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Russia is a large, diverse, and complicated country whose far-flung regions maintain their own histories and cultures, even as President Vladimir Putin increases his political control. Powerful, autocratic regimes still need to establish their legitimacy; in Russia, as elsewhere, developing a compelling national narrative and building a sense of pride and belonging in a national identity is key to maintaining a united nation. It can also legitimate political power when leaders present themselves as the nation's champions. Putin's hold thus requires effective nation building- propagating the ever-evolving and often contested story of who, exactly, is Russian and what, exactly, that means.Even in the current autocratic system, however, Russia's multiethnic nature and fractured political history mean that not all political symbols work the same way everywhere; not every story finds the same audience in the same way. The message may emanate from Moscow, but regional actors-including local governments, civic organizations, and cultural institutions-have some agency in how they spread the message: some regionalization of identity work is permitted to ensure that Russian national symbols and narratives resonate with people, and to avoid protest. This book investigates how nation building works on the ground through close studies of three of Russia's ethnic republics: Karelia, Tatarstan, and Buryatia. Understanding how the project of legitimating nationalism, in support of a unified country and specifically Putin's regime, works in practice offers crucial context in understanding the shape and story of contemporary Russia.

Danish film director Carl Th. Dreyer, one of the twentieth century's most famous filmmakers, is best known for his masterpiece, The Passion of Joan of Arc, and his midcentury classics, Day of Wrath and Ordet. Both viewers and scholars largely leave his early work, for Nordisk Film, on the shelf, dismissing it as immature melodramatic fare produced for a company known for superficial, popular entertainment. In the received historiography, Dreyer broke with Nordisk in the pursuit of developing his film as a high art, eventually succeeding on the world stage as an auteur and eschewing melodrama in favor of austere art film. Amanda Doxtater offers a necessary corrective to this narrative of his bifurcated career. Close readings of Dreyer's Nordisk films alongside his mature work reveal a stylistic throughline Doxtater terms "art melodrama," a form combining the ambiguity, stylization, and consciousness of art cinema with the heightened emotional expressivity and dramatic embodiments characteristic of melodrama. She argues that Dreyer's major artistic concerns known from his later work--pathos, authenticity, the embodiment of psychological duress, and so on--find their first expression in his Nordisk melodramas, complicating our understanding not only of his later films but also of his early works, and even our understanding of the melodramatic mode in general. Indeed, extending well beyond the career of a singular director, this book challenges assumptions about the relationship between "low-brow" melodrama and "high-brow" art cinema.

In November 2020, B.J. Hollars answered a call from his father-in-law while teaching. "When will you be home?" Steve asked. "I have news."So began the Hollars family's year of plenty-a cancer diagnosis on top of the ongoing COVID pandemic, then feelings of falling short as parents, partners, and people. While Hollars traces his family's daily devastations alongside his father-in-law's decline, he recounts the small mercies along the way: birthdays, campfires, fishing trips, kayaking, and fireflies. As he, his wife, Meredith, and their three young children grapple with how best to say goodbye to the person they love, they are forced to reassess their own lives. How can we make the most of our time, they wonder, when time feels so short?Written in vignettes and accompanied by photographs and family interviews, Year of Plenty provides a poignant and unflinching account of how death separates us not only from the people we love but from places and memories too. Hollars explores how death's all-consuming weight has the potential to fracture-rather than strengthen-even those relationships we think we know the best. Ultimately, he cracks wide personal moments from his own life and allows the world to peer in.

"Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter's 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter's inscrutable masked villain, as well as Michael's potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet."--

Hart Island has served as a potter's field for more than a century, holding over a million indigent, unclaimed, or unknown New Yorkers' bodies-and yet it is little-known even among locals. In this absorbing and elegiac story, on this island shaped like a miniature boot of Italy, Gary Zebrun explores overlapping connections of family, crime, sexuality, and human decency.Driven out of the Coast Guard during the days of "Don't Ask, Don't Tell," Sal Cusumano hauls coffins to Hart Island with a burial crew of Rikers Island inmates and guards. Only there can he fully leave his family troubles on Staten Island behind: Justin, his adopted brother and lover; his mother, Ida, slipping rapidly into dementia; the memory of Francesco, his father, a bookie gunned down on his stoop; and his brother Antony, a Manhattan homicide detective moonlighting with the mob. But the island ceases to be his sanctuary after Antony ensnares him-and others-in a crime that involves a nocturnal visit to the potter's field. This compelling and intricately plotted novel moves through the shadows as its characters yearn for belonging and forgiveness. Set on the eve of the COVID pandemic, it is part love story, part crime novel, and part mystery.

