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This is by far the best and most comprehensive manual and illustrated guide to native and naturalized vascular plants--ferns, conifers, and flowering plants--growing in aquatic and wetland habitats in northeastern North America, from Newfoundland west to Minnesota and south to Virginia and Missouri. Published in two volumes, this long-awaited work completely revises and greatly expands Norman Fassett's 1940 classic A Manual of Aquatic Plants, yet retains the features that made Fassett's book so useful. Features include: * coverage of 1139 plant species, 1186 taxa, 295 genera, 109 families * more than 600 pages of illustrations, and illustrations for more than 90% of the taxa * keys for each species include references to corresponding illustrations * habitat information, geographical ranges, and synonomy * a chapter on nuisance aquatic weeds * glossaries of botanical and habitat terms * a full index for each volumeWetland ecologists, botanists, resource managers, public naturalists, and environmentalists concerned with the preservation of wetland areas, which are increasingly threatened, will welcome this clear, workable, and comprehensive guide.

In How the Russians Read the French, Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own positions as Russian writers with specifically Russian aesthetic and moral values.

When Edgar Allan Poe set down the tale of the accursed House of Usher in 1839, he also laid the foundation for a literary tradition that has assumed a lasting role in American culture. "The House of Usher" and its literary progeny have not lacked for tenants in the century and a half since: writers from Nathaniel Hawthorne to Stephen King have taken rooms in the haunted houses of American fiction. Dale Bailey traces the haunted house tale from its origins in English gothic fiction to the paperback potboilers of the present, highlighting the unique significance of the house in the domestic, economic, and social ideologies of our nation. The author concludes that the haunted house has become a powerful and profoundly subversive symbol of everything that has gone nightmarishly awry in the American Dream.

The epic Metamorphoses, Ovid's most renowned work, has regained its stature among the masterpieces of great poets such as Vergil, Horace, and Tibullus. Yet its irreverent tone and bold defiance of generic boundaries set the Metamorphoses apart from its contemporaries. Ovid before Exile provides a compelling new reading of the epic, examining the text in light of circumstances surrounding the final years of Augustus' reign, a time when a culture of poets and patrons was in sharp decline, discouraging and even endangering artistic freedom of expression. Patricia J. Johnson demonstrates how the production of art--specifically poetry--changed dramatically during the reign of Augustus. By Ovid's final decade in Rome, the atmosphere for artistic work had transformed, leading to a drop in poetic production of quality. Johnson shows how Ovid, in the episodes of artistic creation that anchor his Metamorphoses, responded to his audience and commented on artistic circumstances in Rome.

In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca.

Moving beyond past histories of Viet Nam that have focused on nationalist struggle, this volume brings together work by scholars who are re-examining centuries of Vietnamese history. Crossing borders and exploring ambiguities, the essays in Viet Nam: Borderless Histories draw on international archives and bring a range of inventive analytical approaches to the global, regional, national, and local narratives of Vietnamese history. Among the topics explored are the extraordinary diversity between north and south, lowland and highland, Viet and minority, and between colonial, Chinese, Southeast Asian, and dynastic influences. The result is an exciting new approach to Southeast Asia's past that uncovers the complex and rich history of Viet Nam.

Since the 1960 publication of her first novel, The Country Girls, award-winning Irish writer Edna O'Brien has been both celebrated and maligned. Praised for her lyrical prose and vivid female characters and attacked for her frank treatment of sexuality and alleged sensationalism, O'Brien and her work seem always to spawn controversy, including the past banning in Ireland of several of her works. O'Brien's attention to "women's" concerns such as sex, romance, marriage, and childbirth has often relegated her to critical neglect at best and, at worst, outright contempt. This essay collection promises to be a long overdue critical reevaluation and exciting rediscovery of her oeuvre. Wild Colonial Girl situates O'Brien in Irish contexts that allow for an appraisal of her significant contribution to a specifically Irish women's literary tradition while attesting to the potency of writing against patriarchal conventions. Each chapter's clear and detailed readings of O'Brien's fiction build a convincing case for her literary, political, and cultural importance, providing an invaluable critical guide for an enriched appreciation of O'Brien and her work.

