Bøker utgitt av University of Wisconsin Press

Set in Madison, Wisconsin, and New Haven, Connecticut, in the early days of the AIDS epidemic, Mourning Light is a semi-autobiographical love story. Our narrator, Reb (so named by his mother because of her love of the Daphne du Maurier novel Rebecca), is hounded by guilt over the death of his lover, Anthony, which took place on the same day Reb first met the handsome yet enigmatic Eric. Once Reb becomes convinced that Anthony has sent him a cryptic message from beyond the grave, he becomes obsessed with figuring out what it could mean. Told in a series of flashbacks and remembrances, the novel concludes with a whirlwind of revelations that both complicate and resolve Reb's view of his world and his lover.

Understanding and Teaching Native American History is a timely and urgently needed remedy to a long-standing gap in history instruction. While the past three decades have seen burgeoning scholarship in Indigenous studies, comparatively little of that has trickled into classrooms. This volume is designed to help teachers effectively integrate Indigenous history and culture into their lessons, providing richly researched content and resources across the chronological and geographical landscape of what is now known as North America. Despite the availability of new scholarship, many teachers struggle with contextualizing Indigenous history and experience. Native peoples frequently find themselves relegated to historical descriptions, merely a foil to the European settlers who are the protagonists in the dominant North American narrative. This book offers a way forward, an alternative framing of the story that highlights the ongoing integral role of Native peoples via broad coverage in a variety of topics including the historical, political, and cultural. With its scope and clarity of vision, suggestions for navigating sensitive topics, and a multitude of innovative approaches authored by contributors from multidisciplinary backgrounds, Understanding and Teaching Native American History will also find use in methods and other graduate courses. Nearly a decade in the conception and making, this is a groundbreaking source for both beginning and veteran instructors.

How do culture workers construct public arts and culture projects that are effective and transformative? How do we create public humanities projects of the community, for the community, and with the community? How can culture work make a concrete difference in the quality of life for communities, and lead to the creation of a more just world? Why do the public humanities matter? Culture Work explores these questions through real-world examples of cultural and public humanities projects. The innovative case studies analyzed in the book demonstrate the vast numbers of creative possibilities in culture work today-in all their complexities, challenges, and potentialities. Thematically arranged chapters embody the interconnected aspects of culture work, from amplifying local voices to galvanizing community from within, from preservation of cultural knowledge to its creative repurposing for a desired future. These inventive projects provide concrete examples and accessible theory grounded in practice, encourage readers to embark on their own public culture work, and create new forward-looking inspiration for community leaders and scholars in the field.

Originally published by Carl Hanser Verlag under the title Tiere im Nationalsozialismus, copyright Ã2020 Carl Hanser Verlag GmbH & Co. KG, Mèunchen.

French Film History, 1895-1946 addresses the creative and often unexpected trajectory of French cinema, which continues to be one of the most provocative and engaging cinemas in the world. Tracing French film and its developments from the earliest days, when France dominated world cinema, up through the Occupation and Liberation, Neupert outlines major players and films that made it so influential.

Standing over two graves, Rigoberto González studies the names "Ramon" and "María" under the family name "González." "She was María Carrillo, not María González," he thinks. His grandmother is missing. So begins González's memoir, a journey to recover a more complete picture of his grandmother, who raised him following his mother's death. González travels to his abuela's birthplace, Michoacán, Mexico, and along the way recovers his memories of a past he had tried to leave behind. A complex woman who was forced to take on maternal roles and suffered years of abuse, his grandmother simultaneously resisted traditional gender roles; she was kind yet unaffectionate, and she kept many secrets in a crowded household with little personal space. Sifting through family histories and anecdotes, González pieces together the puzzling life story of a woman who was present in her grandson's life yet absent during his emotional journey as a young man discovering his sexuality and planning his escape from a toxic and abusive environment. From fragments of memory and story, González ultimately creates a portrait of an unconventional yet memorable grandmother, a hard-working Indigenous Mexican woman who remained an enigma while she was alive. A grandmother, he shows, is more than what her descendants remember; she is also all that has been forgotten or never known. Through this candid exploration of his own family, González explores how we learn to remember and honor those we've lost.

James Bradley Wells combines creative practice and intimate knowledge of contemporary poetry and classical antiquity in this thought-provoking new translation of two early works by ancient Rome's most well-known and most esteemed poet, Vergil's Eclogues and Georgics. With its emphasis on the musicality of English, Wells's translations honor the original spirit of Latin poetry as both a written and performance-based art form. The accompanying introductory essays situate Vergil's poems in a rich literary tradition. Wells provides historical context and literary analysis of these two works, eschewing facile interpretations of these oft examined texts and ensconcing them in the society and culture from which they originated. These annotated essays, a pronunciation guide, and a glossary, alongside Wells's bold vision for what translation choices can reveal, guide readers as they explore this ancient and famously difficult poetry.