When Tave wakes up alone in the hospital, she barely remembers the car wreck. Far from home, dazed, and despondent, she struggles to face the challenges of her new paralysis-all while worrying about her partner, Les, also severely injured in the accident, now cared for by her homophobic parents who refuse to allow contact.In rehab, Tave relearns life skills and comes to recognize that her future will be completely different than she'd imagined. Where will she live? How will she find the help she needs? Can her friends rise to the occasion? Or will she be forced to move back in with her mother, putting up with endless talk of faith healers? Her one beacon of hope is Beth, her physical therapist. But Beth's relationship problems with her own girlfriend push her toward overinvolvement-and risk damaging both her career and Tave's recovery.A story of courage, resilience, and love, Unswerving challenges readers' preconceived notions of disability, of limitations, and of the inevitability of fate.

A chicken lives for eighteen months after its head is cut off. Tourists pose with an inflatable sex doll at the 9/11 memorial. A sex-reveal party starts a wildfire in a forest named for a conquistador. The author's cancer treatments are intertwined with the rise of domestic fascism. "Is that something I should put in a poem?" asks Nick Lantz; the resounding answer is yes! Mixing sincerity with irony, lyric with vernacular, Lantz's collisions of style and subject are at their most vibrant in the long sequence at the center of the collection, a series of poems that brilliantly capture the disruption and disorder of our lives during the COVID-19 pandemic in breathless, unpunctuated verse. Depicting the uncanny dissonance of living during and beyond events that feel world ending, this volume reminds us of the ways in which we carry our own traumas and the traumas of history with us in our daily lives. Life is all gilded frescoes > at the clubhouse until Titus and his men pass through with torches, until Cortés and his men > and his men and so on, until men forget what their hands looked like without torches. --Excerpt from "Ruin"

Daniel Khalastchi boldly strides across a landscape of smoldering fires, unmarked boxes, and pictures of senators in airplane bathrooms. Exhilarating and innovative, The Story of Your Obstinate Survival collapses genre and upends narrative convention with dazzling wordplay and thrilling imagery. Inhabiting a world trapped somewhere between dreams and reality, these poems fuse the political and personal, public and private, pleasing and piquant, to examine both calamities and the dogged persistence required to endure. On display throughout is Khalastchi's exceptional capacity for detail and specificity, filling up this world to the point of breaking but never beyond, insisting on survival despite it all.

In raw, lyrical poems, Host explores parasitic relationships--between men and women, sons and mothers, and humans and the earth--and consideres their consequences.

John Hazlett's engaging and insightful study of writers from the 1960s demonstrates for the first time the ways in which the idea of the generation has affected autobiographical writing in this century. Exchanging "I" for "we," autobiographers from the sixties claim to speak on behalf of all members of their generation. However, the extent to which each perspective accurately represents that generation's beliefs, values, and goals will continually be contested by competing texts and narratives. Writers whose work is addressed in My Generation include Abbie Hoffman, Jerry Rubin, Tom Hayden, Michael Rossman, Dotson Rader, Raymond Mungo, Jane Alpert, John Bunzel, Peter Collier, David Horowitz, Joyce Maynard, David Harris, and Todd Gitlin. As Hazlett discovered, the stories these writers present are not simply straightforward accounts; instead, each is constructed with a specific political and personal agenda in an effort to define the generation's identity and the writer's own.

By turns touching, funny, poignant, and painful, Boyhood chronicles the road to manhood through the personal narratives and poems of accomplished writers from around the world. Contributors include Shepherd Bliss, Robert Bly, Edward Field, John Gilgun, Fred Wei-han Ho, Terry A. Kupers, Rakesh Ratti, John Silva, Malidoma P. Somé, Sy Safransky, Bhante Wimala, and many others.

Famous for iconic images of the rural Midwest--such as American Gothic, Politics in Missouri, and Baptism in Kansas--Grant Wood, Thomas Hart Benton, and John Steuart Curry have long been lumped together under the rubric the "Regionalists." James M. Dennis offers a fresh and sophisticated look at the modernist tendencies of this trio of American painters, arguing that the individual styles of Wood, Benton, and Curry were both mislabeled and misunderstood. Revisiting the artistic and political culture of America between the World Wars, he shows that critics and ideologues--from Time Magazine to the Partisan Review--pigeonholed, praised, or pilloried the Regionalists to serve their own critical intentions.