Prostitutes and Courtesans in the Ancient World explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters--sometimes admirable, sometimes despicable--on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they participated in otherwise all-male banquets and drinking parties, where they aroused jealousy among their anxious lovers. The chapters in this volume examine a wide variety of genres and sources, from legal and religious tracts to the genres of lyric poetry, love elegy, and comic drama to the graffiti scrawled on the walls of ancient Pompeii. These essays reflect the variety and vitality of the debates engendered by the last three decades of research by confronting the ambiguous terms for prostitution in ancient languages, the difficulty of distinguishing the prostitute from the woman who is merely promiscuous or adulterous, the question of whether sacred or temple prostitution actually existed in the ancient Near East and Greece, and the political and social implications of literary representations of prostitutes and courtesans.

"Kaiso," a term of praise that is the calypso equivalent of "bravo," is a fitting title for this definitive and celebratory collection of writings by and about Katherine Dunham, the legendary African American dancer, choreographer, anthropologist, and social activist. Originally produced in the 1970s, this is a newly revised and much expanded edition that includes recent scholarly articles, Dunham's essays on dance and anthropology, press reviews, interviews, and chapters from Dunham's unpublished volume of memoirs, "Minefields." With nearly a hundred selections by dozens of authors, Kaiso! provides invaluable insight into the life and work of this pioneering anthropologist and performer and is certain to become an essential resource for scholars and general readers interested in social anthropology, dance history, African American studies, or Katherine Dunham herself.

Invasive Plants of the Upper Midwest is an informative, colorful, comprehensive guide to invasive species that are currently endangering native habitats in the region. It will be an essential resource for land managers, nature lovers, property owners, farmers, landscapers, educators, botanists, foresters, and gardeners. Invasive plants are a growing threat to ecosystems everywhere. Often originating in distant climes, they spread to woodlands, wetlands, prairies, roadsides, and backyards that lack the biological controls which kept these plant populations in check in their homelands. Invasive Plants of the Upper Midwest includes more than 250 color photos that will help anyone identify problem trees, shrubs, vines, grasses, sedges, and herbaceous plants (including aquatic invaders). The text offers further details of plant identification; manual, mechanical, biological, and chemical control techniques; information and advice about herbicides; and suggestions for related ecological restoration and community education efforts. Also included are literature references, a glossary, a matrix of existing and potential invasive species in the Upper Midwest, an index with both scientific and common plant names, advice on state agencies to contact with invasive plant questions, and other helpful resources. The information in this book has been carefully reviewed by staffs of the Wisconsin Department of Natural Resources Bureau of Endangered Resources and the University of Wisconsin-Madison Arboretum and other invasive plant experts.

The Jewish experience on Polish lands is often viewed backwards through the lens of the Holocaust and the ethnic rivalries that escalated in the period between the two world wars. Critical to the history of Polish-Jewish relations, however, is the period prior to World War I when the emergence of mass electoral politics in Czarist Russia led to the consolidation of modern political parties. Using sources published in Polish, Yiddish, Hebrew, and Russian, Joshua D. Zimmerman has compiled a full-length English-language study of the relations between the two dominant progressive movements in Russian Poland. He examines the Polish Socialist Party (PPS), which sought social emancipation and equal civil rights for minority nationalities, including Jews, under a democratic Polish republic, and the Jewish Labor Bund, which declared that Jews were a nation distinct from Poles and Russians and advocated cultural autonomy. By 1905, the PPS abandoned its call for Jewish assimilation, and recognized Jews as a separate nationality. Zimmerman demonstrates persuasively that Polish history in Czarist Russia cannot be fully understood without studying the Jewish influence and that Jewish history was equally infused with the Polish influence.

In the shadow of the "Monster of Florence," a serial murderer who has terrorized Italy for seventeen years, Laura Grimaldi sets her tense psychological thriller Suspicion--a noir mystery of a city transformed by fear, and of friendships and family ties twisted by uncertainty and dark speculation. Grimaldi, whose hardboiled mysteries of the 1950s earned her the title "Italy's queen of crime," turns here to the deeper, more elusive and disturbing questions that haunt human affairs. For years Matilde, the widow of a prominent Florentine doctor, has lived alone with her eccentric middle-aged son, Enea. When the police pay a call, the balance between mother and son is shifted just subtly enough to make Matilde prey to suspicions and doubts that grow ever more corrosive, ever harder to conceal and more dangerous to reveal. In the literary tradition of such mystery writers as Patricia Highsmith and Ruth Rendell, Grimaldi creates an atmosphere charged with suspense as the daily lives and routines of her characters, infected with suspicion, begin to rearrange themselves around a few frightening facts and infinite monstrous possibilities. Matilde's efforts to decipher Enea's secretive movements and occupations appear perfectly sensible and defensible through Grimaldi's deft shifts between mother and son--and another, chillingly detached perspective on the gruesome murders. Grimaldi's readers will find themselves as subject to misinterpretation and doubt, to sympathies and suspicions as her Florentine characters, and spellbound until the book's final page.

