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A provocative theoretical synthesis by renowned folklorist and anthropologist Charles L. Briggs, Unlearning questions intellectual foundations and charts new paths forward. Briggs argues, through an expansive look back at his own influential works as well as critical readings of the field, that scholars can disrupt existing social and discourse theories across disciplines when they collaborate with theorists whose insights are not constrained by the bounds of scholarship.
The Egyptian Mummies and Coffins of the Denver Museum of Nature & Science provides replicable findings and consistent terminology for institutions performing holistic studies on extant museum collections of a range of material types and will add substantially to what we know about the effective conservation of Egyptian mummies and coffins.
Southeastern Mesoamerica highlights the diversity and dynamism of the Indigenous groups that inhabited and continue to inhabit the borders of Southeastern Mesoamerica, an area that includes parts of present-day Honduras, Guatemala, and El Salvador.
Relational Identities and Other-than-Human Agency in Archaeology explores the benefits and consequences of archaeological theorizing on the social agency of nonhumans.
Tezcatlipoca: Trickster and Supreme Deity brings archaeological evidence into the body of scholarship on "the lord of the smoking mirror," one of the most important Aztec deities. While iconographic and textual resources from sixteenth-century chroniclers and codices have contributed greatly to the understanding of Aztec religious beliefs and practices, contributors to this volume demonstrate the diverse ways material evidence expands on these traditional sources. The interlocking complexities of Tezcatlipoca's nature, multiple roles, and metaphorical attributes illustrate the extent to which his influence penetrated Aztec belief and social action across all levels of late Postclassic central Mexican culture. Tezcatlipoca examines the results of archaeological investigations--objects like obsidian mirrors, gold, bells, public stone monuments, and even a mosaic skull--and reveals new insights into the supreme deity of the Aztec pantheon and his role in Aztec culture.
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