By turns outlandish, humorous, and scatological, the Historia Augusta is an eccentric compilation of biographies of the Roman emperors and usurpers of the second and third centuries. Historians of late antiquity have struggled to explain the fictional date and authorship of the work and its bizarre content (did the Emperor Carinus really swim in pools of floating apples and melons? did the usurper Proculus really deflower a hundred virgins in fifteen days?). David Rohrbacher offers, instead, a literary analysis of the work, focusing on its many playful allusions. Marshaling an array of interdisciplinary research and original analysis, he contends that the Historia Augusta originated in a circle of scholarly readers with an interest in biography, and that its allusions and parodies were meant as puzzles and jokes for a knowing and appreciative audience.

Originally published in 1970, Germans and Jews brings together George L. Mosse's thoughts on a critical time in German history when thinkers on both the left and the right shared a common goal. In the late nineteenth and early twentieth centuries, intellectuals across the political spectrum aimed to solve the problems of contemporary society by creating a force that would eliminate both state Marxism and bourgeois society: a "third force" beyond communism and capitalism. This pervasive turn in ideology had profound effects on German history. In Mosse's reading, left-wing political efforts became increasingly unrelated to reality, while the right finally discovered in fascism the force it had been seeking. This innovative perspective has implications for understanding not only the rise of fascism and Nazism in Germany but also the rise and fall of the New Left in the United States and Europe, which was occurring at the time of Mosse's writing. A new critical introduction by Sarah Wobick-Segev, research associate at the University of Hamburg, places Mosse's work in its historical and intellectual contexts and draws lessons for students and scholars today.

Fans of Jerry Apps will delight in his latest novel, Blue Shadows Farm, which follows the intriguing family story of three generations on a Wisconsin farm. Silas Starkweather, a Civil War veteran, is drawn to Wisconsin and homesteads 160 acres in Ames County, where he is known as the mysterious farmer forever digging holes. After years of hardship and toil, however, Silas develops a commitment to farming his land and respect for his new community. When Silas's son Abe inherits Blue Shadows Farm he chooses to keep the land out of reluctant necessity, distilling and distributing "purified corn water" throughout Prohibition and the Great Depression in order to stay solvent. Abe's daughter, Emma, willingly takes over the farm after her mother's death. Emma's love for this place inspires her to open the farm to school-children and families who share her respect for it. As she considers selling the land, Emma is confronted with a difficult question--who, through thick and thin, will care for Blue Shadows Farm as her family has done for over a century? In the midst of a controversy that disrupts the entire community, Emma looks into her family's past to help her make crucial decisions about the future of its land. Through the story of the Starkweather family's changing fortunes, and each generation's very different relationship with the farm and the land, Blue Shadows Farm is in some ways the narrative of all farmers and the increasingly difficult challenges they face as committed stewards of the land. Finalist, General Fiction, Midwest Book Awards

The story of Don Juan first appeared in writing in seventeenth-century Spain, reaching Russia about a century later. Its real impact, however, was delayed until Russia's most famous poet, Alexander Pushkin, put his own, unique, and uniquely inspirational, spin on the tale. Published in 1830, TheStone Guest is now recognized, with other Pushkin masterpieces, as part of the Russian literary canon. Alexander Burry traces the influence of Pushkin's brilliant innovations to the legend, which he shows have proven repeatedly fruitful through successive ages of Russian literature, from the Realist to the Silver Age, Soviet, and contemporary periods. Burry shows that, rather than creating a simple retelling of an originally religious tale about a sinful, consummate seducer, Pushkin offered open-ended scenes, re-envisioned and complicated characters, and new motifs that became recursive and productive parts of Russian literature, in ways that even Pushkin himself could never have predicted.