Fascism in Spain, 1923-1977, by celebrated historian Stanley G. Payne, is the most comprehensive history of Spanish fascism to appear in any language. This authoritative study offers treatment of all the major doctrines, personalities, and defining features of the Spanish fascist movement, from its beginnings until the death of General Francisco Franco in 1977. Payne describes and analyzes the development of the Falangist party both prior to and during the Spanish Civil War, presenting a detailed analysis of its transformation into the state party of the Franco regime--Falange Española Tradicionalista--as well as its ultimate conversion into the pseudofascist Movimiento Nacional. Payne devotes particular attention to the crucial years 1939-1942, when the Falangists endeavored to expand their influence and convert the Franco regime into a fully Fascist system. Fascism in Spain helps us to understand the personality of Franco, the way in which he handled conflict within the regime, and the reasons for the long survival of his rule. Payne concludes with the first full inquiry into the process of "defascistization," which began with the fall of Mussolini in 1943 and extended through the Franco regime's later efforts to transform the party into a more viable political entity.

This definitive biography of the charismatic Alexander Meiklejohn tracks his turbulent career as an educational innovator at Brown University, Amherst College, and Wisconsin's "Experimental College" in the early twentieth century and his later work as a civil libertarian in the Joe McCarthy era. The central question Meiklejohn asked throughout his life's work remains essential today: How can education teach citizens to be free?

Must a gift be given freely? How can we tell a gift from a bribe? Are gifts always a part of human relations--or do they lose their power and importance once the market takes hold and puts a price on every exchange? These questions are central to our sense of social relations past and present, and they are at the heart of this book by one of our most interesting and renowned historians.In a wide-ranging look at gift giving in early modern France, Natalie Zemon Davis reveals the ways that gift exchange is crucial to understanding alliance and conflict in family life, economic relations, politics, and religion. Moving from the king's bounty to the beggar's alms, her book explores the modes and meanings of gift giving in every corner of sixteenth-century French society. In doing so, it arrives at a new way of considering gifts--what Davis calls "the gift register"--as a permanent feature of social relations over time. Gift giving, with its own justifications and forms in different periods, can create amity or lead to quarrels and trouble. It mixes the voluntary and the obligatory, with interested bribery at one extreme and inspired gratuitousness at the other.Examining gifts both ethnographically (through archives, letters, and other texts) and culturally (through literary, ethical, and religious sources), Davis shows how coercive features in family life and politics, rather than competition from the market, disrupted the gift system. This intriguing book suggests that examining the significance of gifts can not only help us to understand social relations in the past, but teach us to deal graciously with each other in the present.

A classic in its field, this pathbreaking book humanized the scientific rhetoric of economics to reveal its literary soul. Author Deirdre N. McCloskey was formerly known as Donald. Her experience in changing gender is reflected in this new edition, but the message remains the same--economics needs to move away from metaphoric rhetoric aimed at persuasion and get back to the science of facts.

"Forgiveness is an absolute necessity for continued human existence".--Archbishop Desmond Tutu. Pioneers in the study of forgiveness, Robert Enright and Joanna North have compiled a collection of 12 essays that explore forgiveness in interpersonal relationships, family relationships, the individual and society relationship, and international relations--through the eyes of professionals in many fields as well as ordinary individuals.

