Bøker utgitt av University Press of Florida

Compiles all the major writings of Spanish explorers in the area between 1513 and 1566. Including transcriptions of the original Spanish documents as well as English translations, this volume presents - in their own words - the experiences and reactions of Spaniards who came to Florida with Juan Ponce de Leon, Panfilo de Narvaez, Hernando de Soto, and Pedro Menendez de Aviles.

Reveals the early activism of black women in organisations including the NAACP, the South Carolina Progressive Democratic Party, and the South Carolina Federation of Colored Women's Clubs. It also explores the involvement of white women in such groups as the YWCA and Church Women United.

This significant contribution to Cherokee studies examines the tribe's life during the eighteenth century, up to the Removal. By revealing town loyalties and regional alliances, Tyler Boulware uncovers a persistent identification hierarchy among the colonial Cherokee.

Stretching beyond the Western canon and the literary scope of the field, this volume reconsiders what "modernism" means by exploring numerous local expressions of modernity around the globe. The contributors challenge popular assumptions about what modernism looks like and what modernity is.

Offers an ethnographically rich investigation of Pentecostal Christianity in the Dominican Republic. Brendan Jamal Thornton examines the everyday practices of Pentecostal community members and the ways in which they negotiate legitimacy, recognition, and spiritual authority within the context of religious pluralism and Catholic cultural supremacy.

In this compelling study, Maria Theresia Starzmann and John Roby bring together an international cast of experts who move beyond the traditional framework of the "constructed past" to look at not only how the past is remembered but also who remembers it. They convincingly argue that memory is a complex process, shaped by remembering and forgetting, inscription and erasure, presence and absence.

In the mid-twentieth century, a grassroots movement of women--mostly white, middle-class, and conservative--sought to shape the political, cultural, and social ideologies of the baby boomers in what they perceived was a quickly changing world poisoned by communism.In Challenge and Change, June Melby Benowitz draws on a wide variety of primary sources to highlight the connections between the women of the Old Right, the New Right, and today's Tea Party. Through interviews, as well as through their letters to presidents, editors, and one another, Benowitz allows these women to speak for themselves. She examines the issues that stirred them to action--education, health, desegregation, moral corruption, war, patriotism, and the Equal Rights Amendment--and explores the development of the right-wing women's movement and its growth from the mid-twentieth into the twenty-first century.

"Diverse in both the dance artists considered and research approaches utilized, this thoughtful and engaging collection of essays enriches the growing body of dance scholarship by introducing us to the works of an array of daring and creative solo dance artists."--Linda Caruso Haviland, Bryn Mawr College "Providing a broad examination of the solo that spans the twentieth century, the expertly curated essays in this volume bring to light specific soloists' work while also reflecting larger trends in concert dance and interrogating issues of aesthetics, performativity, gender, race, and nation. It is a welcome addition to the field."--Hannah Kosstrin, Reed College Soloists ignited the modern dance movement and have been a source of its constant renewal. Because the lone dancer-choreographer has more flexibility than dance companies burdened with corporate ties, modern dance soloists are often able to tackle such broad social issues as freedom, personal space, individuality, and gender.Pioneering solo dancers including Loie Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far less attention in the literature than have performers and choreographers associated with large companies.In "On Stage Alone," editors Claudia Gitelman and Barbara Palfy take an international approach to the solo dance performance. The essays in this standout volume broaden the dance canon by bringing to light modern dance soloists from Europe, Asia, and the Americas who have shaped significant, sustained careers performing full programs of their own choreography.Featuring in-depth examinations of the work of artists such as Michio Ito, Daniel Nagrin, Ann Carlson, and many others, "On Stage Alone" reveals the many contributions made by daring solo dancers from the dawn of the twentieth century to today. Claudia Gitelman is associate professor emerita at Rutgers University. Her most recent book is "The Returns of Alwin Nikolais: Bodies, Boundaries and the Dance Canon," coedited with Randy Martin. Barbara Palfy was founding editor of "Studies in Dance History" and is an associate editor of other important dance journals.

An exploration of the impact on imprisonment of individuals involved in the Civil Rights Movement as a whole.

The North American fur trade left an enduring material legacy of the complex interactions between natives and Europeans. The demand for pelts and skins transformed America, helping to fuel the Age of Discovery and, later, Manifest Destiny. By synthesizing its social, economic, and ideological effects, Nassaney reveals how this extractive economy contributed to the American experience.