One Breath from Drowning tracks the foundering relationship between Ryan Jensen, a lapsed Mormon from Utah and heretofore closeted aspiring actor, and Sam Carter, a cocky party- and surf-loving Australian realtor whose family connections and wealth have buffered him from the most severe consequences of his impulsive nature and poor decision-making. Their genuine yet tumultuous love is strained by their tendencies for self-deception and avoidance, their secrets and their baggage, and the ways their past choices haunt their present. The two men find moments of joy and humor together in Sydney, but arrests, infidelities, and addictions force them to finally face the issues holding them back. Though it initially presents as a love story, One Breath from Drowning is a tale of spiritual bildungsroman told in parallel. Ryan and Sam's conflict and love ultimately push each of them to evolve, their transformation not the result of reckless acts of escape but the product of the fitful and difficult work of grappling with their complex realities.

On the night of January 5, in certain areas of southern Tuscany, a costumed, singing troupe of characters visits residents' homes, expecting to be fed and feted. This is the Befanata, a mumming tradition centered in Tuscany, whose main character--the Befana--is a kindly old woman or grandmotherly witch who delivers toys, candies, and gifts. The Befana Is Returning is a deeply researched, deftly insightful presentation of this living tradition that adds a large missing piece to the array of contemporary ethnographic scholarship on mumming.

Film Finances was founded in London in 1950 to insure against the risk that a film would exceed its original budget or not be completed on time. It developed the "completion guarantee"--the financial instrument that provides the essential security for investors to support independent filmmaking. Making Hollywood Happen tells the company's story through seven decades of postwar cinema history and chronicles the growth of the international independent film industry.

Featuring twenty-one new and fifty-seven selected poems from her earlier volumes--The Apollonia Poems, The Water Books, Reactor, The Door Open to the Fire, and Level Green--The Sound Boat reveals Vollmer's devotion to examining place and space to uncover poetry that touches emotions related to wandering physical and emotional realms: some familial and deeply personal, some unknowable.

Dorothy "Dot" Greenbaum and Rafaela "Ralfie" Santopietro have been together for thirty years, but as they age, their stable lives begin to show cracks. Rife with Hoffman's characteristic wit, Dot & Ralfie takes a hard, sometimes painful look at LGBTQ+ elder care and the unique struggles that come with aging outside of heteronormative structures. Can they get through it all and stay together?

Explores how young people learn to understand and influence the workings of power and justice in their society. Since 2008, hundreds of secondary schools across Kenya have been targeted with fire by their students. Through an in-depth study of Kenyan secondary students' use of arson, Elizabeth Cooper asks why.

Provides strategies for incorporating sports into any US history curriculum. Drawing on their own classroom experiences, the authors suggest creative ways to use sports as a lens to examine a broad range of historical subjects, including Puritan culture, the rise of Jim Crow, the Cold War, the civil rights movement, and the women's movement.

Amphibians and reptiles represent an essential and interesting component of Wisconsin's wildlife. This state-of-the-field synthesis includes hundreds of colour photographs and illustrations, state-level and North American range maps, dichotomous keys, and research and conservation anecdotes to entertain and inform.

'Fanged and feathered', Laura Villareal fights against expectations imbedded in her existence - the expectations bound in being a woman, being queer, being Latinx - and claws her way to her own identity.

The characters populating Brian DiNuzzo's debut short story collection may be eccentrics, but at their core they are struggling to get through life, dealing with unmanageable bosses and tedious jobs, and trying to maintain their interpersonal and romantic relationships.

In this striking and nostalgic collection, Emily Rose Cole unearths the fragility and resilience of daughterhood through indelible imagery that evokes new senses of the body: swallowing keys, rain lashing eyelids, unzipping of flesh.

Tarquini offers a rich and stimulating synthesis, the best single-volume work available on this complex and challenging subject. This history reveals how the fascists used culture to build a conservation revolution that purported to protect what was good in the traditional social fabric while presenting itself as oriented toward the future.

Joshua Nguyen's sharp, songlike, and often experimental collection compartmentalizes past trauma- sexual and generational - through the quotidian. These poems aim to confront the speaker's past by physically, and mentally, cleaning up.

Facing repression, the Latin American left in the '60s and '70s found connection in transnational exchange, organising with activists in Africa, the Middle East, and the Caribbean. By exploring South-South solidarity, this volume begins conversations about what makes these movements unique, how they shaped political identities, and their influence.

Generations of marginalized Jewish immigrants and refugees migrated to Chile during the first half of the twentieth century, only to live through persecution during Pinochet's military coup. Maxine Lowy asks how individuals and institutions may overcome fear, indifference, and convenience to take a stand even under intense political duress.