In 73 A.D., legend has it, 960 Jewish rebels under siege in the ancient desert fortress of Masada committed suicide rather than surrender to a Roman legion. Recorded in only one historical source, the story of Masada was obscure for centuries. In The Masada Myth, Israeli sociologist Nachman Ben-Yehuda tracks the process by which Masada became an ideological symbol for the State of Israel, the dramatic subject of movies and miniseries, a shrine venerated by generations of Zionists and Israeli soldiers, and the most profitable tourist attraction in modern Israel. Ben-Yehuda describes how, after nearly 1800 years, the long, complex, and unsubstantiated narrative of a Romanized Jew, Josephus Flavius, was edited and augmented in the twentieth century to form a simple and powerful myth of heroism. Ben-Yehuda looks at the ways this new mythical narrative of Masada was created, promoted, and maintained by pre-state Jewish underground organizations, the Israeli army, archaeological teams, mass media, youth movements, textbooks, the tourist industry, and the arts. He discusses the various organizations and movements that created "the Masada experience" (usually a ritual trek through the Judean desert followed by a climb to the fortress and a dramatic reading of the Masada story), and how it changed over decades from a Zionist pilgrimage to a tourist destination. Placing the story in a larger historical, sociological, and psychological context, Ben-Yehuda draws upon theories of collective memory and myth-making to analyze Masada's crucial role in the nation-building process of modern Israel and the formation of a new Jewish identity. An expert on deviance and social control, Ben-Yehuda looks inparticular at how and why a military failure and an enigmatic, troubling case of mass suicide (in conflict with Judaism's teachings) were reconstructed and fabricated as a heroic tale.

" Most Colombians regard Jorge Elie cer Gaita n as a pivotal figure in their nation's history, whose assassination on April 9, 1948 irrevocably changed the course of events in the twentieth century. . . . As biography, social history, and political analysis, Braun's book is a tour de force." -- Jane M. Rausch, "Hispanic American Historical Review"

In seven concise chapters that document both the history of Nordic folkloristics and the ongoing vivacity of Nordic folklore today, Thomas A. DuBois demonstrates how the informal, traditional elements of a culture or subculture are an integral and vibrant part of the Nordic world. From methods of preparing suovabiergu (smoked reindeer meat) in Sápmi, to celebrating graduation by "running the falls" at Uppsala University in Sweden, to massive folk music festivals in Finland and tales of supernatural visitors bestowing baby names in Iceland, folklore offers unique insights into the everyday life of Nordic society. The study of Nordic folklore began in the nineteenth century, when early folklorists imagined that the true character of a nation could be found among the tales of the peasantry. Today, the theories, tools, and institutions developed by influential folklorists in the Nordic region continue to lead the way in documentation, preservation, and analysis of folklore.

Fiedorczuk was inspired by her readings of the original Hebrew Psalms, as well as by the process of learning to sing. In her poems she captures the heartache and joy of the Biblical Psalms, but in the context of modern life. She addresses climate change, loss of biodiversity, the upheavals of migration, and, in her most recent poems, the return of war to Europe: "Even when bombs are falling you ought to write / perhaps even especially when people lost / in the woods are saying cold, she is so cold." Fiedorczuk writes of the natural world, the built environment, motherhood, brotherhood, and of vast and tiny passages of time. And as she does, she discovers a new voice, singing to soothe and inspire. whose flower made from a clod of pain will enfold the milky way with its claws of time, its pelt of stars? --Excerpt from "Psalm XVII"

William Somerset Maugham (1874-1965) was one of the most prominent and productive authors of the twentieth century-and his works have been among the most cinematically transformed in history. For more than five decades, adaptations of his plays, stories, and novels dominated movie theaters and, later, television screens. More than ninety individual works were filmed, and for many filmgoers his name was a greater draw than that of the director. Works such as Of Human Bondage, "The Letter," The Painted Veil, "Rain," The Razor's Edge, and others were produced multiple times, with starring roles sought by actors like Bette Davis, Gloria Swanson, Greta Garbo, Lionel Barrymore, Charles Laughton, and Bill Murray.This study of the famous author explores the relationship between literature and film, what is involved in adaptation, and how best to judge films based on celebrated books. Robert Calder, the world's leading scholar of Maugham's work, offers fascinating production histories, insight into both fortunate and misguided casting decisions, shrewd analyses of performances and film techniques, and summaries of public and critical responses. Maugham's characters were often conflicted, iconoclastic, and morally out of step with their times, which may have accounted for the popularity of his fiction. Most of Maugham's works could be adapted to satisfy the tastes of moviegoers and the demands of the Hays Office censors, if not the expectations of their author.

