Bøker utgitt av University of Washington Press

Explores the forms of vision Parks employed across various artistic media

Examines the lives of two slain cannery union reformers during the tumultuous Civil Rights Era of the 1970s

A memoir by a Filipino founder and vice-president of the United Farm Workers Union.

Tam T. T. Ngo is a research fellow in the Department of Religious Diversity at the Max Planck Institute for the Study of Religious and Ethnic Diversity in Germany.

Winner of the 2013 Washington State Book Award and finalist for the 2013 William Carlos Williams Award, Poetry Society of America, this title features poems that are nuclear-age songs of innocence and experience set in the "empty" desert West.

The art of Paul Havas (1940ΓÇô2012) is one of natural beauty, formal control, and unusual colors. Havas settled in the Puget Sound region in 1965 and went on to create a body of work dominated by oil paintings and drawings of landscapes and cityscapes, attracting admiring critical attention and considerable acquisitions by important museums. This book draws on HavasΓÇÖs archive of writings, letters, and documentary photographs, as well as accounts and interviews with critics, curators, fellow artists, and friends to set the artist in a perspective of Pacific Northwest and American art history. The result is a lively tale of flyfishing, rural cabins, sophisticated city life, and doggedly consistent work habits in studios in Seattle and the Skagit Valley. Quiet yet friendly, like his appealing paintings, Paul Havas is revealed as thoughtful and witty, with serious ideas about art, culture, and his own position in contemporary art. Readers are sure to enjoy this lavishly illustrated volume with extensive color plates, useful contextual images, and historical documentary photographs.

The face has inspired artists around the world for millennia, and Japan's Noh theater has provided a complex domain for exploring human emotion. This book examines fourteen contemporary works by Noh mask-maker and artist Bidou Yamaguchi.

Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being. In Opening Kailasanatha, Padma Kaimal deciphers the intentions of the monument¿s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex¿the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps¿Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.

The standoff at Cliven Bundy¿s ranch, the rise of white identity activists on college campuses, and the viral growth of white nationalist videos on YouTube vividly illustrate the resurgence of white supremacy and overt racism in the United States. White resistance to racial equality can be subtle as well¿like art museums that enforce their boundaries as elite white spaces, ¿right on crime¿ policies that impose new modes of surveillance and punishment for people of color, and environmental groups whose work reinforces settler colonial norms. In this incisive volume, twenty-four leading sociologists assess contemporary shifts in white attitudes about racial justice in the US. Using case studies, they investigate the entrenchment of white privilege in institutions, new twists in anti-equality ideologies, and ¿whitelash¿ in the actions of social movements. Their examinations of new manifestations of racist aggression help make sense of the larger forces that underpin enduring racial inequalities and how they reinvent themselves for each new generation.

East Asia hosts a fifth of the world¿s population and consumes over half the world¿s coal, a quarter of its petroleum products, and a tenth of its natural gas. It also produces a third of worldwide greenhouse gas emissions, making it a major contributor to climate change. The region¿whose countries share ecological, sociocultural, and political characteristics while varying in size, resource wealth, history, and political systems¿offers excellent insights into the complex dynamics influencing environmental politics, advocacy, and policy. With essays addressing Japan after Fukushima, coal plants and wind turbines in China, environmental activism in Taiwan, and sustainable rural development in South Korea, Greening East Asia explores a region¿s shift from development to ¿eco-development¿ in acknowledgment that environmental sustainability is a critical component of economic growth.

In South Asia massive anticolonial movements in the twentieth century created nation-states and reset national borders, forming the basis for emerging film cultures. Following the upheaval of the partition of India and Pakistan in 1947 and the Bangladesh Liberation War of 1971, new national cinemas promoted and reinforced prevailing hierarches of identity and belonging. At the same time, industrial and independent cinemas contributed to remarkably porous and hybrid film cultures, reflecting the intertwining of South Asian histories and their reciprocal cultural influences. This cross-fertilization within South Asian cultural production continues today.South Asian Filmscapes excavates these complex politics and poetics of bordered identity and crossings through selected histories of cinema in South Asia. Several essays reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners, while others interrogate how filmic politics intersects with discourses of nationalism, sexuality and gender, religion, and language. Together, they offer a fluid approach to the multiple histories and encounters that conjure ¿South Asiä as a geographic and political entity in the region and globally through a cinematic imagination.

Draws from the knowledge of Native and non-Native elders and scholars to present an account of interactions between a homeland and its people. This title also presents descriptions of 400 place names. It paints a picture of a way of life that provides context for interpreting pre-contact communities.

Realism and the rhetoric of dreams intersected in modern Chinese literature from the May Fourth Era in the early twentieth century through the period just following the end of the Cultural Revolution in 1976. The Edge of Knowing investigates this relationship, showing how writers¿ attention to dreams demonstrates the multiple influences of Western psychology, utopian desire for revolutionary change, and the enduring legacy of traditional Chinese philosophy. At the same time, modern Chinese writers used their work to represent social reality for the purpose of nation building. Recent political usage of dream rhetoric in the People¿s Republic of China attests to the continuing influence of dreams on the imagination of Chinese modernity.By employing a number of critical perspectives, The Edge of Knowing will appeal to readers seeking to understand the complicated relationship between literary form and Chinese history and politics.

Many of the millions of workers streaming in from rural China to jobs at urban factories soon find themselves in new kinds of poverty and oppression. Yet, their individual experiences are far more nuanced than popular narratives might suggest. Rural Origins, City Lives probes long-held assumptions about migrant workers in China. Drawing on fieldwork in Nanjing, Roberta Zavoretti argues that many rural-born urban-dwellers arecontrary to state policy and media portrayalsheterogeneous in their employment, lifestyle, and aspirations. Working and living in the cities, rural-born workers change Chinas urban landscape, becoming part of an increasingly diversified and stratified society. Zavoretti finds that, over thirty years after the Open Door Reform, class formation, not residence status, is key to understanding inequality in contemporary China.

In her wide-ranging third book, poet Kathleen Flenniken undertakes the difficult task of re-seeing what is before us. Post Romantic fuses personal memory with national and ecological upheaval, interweaving narratives of family, nuclear history, love of country, and a dangerous age moving too fast. Flenniken takes these challenging moments¿bits and pieces of childhood, marriage, cultural touchstones¿and holds them up to the light, seeking comfort in a complicated world that is at once heartbreaking, confounding, and dear.