Brimming with honestly and passion, The Education of a WASP chronicles one white woman's discovery of racism in 1960s America. First published in 1970 and highly acclaimed by reviewers, Lois Stalvey's account is as timely now as it was then. Nearly twenty years later, with ugly racial incidents occurring on college campuses, in neighborhoods, and in workplaces everywhere, her account of personal encounters with racism remains deeply disturbing. Educators and general readers interested in the subtleties of racism will find the story poignant, revealing, and profoundly moving."Delightful and horrible, a singular book." --Choice "An extraordinarily honest and revealing book that poses the issue: loyalty to one's ethnic group or loyalty to conscience." --Publishers Weekly

Literary scholars largely agree that the Romantic period altered the definition of tragedy, but they have confined their analyses to Western European authors. Maksim Hanukai introduces a new, illuminating figure to this narrative, arguing that Russia's national poet, Alexander Pushkin, can be understood as a tragic Romantic poet, although in a different mold than his Western counterparts. Many of Pushkin's works move seamlessly between the closed world of traditional tragedy and the open world of Romantic tragic drama, and yet they follow neither the cathartic program prescribed by Aristotle nor the redemptive mythologies of the Romantics. Instead, the idiosyncratic and artistically mercurial Pushkin seized upon the newly unstable tragic mode to develop multiple, overlapping tragic visions. Providing new, innovative readings of such masterpieces as The Gypsies, Boris Godunov, The Little Tragedies, and The Bronze Horseman, Hanukai sheds light on an unexplored aspect of Pushkin's work, while also challenging reigning theories about the fate of tragedy in the Romantic period.

Equals in Learning and Piety is an intellectual history of the 'Yan Taru (Associates) movement, a women-led Islamic educational organization that continues to this day in both northern Nigeria and in the United States. Drawing on extensive scholarship across disciplines including history, Islamic studies, anthropology, gender and women's studies, and literary studies-and alongside rigorous ethnographic research and interviews with leading Nigerian Muslim scholars-Beverly Mack argues that this formidable Muslim women's movement consolidated the religious and social order established by the Sokoto Jihad in the early nineteenth century. Mack shows how women scholars instructed rural Hausa and Fulani women in Muslim ethics, doctrine, traditions, and behavior that followed and replaced the traumatic experience of warfare unleashed by the Jihad. She shows that these unique social engagements shaped people's agency in the dynamic process of social change throughout the nineteenth century. Women imaginatively reconciled Muslim reformist doctrines and traditional practices in Nigeria, and these doctrines have continued to be influential in the diaspora, especially among Black American Muslims in the United States in the twenty-first century. With this major investigation of a little-studied phenomenon, Mack demonstrates the importance of women to the religious, political, and social transformation of Nigerian Muslim society.

Modeled after Wisconsin's own unemployment compensation plan in the 1930s, federal unemployment insurance has long been considered one of the most important public policy achievements of the New Deal. Always paying benefits according to legislative and administrative guidelines and never requiring a taxpayer bailout, the program has nonetheless undergone strains induced by structural changes in both the economy and the prevailing political milieu. An outgrowth of a conference to celebrate the program's fiftieth anniversary, the papers collected in this volume describe the history of the program, analyze the strains it has undergone and that it faces in the 1990s, delineate the source of current debates over unemployment compensation, and offer suggestions for the future of the program.

Proverbs, though anonymous, speak with great authority, and politicians from classical to modern times have deployed them effectively in their rhetoric. In looking at political proverbs in the twentieth century, Wolfgang Mieder--the leading expert on proverbs today--offers proof of the power of these bits of borrowed wisdom to serve any master or any purpose, for good or ill. Mieder first singles out Adolf Hitler's Mein Kampf, in which the Führer used proverbs to advocate the deadly goals of Nazism. Pitted against Hitler's rhetoric is that of Winston Churchill, who was, Mieder demonstrates, as gifted with the proverb as any leader in this century. He moves next to America and Harry S. Truman, whose proverbial plain English won him the trust of the people. The politics of the Cold War made ample use of proverbs as well, a trend Mieder illustrates through cartoons and caricatures of the time. He also traces the origin, history, meaning, and use of two proverbial slurs, one against Native Americans ("The only good Indian is a dead Indian") and the other against Asian Americans ("No tickee, no washee.") The Politics of Proverbs offers a historical view, but also shows that new proverbs are continually coined and passed into common parlance, and old proverbs are updated to suit modern situations. Mieder's lively and instructive examples show how anyone, whether on the political grandstand or the back porch, can exploit the supposed wisdom of proverbs to justify his or her opinions and actions. By exposing the use and function of the proverb in political rhetoric, this book alerts readers to the possibilities and dangers--and the expressive power--of these not so quaint sayings.

