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South Florida summons tropical vacationland images--gleaming beaches, exotic foods, colourful costumes, and grand hotels. Yet beyond this facade teems a rich folklife that is the subject of this alluring book.

Isaac Bashevis Singer (1902-1991) loved to give interviews. He was famous for encouraging interruptions of the solitary task of writing. These twenty-four welcomed interruptions are representative of the many he allowed over a twenty-five-year period. Included here are his conversations with such interviewers as Irving Howe, Laurie Colwin, Richard Burgin, and Herbert R. Lottman. In these talks Singer discusses the nature of his writing, its ethnic roots, his demonology, the importance of free will, and the place of storytelling in human life. The interviews with Singer reveal both his impish sense of humor and a determination that sustained him through many years of limited acclaim and comparative neglect by critics. Yiddishists often faulted him for refusing to use his talent as a force for change in the world, Jewish readers often deplored his use of pre-Enlightenment folk material, and academics could not take too seriously a writer who insisted on telling stories that emphasized plot and character. Yet he was not deterred from his astonishing and beloved work, for which he was awarded the Nobel Prize.

Ellen S. Woodward was touted as Roosevelt's second most powerful woman appointee. Among women only Eleanor Roosevelt and Frances Perkins could claim more elevated roles in FDR's administration. This long overdue biography traces Woodward's odyssey from the parlors of Mississippi to director of women's work relief under three New Deal agencies.

Offers a collection of representative authentic soul food dishes for those who want the real thing. Kathy Starr compiled these recipes as a tribute to her grandmother, whom she remembers amid big pots of greens and vegetables that were bubbling on the stove as she stirred up the cornbread.

Provides a systematic analysis of the litigation in Brown v. Mississippi, in which the Supreme Court made a pathbreaking decision in 1936 showing the unconstitutionality of coerced confessions. The case exonerated three black sharecroppers who had confessed under torture to the murder of a white planter.

Presents the public face of folk music in the United States through its commercial promotion and presentation through much of the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colours.

Brings together eighteen interviews with a world-renowned fiction writer. Ranging from his 1994 literary debut, Fishing the Sloe-Black River, to a previously unpublished interview conducted in 2016, these interviews represent the development as well as the continuation of McCann's interests.

Attentive to the ways in which power structures, institutional routines, school spaces, and social relations operate in the contemporary school story, The School Story offers provocative insights into a genre that speaks profoundly to the increasingly precarious position of education in the twenty-first century.

Features twenty-one conversations with musicians who have had at least fifty years of professional experience. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words.

Provides a map of current approaches to comics and their engagement with historical representation. The first section of the book explores the existence, shape, and influence of comics as a medium; the second section concerns the question of trauma; the final section delves into ways in which comics add to the mythology of the US.

Francio Guadeloupe has lived in both the Dutch Antilles and the Netherlands. An anthropologist, he is a keen observer by honed habit. Simultaneously memoir and astute exploration, this book charts Guadeloupe's coming of age and adulthood in a Dutch world and movingly makes a global contribution to the understanding of anti-Black racism.

The famously private Sam Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be forthcoming on a wide range of topics. The selected interviews here begin in 1969 when Shepard was twenty-six and end in 2016, eighteen months before his death.

Parisian Pauline Guyot (1805-1886), who wrote under the nom de plume Camille Lebrun. Among her works is a hitherto-untranslated 1845 French novel, Amitie et devouement, ou Trois mois a la Louisiane. E. Joe Johnson and Robin Anita White have recovered this work, providing a translation, an accessible introduction, and period illustrations.

Reframes our understanding of the history of the girls' book and provides insightful readings of forgotten bestsellers. The book also outlines an alternate model for imagining adolescence and supporting adolescent girls. The awkward adolescent girl remains a valuable resource for understanding contemporary girls and stories about them.

Drama has received little attention in southern studies, and women playwrights in receive less recognition than their male counterparts. Casey Kayser addresses these gaps by examining the work of southern women playwrights, arguing that representations of the American South on stage are complicated by difficulties of identity, genre, and region.

Vividly presents children's voices. Including over six hundred handclaps, chants, jokes, jump-rope rhymes, cheers, taunts, and teases, this book takes the reader through a fifty-year history of child speech as it has influenced children's lives.

Explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Thomas Michael Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream.

In 1963, at the height of the southern civil rights movement, Cecil Brathwaite, under the pseudonym Cecil Elombe Brath, published a satire of Black leaders entitled Color Us Cullud! The American Negro Leadership Official Coloring Book. This book restores the book and its creator to a place of prominence in the historiography of the Black left.

Fred Schepisi is one of the crucial names associated with the revival of the Australian film industry in the 1970s. The Films of Fred Schepisi traces the lead-up to his critical successes in feature filmmaking, via his earlier award-winning success as a producer in advertising commercials in the 1960s and the setting up of his own company.

Owned by his father, Isaac Harold Anderson (1835-1906) was born a slave but went on to become a wealthy businessman, grocer, politician, publisher, and religious leader. Alicia Jackson presents a biography of Anderson and in it a microhistory of Black religious life and politics after emancipation.

Presents interviews from across Otto Preminger's career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candour, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship, his clashes with film critics, and his turbulent relationships.

Prohibition, with all its crime, corruption, and cultural upheaval, ran its course in thirteen years in most of the US - but not in Memphis, where it lasted thirty. Patrick O'Daniel takes a fresh look at those responsible for the rise and fall of Prohibition, its effect on Memphis, and the impact events in the city had on the rest of the country.

From the pioneering Cuban Giants (1885-1915) to the Negro Leagues (1920-1960), black baseball was a long-standing staple of African American communities. While many of its artifacts and statistics are lost, black baseball figured vibrantly in films, novels, plays, and poems. In Invisible Ball of Dreams, Emily Ruth Rutter examines wide-ranging representations of this history.

The first collection to address the myriad legacies of African chattel slavery in the writings and personal history of one of the twentieth century's most incisive authors on US slavery and the long ordeal of race in the Americas. Contributors examine the constitutive links among slavery, capitalism, and modernity across Faulkner's oeuvre.

Argues the doings of Winnie-the-Pooh remain relevant for readers in a posthuman, information-centric, media-saturated, globalized age. The first volume to offer multiple perspectives from multiple authors on the Pooh books in a single collection focuses on approaches that bring this classic of children's literature into the current era.