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For many, "going back to the land” brings to mind the 1960s and 1970s—hippie communes and the Summer of Love. More recently, the movement has re-emerged in a new enthusiasm for locally produced food and more sustainable energy paths. But these latest back-to-the-landers are part of a much larger story. Americans have been dreaming of returning to the land ever since they started to leave it. Dona Brown explores the history of this recurring impulse.
Surveys the full range of gay men's autobiographical writing from Walt Whitman onwards. This title guides the reader chronologically through selected writings that give voice to every generation of gay writers since the nineteenth century, including a diverse array of American men of African, European, Jewish, Asian, and Latino heritage.
The poems in Mrs. Dumpty are about a great fall, the dissolution of a long and loving marriage, but they are not simply documentary or elegiac. What interests Bloch is the inner life; how we are formed by our losses and our parents' losses, how we learn what we need to know through our intuitions and confusions, how we finally discover ourselves.
These poems often spring from unlikely sources. In Almost Nothing to Be Scared Of, David Clewell's most expansive work yet, readers will discover a multiplicity of new ways to take heart - surely no small thing in a world where we're too often asked to take what we'd rather not.
Explores the intertwined histories of print and protest in the United States from Reconstruction to the 2000s. Ten essays look at how protestors of all political and religious persuasions, as well as aesthetic and ethical temperaments, have used the printed page to wage battles over free speech; test racial, class, sexual, and even culinary boundaries; and to alter the moral landscape in American life.
When Johnquell, an African American teen, suffers a serious accident in the home of his white neighbour, Mrs. Czernicki, his community must find ways to bridge divisions between black and white, gay and straight, old and young. Set in one of the US's most highly segregated cities, Meet Me Halfway tells stories of connections in a community with a tumultuous and divided past.
In 1914, Blaise Diagne was elected as Senegal's first black African representative to the National Assembly in France. Education as Politics reinterprets the origins and significance of this momentous election, showing how colonial schools had helped reshape African power and politics during the preceding decades and how they prepared the way for Diagne's victory.
Presenting the history of United Artists, this title examines the turnaround of the company in the hands of Arthur Krim and Robert Benjamin in the 1950s, when United Artists devised a successful strategy based on the financing and distribution of independent production that transformed the company into an industry leader.
According to the blood libel legend, Jews murdered Christian infants to obtain blood to make matzah. This volume examines the varied sources and elaborations of the legend. It deals with historical cases and surveys of blood libel in different locales, as well as literary renditions of the legend.
This work describes and analyses at length the prophetic voice and the everyday voice in postwar and contemporary American poetry. It considers the work of Robert Lowell, A.R. Ammons, James Merrill and Adrienne Rich.
This is a sequel to the author's Crunching Gravel: A Wisconsin Boyhood in the Thirties. This account covers from when Robert Peters leaves the farm and is drafted into the Army during World War II. It is in Paris where he hears Marlene Dietrich sing Lili Marlene.
Explores ideas about human physical appearance expressed in French novels of the 18th/19th centuries (by Lavater, Marivaux, Balzac, Gautier, Zola), as well as the pseudoscience of physiognomy that influenced them. This science ""reads"" the body as an index to spiritual and intellectual qualities,
These nine essays examine "how print educates” in settings as diverse as depression-era work camps, religious training, and broadcast television, all the while revealing the enduring tensions that exist among the controlling interests of print producers and consumers. Offering multiple perspectives, including print culture history, literary studies, labour history, gender history, the history of race, and the history of childhood and adolescence, this is a pioneering investigation into the intersection of education and print culture.
In the early morning hours of October 1, 1965, a group calling itself the September 30th Movement kidnapped and executed six generals of the Indonesian army, including its highest commander. The group claimed that it was attempting to preempt a coup, but it was quickly defeated as the senior surviving general, Haji Mohammad Suharto, drove the movement's partisans out of Jakarta. Riding the crest of mass violence, Suharto blamed the Communist Party of Indonesia for masterminding the movement and used the emergency as a pretext for gradually eroding President Sukarno's powers and installing himself as a ruler. Imprisoning and killing hundreds of thousands of alleged communists over the next year, Suharto remade the events of October 1, 1965 into the central event of modern Indonesian history and the cornerstone of his thirty-two-year dictatorship.Despite its importance as a trigger for one of the twentieth century's worst cases of mass violence, the September 30th Movement has remained shrouded in uncertainty. Who actually masterminded it? What did they hope to achieve? Why did they fail so miserably? And what was the movement's connection to international Cold War politics? In Pretext for Mass Murder, John Roosa draws on a wealth of new primary source material to suggest a solution to the mystery behind the movement and the enabling myth of Suharto's repressive regime. His book is a remarkable feat of historical investigation.
