held special status. Egypt and China each developed elaborate conceptions of an afterlife world and created games of fate that facilitated access to these realms.This groundbreaking volume offers an innovative comparison of these two civilizations. Through a combination of textual, art historical, and archaeological analyses, Ancient Egypt and Early China reveals shared structural traits of each civilization as well as distinctive features.

Zuo Tradition, Chinäs first great work of history, was completed by about 300 BCE and recounts events during a period of disunity from 722 to 468 BCE. The text, which plays a foundational role in Chinese culture, has been newly translated into English by Stephen Durrant, Wai-yee Li, and David Schaberg in an unabridged, bilingual, three-volume set. This reader arranges key passages from that set according to topic, as a guide to the study of early Chinese culture and thought. Chapter subjects include succession struggles; women; warfare; ritual propriety; governance; law and punishment; famous statesmen; diplomacy; Confucius and his disciples; dreams and anomalies; and cultural others. An introduction explains the nature and significance of Zuozhuan and discusses how to read the text. Section introductions and judicious footnoting provide contextual information and explain the historical significance and meaning of particular events. The Zuo Tradition / Zuozhuan Reader will appeal to readers interested in Chinese and world history, claiming a place on library and personal bookshelves alongside other narratives from the ancient world.

In the eighteenth and early nineteenth centuries a small but conspicuous fringe of the Jewish population became the world¿s most resolute, intellectually driven, and philosophical revolutionaries, among them the pre-Marxist Karl Marx. Yet the roots of their alienation from existing society and determination to change it extend back to the very heart of the Enlightenment, when Spinoza and other philosophers living in a rigid, hierarchical society colored by a deeply hostile theology first developed a modern revolutionary consciousness.Leading intellectual historian Jonathan Israel shows how the radical ideas in the early Marx¿s writings were influenced by this legacy, which, he argues, must be understood as part of the Radical Enlightenment. He traces the rise of a Jewish revolutionary tendency demanding social equality and universal human rights throughout the Western world. Israel considers how these writers understood Jewish marginalization and ghettoization and the edifice of superstition, prejudice, and ignorance that sustained them. He investigates how the quest for Jewish emancipation led these thinkers to formulate sweeping theories of social and legal reform that paved the way for revolutionary actions that helped change the world from 1789 onward¿but hardly as they intended.

From hip-hop artists in the Marshall Islands to innovative multimedia producers in Vanuatu to racial justice writers in Utah, Pacific Islander youth are using radical expression to transform their communities. Exploring multiple perspectives about Pacific Islander youth cultures in such locations as Aotearoa New Zealand, Australia, Hawai`i, and Tonga, this cross-disciplinary volume foregrounds social justice methodologies and programs that confront the ongoing legacies of colonization, incarceration, and militarization. The ten essays in this collection also highlight the ways in which youth throughout Oceania and the diaspora have embraced digital technologies to communicate across national boundaries, mobilize sites of political resistance, and remix popular media. By centering Indigenous peoples¿ creativity and self-determination, Reppin¿ vividly illuminates the dynamic power of Pacific Islander youth to reshape the present and future of settler cities and other urban spaces in Oceania and beyond.

¿Chickens are a lot more mainstream than veganism and a little bit like kombucha: super weird twenty years ago, now somewhat popular and made even more so by logos, brands, and hashtags.¿ So begins Gina Warren¿s deep dive into the backyard chicken movement. Digging into its history and food politics, she provides a highly personal account of the movement¿s social and cultural motivations, the regulations it faces, and the ways that chicken owners build community. Weaving together interviews with urban agriculture advocates, entrepreneurs such as a $225 per hour ¿chicken consultant,¿ animal rights campaigners, and a fabulous cross-section of chicken enthusiasts, Warren sheds light on Americans¿ complex relationship with animals¿as guardians, companions, and eaters¿and what it means to be a conscious eater.As Warren chronicles her own misadventures raising chickens, her pursuit of what¿s best for her own flock leads past chicken tutus and gourmet chicken treats and into serious attempts at sustainable eating, such as cooking insects and dumpster diving. The result is a fresh and charming story that speaks to backyard chicken owners, while also raising questions about sustainable farming, industrial agriculture, and our connections with the animals we love.