This unique collection synthesizes our archaeological and biological knowledge about the pre-Columbian settlement of the Caribbean and highlights the various techniques we can use to analyse human migration and settlement patterns throughout history.

Offers interpretations of the Haitian-born authors. This title examines how writers participate in transnational movements for global social justice. It discusses the Unites States' interventionist methods in Haiti, including surveillance, foreign aid, and military assistance.

In 1971, Richard Nixon declared a war on drugs. Despite foreign policy efforts and attempts to combat supply lines, the United States has been for decades, and remains today, the largest single consumer market for illicit drugs on the planet. This volume argues that the war on drugs has been ineffective at best and, at worst, has been highly detrimental to many countries.

In this book, Leon Pamphile presents the story of the 100-year relationship between the United States and Haiti and chronicles the internal, external, and natural forces that have shaped the nation as it is today, keeping a balance between the realities faced by the people on the island and the global and transnational contexts that affect their lives.

Takes us inside the UF Water Institute, where talent from throughout the university address complex water issues through innovative research, education, and public outreach programs. Teams develop new scientific breakthroughs, creative engineering, policy and legal solutions, and educational programs that are renowned for addressing state, national, and global water-resource problems.

Examines the 2,000-year history of the ancient farming community of Chan in Belize, explaining why the average person should matter to archaeologists studying larger societal patterns. Cynthia Robin argues that the impact of what is commonly perceived as habitual or quotidian can be substantial, and a study of a polity without regard to the citizenry is woefully incomplete.

Examines powwows as practiced primarily along the Atlantic coastline, from New Jersey to New England. It offers an introduction to the many complexities of the tradition and explores the history of powwow performance, the variety of their setups, the dances themselves, and the phenomenon of "playing Indian".

Winner of the Florida Book Award for Florida Nonfiction, Bronze Winner of the Florida Historical Society's Harry T. & Harriette V. Moore Award "Hobbs unearths four lynchings that are critical to the understanding of the origins of civil rights in Florida. The oral histories from the victims' families and those in the communities make this a valuable contribution to African American, Florida, and civil rights history."--Derrick E. White, author of The Challenge of Blackness "A compelling reminder of just how troubling and violent the Sunshine State's racial past has been. A must read."--Irvin D.S. Winsboro, editor of Old South, New South, or Down South? Florida is frequently viewed as an atypical southern state--more progressive and culturally diverse--but, when examined in proportion to the number of African American residents, it suffered more lynchings than any of its Deep South neighbors during the Jim Crow era. Investigating this dark period of the state's history and focusing on a rash of anti-black violence that took place during the 1940s, Tameka Hobbs explores the reasons why lynchings continued in Florida when they were starting to wane elsewhere. She contextualizes the murders within the era of World War II, contrasting the desire of the United States to broadcast the benefits of its democracy abroad while at home it struggled to provide legal protection to its African American citizens. As involvement in the global war deepened and rhetoric against Axis powers heightened, the nation's leaders became increasingly aware of the blemish left by extralegal violence on America's reputation. Ultimately, Hobbs argues, the international implications of these four murders, along with other antiblack violence around the nation, increased pressure not only on public officials in Florida to protect the civil rights of African Americans in the state but also on the federal government to become more active in prosecuting racial violence.

The University of Florida has an ambitious goal: to harness the power of its faculty, staff, students, and alumni to solve some of society's most pressing problems and to become a resource for the state of Florida, the nation, and the world. Hurricanes and tornadoes--and the devastation they leave in their wake--are feared across the globe, but at the University of Florida these natural phenomena are a fascinating research opportunity. At UF's Engineering School of Sustainable Infrastructure and Environment, wind engineers like Forrest Masters and David Prevatt study storm systems and design buildings to better withstand the forces of nature. Follow their stories as they venture inside Hurricane Wilma with wind gauges, travel to Joplin, Missouri to assess the wind-damage from the most powerful tornado in more than a half century, and conduct experiments with the lab's infamous "Multi-Axis Wind Load Simulator," ominously nicknamed "The Judge." Yet the job of the UF wind engineers does not end there. They take their findings to the drafting table, build roofs and walls, and test shingles, shutters, and garage doors. Their goal: to make sure our houses are still standing, and we are safe, after the storm. The stories chronicled in GATORBYTES span all colleges and units across the UF campus. They detail the far-reaching impact of UF's research, technologies, and innovations--and the UF faculty members dedicated to them. Gatorbytes describe how UF is continuing to build on its strengths and extend the reach of its efforts so that it can help even more people in even more places.