As state economic policies promote integration under a single logic of modernist development, many impoverished groups remain on the margins. Development in Spirit explores the practices employed by communities on the fringes of such nation-building projects. Using an everyday political economy lens, Seb Rumsby demonstrates how seemingly powerless actors actively engage with larger forces, shaping their experience of development in ways that are underexamined but have far-reaching consequences. Following state-led market reforms in the 1980s, Vietnam experienced stunning economic transformation. But for the Hmong communities of the country's north and central highlands, the benefits proved elusive. Instead, the Hmong people have pursued their own alternative paths to development. Rumsby shows how mass conversion to Christianity led to a case of "unplanned development" that put the Hmong on a trajectory of simultaneous integration into the market economy and resistance to state authority. Many of the strategies community members employ are tied to the Christianization of everyday life. Religious actors play complex and often contradictory roles in facilitating networks of exchange, challenging or enforcing gender norms, promoting communalism and enforcing discipline, and shaping local ideas about progress. They are influenced by national and transnational religious networks, especially US-produced radio broadcasts by Hmong American Christians and local converts. This compelling account provides fresh theoretical and empirical insights into the interplay of religion, neoliberal development, and marketization across the world.

Winner of the 1998 Award for Excellence in Indexing, American Society of Indexers and H. W. Wilson Company

The internet brings new urgency to the study of folklore. The digital networks we use every day amplify the capacity of legends to spread swiftly, define threats, and inform action. Using the case of a particularly popular digital bogeyman known as the Slender Man, Andrew Peck brings the study of legends into the twenty-first century. Peck explains not only how legends circulate in the digital swirl of the internet but also how the internet affects how legends seep into our offline lives and into the mass media we consume. What happens, he asks, when legends go online? How does the internet enable the creation of new legends? How do these ideas go viral? How do tradition and technology interact to construct collaborative beliefs? Peck argues that the story of the Slender Man is really a story about the changing nature of belief in the age of the internet. Widely adopted digital technologies, from smartphones to social media, offer vast potential for extending traditional and expressive social behaviors in new ways. As such, understanding the online landscape of contemporary folklore is crucial for grasping the formation and circulation of belief in the digital age. Ultimately, Peck argues that advancing our comprehension of legends online can help us better understand how similar belief genres-like fake news, conspiracy theories, hoaxes, rumors, meme culture, and anti-expert movements-are enabled by digital media.

Witnessing the Disaster examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them any more or less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold? These essayists aim to move past the notion that the Holocaust as an event defies representation. They look at specific cases of Holocaust representation and consider their effect, their structure, their authenticity, and the kind of knowledge they produce. Taken together they consider the tension between history and memory, the vexed problem of eyewitness testimony and its status as evidence, and the ethical imperatives of Holocaust representation.

Catullus' life was akin to pulp fiction. In Julius Caesar's Rome, he engages in a stormy affair with a consul's wife. He writes her passionate poems of love, hate, and jealousy. The consul, a vehement opponent of Caesar, dies under suspicious circumstances. The merry widow romances numerous young men. Catullus is drawn into politics and becomes a cocky critic of Caesar, writing poems that dub Julius a low-life pig and a pervert. Not surprisingly, soon after, no more is heard of Catullus. David Mulroy brings to life the witty, poignant, and brutally direct voice of a flesh-and-blood man, a young provincial in the Eternal City, reacting to real people and events in a Rome full of violent conflict among individuals marked by genius and megalomaniacal passions. Mulroy's lively, rhythmic translations of the poems are enhanced by an introduction and commentary that provide biographical and bibliographical information about Catullus, a history of his times, a discussion of the translations, and definitions and notes that ease the way for anyone who is not a Latin scholar.

An insightful look at the onset of colonialism in Central Africa from economic, religious, and political perspectives, examining the ultimately tragic participation of African elites in colonial rule.

This is by far the best and most comprehensive manual and illustrated guide to native and naturalized vascular plants--ferns, conifers, and flowering plants--growing in aquatic and wetland habitats in northeastern North America, from Newfoundland west to Minnesota and south to Virginia and Missouri. Published in two volumes, this long-awaited work completely revises and greatly expands Norman Fassett's 1940 classic A Manual of Aquatic Plants, yet retains the features that made Fassett's book so useful. Features include: * coverage of 1139 plant species, 1186 taxa, 295 genera, 109 families * more than 600 pages of illustrations, and illustrations for more than 90% of the taxa * keys for each species include references to corresponding illustrations * habitat information, geographical ranges, and synonomy * a chapter on nuisance aquatic weeds * glossaries of botanical and habitat terms * a full index for each volumeWetland ecologists, botanists, resource managers, public naturalists, and environmentalists concerned with the preservation of wetland areas, which are increasingly threatened, will welcome this clear, workable, and comprehensive guide.