Denmark, Norway, and Sweden enjoy some of the happiest populations and highest standards of living in the world, thanks in part to stable, democratic systems of government. Here, David Delfs Erbo Andersen presents a syncretic history of political and socioeconomic developments in the three Scandinavian countries since the early modern period, and contrasts their peaceful transitions with the more dramatic histories of otherwise similar European countries, like France and Germany. Unlike these and many other countries--the United States among them--Scandinavia's transition to democracy from monarchy was not marked by major violent upheavals or extreme political antagonism. Rather, Scandinavia's peaceful process of democratization owed itself to the development of a penetrative bureaucracy in the early modern period and the activism of cooperative associations, first of farmers in the early nineteenth century and then of industrialized workers in the late nineteenth and early twentieth centuries. Thanks to the gradual, relatively consensual adoption of political reforms and social norms, the history of "Nordic democratic exceptionalism" today helps account for the ongoing stability of the Scandinavian countries.

Imperial Rome privileged the elite male citizen as one of sound mind and body, superior in all ways to women, noncitizens, and nonhumans. One of the markers of his superiority was the power of his voice, both literal (in terms of oratory and the legal capacity to represent himself and others) and metaphoric, as in the political power of having a "voice" in the public sphere. Muteness in ancient Roman society has thus long been understood as a deficiency, both physically and socially.In this volume, Amy Koenig deftly confronts the trope of muteness in Imperial Roman literature, arguing that this understanding of silence is incomplete. By unpacking the motif of voicelessness across a wide range of written sources, she shows that the Roman perception of silence was more complicated than a simple binary and that elite male authors used muted or voiceless characters to interrogate the concept of voicelessness in ways that would be taboo in other contexts. Paradoxically, Koenig illustrates that silence could in fact be freeing-that the loss of voice permits an untethering from other social norms and expectations, thus allowing a freedom of expression denied to many of the voiced.

Suzette Mullen had been raised to play it safe-and she hated causing others pain. With college and law degrees, a kind and successful husband, two thriving adult sons, and an ocean-view vacation home, she lived a life many people would envy. But beneath the happy facade was a woman who watched her friends walk boldly through their lives and wondered what was holding her back from doing the same.Digging into her past, Suzette uncovered a deeply buried truth: she'd been in love with her best friend-a woman-for nearly two decades-and still was. Leaning into these "unspeakable" feelings would put Suzette's identity, relationships, and life of privilege at risk-but taking this leap might be her only chance to feel fully alive. As Suzette opened herself up to new possibilities, an unexpected visit to a new city helped her discover who she was meant to be.Introspective, bittersweet, and empowering, The Only Way Through Is Out is both a coming-out and coming-of-age story, as well as a call to action for every human who is longing to live authentically but is afraid of the cost.

Redeeming Objects traces the afterlives of things. Out of the rubble of World War II and the Holocaust, the Federal Republic of Germany emerged, and with it a foundational myth of the "economic miracle." In this narrative, a new mass consumer society based on the production, export, and consumption of goods would redeem West Germany from its Nazi past and drive its rebirth as a truly modern nation. Turning this narrative on its head, Natalie Scholz shows that West Germany's consumerist ideology took shape through the reinvention of commodities previously tied to Nazism into symbols of Germany's modernity, economic supremacy, and international prestige. Postwar advertising, film, and print culture sought to divest mass-produced goods-such as the Volkswagen and modern interiors-of their fascist legacies. But Scholz demonstrates that postwar representations were saturated with unacknowledged references to the Nazi past. Drawing on a vast array of popular and highbrow publications and films, Redeeming Objects adds a new perspective to debates about postwar reconstruction, memory, and consumerism.

Newly divorced, Virginia Bigelow is struggling with pressing financial debt, the frustration of a stalled teaching career, an increasingly isolated and lonely existence, and the challenges of being a single parent to an autistic child. When she learns that Travis Lee Hilliard, the man who murdered her father in the 1980s, has been released from prison, she drops everything and sets out on an ill-conceived journey to confront him in order to mete out the justice she feels he deserves.Meanwhile, having spent three decades serving a life sentence for murdering the California preacher who rescued him from the streets, Travis thinks of himself as a reformed man. Traveling from Folsom Prison to his new home in the Mojave Desert, a remote location with minimal temptations, he struggles to reconcile his past and embrace his newfound freedom. But there are more challenges to staying on the straight and narrow than he ever could have imagined.Virginia's and Travis's braided narratives slowly tighten as they approach their inevitable collision. Unflinching, compassionate, and gripping, this bold novel evocatively examines the ambiguities wrought by both violence and redemption.