Sonja Watson examines the writing of black Panamanian authors to reveal how race is defined, contested, and inscribed in Panama. She tells the story of two competing cultures: Afro-Hispanics whose ancestors came as slaves during the colonial period and West Indians whose families arrived more recently from English-speaking Caribbean countries to build the Panama Railroad and Panama Canal.While Afro-Hispanics assimilated after centuries of mestizaje (race mixing) and now identify with their Spanish heritage, West Indians hold to their British Caribbean roots and identify more closely with Africa and the Caribbean. The literature discussed in this book displays the cultural, racial, and national tensions that prevent these two groups from forging a shared Afro-Panamanian identity. The Politics of Race in Panama shows why ethnically diverse Afro-descendant populations continue to struggle to create racial unity in nations across Latin America.

Almost all remnants of culture--past and present--degrade over time, whether sculpture or scrolls, painting or papyrus, books or clay tablets. Perhaps no major cultural record dissolves more rapidly than film, arguably the predominant medium of the twentieth century.Given the fragility of early nitrate film, much has already been lost. The fragments that remain--whether complete prints of theatrical releases or scraps of everyday life captured by Thomas Edison--only hint at what has disappeared. More recently, archives have been flooded with so much material that they lack the funds to properly preserve it all. Both situations raise questions about how film archives shape our understanding of history and culture.Janna Jones provides a stunning, tour-de-force analysis of the major assumptions and paradigmatic shifts about history, cinema, and the moving image archive, one that we ignore at our peril in the midst of the overwhelming rush toward digitization. No student of film, twentieth-century history, or archiving and preservation can afford to miss The Past Is a Moving Picture

Florida Historical Society Charleton Tebeau AwardA fearless writer in the Miami wilderness Journalist, activist, and adventurer, Jane Wood Reno (1913-1992) was one of the most groundbreaking and colorful American women of the twentieth century. Told by her grandson, George Hurchalla, The Extraordinary Life of Jane Wood Reno is an intimate biography of a free thinker who shattered barriers during the explosive early years of Miami.Easily recognizable today as the mother of former attorney general Janet Reno, Jane Wood Reno's own life is less widely known. Born to a Georgia cracker family, Reno scored as a genius on an IQ test at the age of 11, earned a degree in physics during the Depression, worked as a social worker, explored the Everglades, wrestled alligators, helped pioneer scuba diving in Florida, interviewed Amelia Earhart, downed shots with Tennessee Williams, traveled the world, and raised four children. She built her own house by hand, funding the project with her writing.Hurchalla uses letters he unearthed from the family homestead and delves into Miami newspaper archives to portray Reno's sharp intelligence and determination. Reno wrote countless freelance articles under male names for the Miami Daily News until she became so indispensable that the paper was forced to take her on staff and let her publish under her own name. She exposed Miami's black-market baby racket, revealed the abuse of children at the now infamous Dozier School for Boys, and supported the Miccosukee Indians in their historic land claim.Reno's life offers a view of the Roaring Twenties through the 1960s from the perspective of a swamp-stomping woman who rarely lived by the norms of society. Titan of a journalist, champion of the underdog, and self-directed bohemian, Jane Wood Reno was a mighty personality far ahead of her time.

Explores works from Latin American literary and visual culture that question what it means to be human and examines the ways humans and non-humans shape one another. In doing so, this book provides new perspectives on how the region challenges and adds to global conversations about humanism and the posthuman.

Highlights new directions in the study of social identities in past populations. Building on the field-defining research in Bioarchaeology and Identity in the Americas, contributors expand the scope of the subject regionally, theoretically, and methodologically.

Challenging the common view that Latin America has lagged behind Europe and North America in the global history of science, this volume reveals that the region has long been a centre for scientific innovation and imagination. It highlights the important relationship among science, politics, and culture in Latin American history.

In this journey through some of America's most innovative landscape architecture projects, Charles Flink shows why we urgently need greenways. A leading authority in greenway planning, design, and development, Flink presents inspiring examples of communities that have come together to build permanent spaces for the life-sustaining power of nature.