Archaeologists identify the Menomini as descendants of the Middle Woodland Indians, who flourished in the area for thousands of years before the first Europeans arrived. According to Menomini legend, their people emerged from the ground near the mouth of the Menominee River. It was along that river that Sieur Jean Nicolet first encountered the Menomini in 1634. The Menomini, a peaceful people, lived by farming, hunting, fishing, and gathering wild rice. Perhaps because of their peaceful nature their name was not generally found in the white military annals, and they were largely unknown until 1892, when Walter James Hoffman published a detailed ethnographic account of them. Felix Keesing's classic 1939 work on the Menomini is one of the most detailed, authoritative, and useful accounts of their history and culture. It superseded Hoffman's earlier work because of Keesing's modern methods of research. This work was among the first monographs on an American Indian people to employ a model of acculturation, and it is also an excellent early example of what is now called ethnohistory. It served as a model of anthropological research for decades after its publication. Keesing's work, reprinted in this new Wisconsin edition, will continue to serve as a comprehensive introduction for the general reader, a book respected by both anthropologists and historians, and by the Menomini themselves. It is still the most important study of Menomini life up until 1939.
The Story of My boyhood and Youth is a series of essays on the three worlds of the young John Muir: his first eleven years in an old town in Scotland, the years 1849-1860 in the central Wisconsin wilderness, during the time the area was being settled, and four years at the University of Wisconsin.
This book is a no-apologies introduction to Detective Fiction. It's written in an aggressive, modern English well-suited to a genre which has traditionally broken ground in terms of aggressive writing, contemporary scenarios, and tough dialogue.
As the twenty-first century begins, tens of millions of people participate in devotions to the spirits called Orisa. This book explores the emergence of Orisa devotion as a world religion, one of the most remarkable and compelling developments in the history of the human religious quest.
Revives the exciting era - now largely forgotten - when college boxing attracted huge crowds and flashy headlines, outdrawing the professional bouts. The book tells the story of Wisconsin boxing, based on dozens of interviews and of newspaper microfilm, boxing records, and memorabilia.
This text shows how the shamans, during their night-long performances, create the worlds of words in which shamans exist. It analyzes texts that the shamans use to diagnose and treat afflictions that trouble their clients.
Over one hundred twenty formula romance novels are churned out every month. These romantic fantasies for women are big business and earn huge profits for the companies that publish them. Love s $weet Return examines the phenomenon of romance fiction, focusing specifically on one of the most successful book publishers in the world, the Canadian-based Harlequin Enterprises. Margaret Jensen details the rise of the company, examines the Harlequin formula, and evaluates the growth and impact of both Harlequin and its competition. She also assesses recent shifts in the content of Harlequins, particularly as they pertain to women's changing roles in society."
This collection of essays examines the removal of the Oneida Indians from New York to Wisconsin. The editors present a collaboration between the Oneida Indian Nation and academic community, to discuss tribal dispossession, Oneida views of Oneida history, and the means of studying Oneida history.
George T. Hunt's classic 1940 study of the Iroquois during the middle and late seventeenth century presents warfare as a result of depletion of natural resources in the Iroquois homeland and tribal efforts to assume the role of middlemen in the fur trade between the Indians to the west and the Europeans.
The late James M. Cain was a newspaperman, playwright, and novelist. Although best known for his controversial novels (The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, Serenade, The Butterfly, and Past All Dishonor), Cain always considered himself a journalist, a "newpaperman who wrote yarns on the side." The book includes some of Cain's best articles and essays. The material is sometimes serious, sometimes humorous and provides a unique look at 60 years of history.
After tracking a clever killer in Death Stalks Door County, park ranger and former Chicago homicide detective Dave Cubiak is elected Door County sheriff. His newest challenge arrives as spring brings not new life but tragic death to the isolated fishing village of Gills Rock. Death at Gills Rock is the second book in Patricia Skalka's Dave Cubiak Door County Mystery series.
Countering notions that Hmong history begins and ends with the "Secret War" in Laos of the 1960s and 1970s, this study reveals how the Hmong experience of modernity is grounded in their sense of their own ancient past, when this now-stateless people had their own king and kingdom, and illuminates their political choices over the course of a century in a highly contested region of Asia.
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