Bøker utgitt av University Press of Mississippi

When and under what circumstances are disaster survivors able to speak for themselves in the public arena? In Consuming Katrina: Public Disaster and Personal Narrative, author Kate Parker Horigan shows how the public understands and remembers large-scale disasters like Hurricane Katrina, outlining which stories are remembered and why, as well as the impact on public memory and the survivors themselves.Horigan discusses unique contexts in which personal narratives about the storm are shared, including interviews with survivors, Dave Eggers's Zeitoun, Josh Neufeld's A.D.: New Orleans After the Deluge, Tia Lessin and Carl Deal's Trouble the Water, and public commemoration during Hurricane Katrina's tenth anniversary in New Orleans. In each case, survivors initially present themselves in specific ways, counteracting negative stereotypes that characterize their communities. However, when adapted for public presentation, their stories get reduced back to those stereotypes. As a result, people affected by Katrina continue to be seen in limited terms, as either undeserving or incapable of managing recovery.This project is rooted in Horigan's experiences living in New Orleans before and after Katrina, but it is also a case study illustrating an ongoing problem and an innovative solution: survivors' stories should be shared in a way that includes their own engagement with the processes of narrative production, circulation, and reception. When survivors are seen as agents in their own stories, they will be seen as agents in their own recovery. Having a better grasp on the processes of narration and memory is critical for improved disaster response because the stories that are most widely shared about disaster determine how communities recover.

Examines issues across the wide arc of William Faulkner's career, from his aesthetic apprenticeship in the visual arts, to late-career engagements with the Cold War, the civil rights movement, and beyond, to the place of death in his artistic vision and the varied afterlives he and his writings have enjoyed in literature and popular culture.

Winner of the 2019 Gordon K. & Sybil Lewis Book AwardIn 1833, the abolition of slavery in the British Empire led to the import of exploited South Asian indentured workers in the Caribbean under extreme oppression. Dave Ramsaran and Linden F. Lewis concentrate on the Indian descendants' processes of mixing, assimilating, and adapting while trying desperately to hold on to that which marks a group of people as distinct.In some ways, the lived experience of the Indian community in Guyana and Trinidad represents a cultural contradiction of belonging and non-belonging. In other parts of the Caribbean, people of Indian descent seem so absorbed by the more dominant African culture and through intermarriage that Indo-Caribbean heritage seems less central.In this collaboration based on focus groups, in-depth interviews, and observation, sociologists Ramsaran and Lewis lay out a context within which to develop a broader view of Indians in Guyana and Trinidad, a numerical majority in both countries. They address issues of race and ethnicity but move beyond these familiar aspects to track such factors as ritual, gender, family, and daily life. Ramsaran and Lewis gauge not only an unrelenting process of assimilative creolization on these descendants of India, but also the resilience of this culture in the face of modernization and globalization.

Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Muller uses sonnets to open up fresh perspectives on African American literary history, and examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe.

Former New York Times correspondent John N. Herbers (1923-2017), who covered the civil rights movement for more than a decade, has produced Deep South Dispatch: Memoir of a Civil Rights Journalist, a compelling story of national and historical significance. His story provides a complex understanding of how the southern status quo was transformed.

Both comics studies and adaptation studies have grown separately over the past twenty years. Yet there are few in-depth studies of comic books and adaptations together. Available for the first time in English, this collection pores over the phenomenon of comic books and adaptation, sifting through comics as both sources and results of adaptation.

There was a time when no one would have left Dick Haymes out of the top class of his contemporaries such as Frank Sinatra and Perry Como. But now Haymes is known only to ardent fans and music historians. Ruth Prigozy uses over forty interviews with singers, musicians, composers, arrangers, and family members to explore his life.

In 1890, Mississippi called a convention to rewrite its constitution. The result was a document that transformed the state for the next century. In Sowing the Wind, Dorothy Overstreet Pratt traces the decision to call that convention, examines the delegates' decisions, and analyses the impact of their new constitution.

Through essays and interviews, this anthology tells the story of the history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums.

Acclaimed comics scholar Frederick Luis Aldama shines light on how mainstream comics have clumsily distilled and reconstructed Indigenous identities and experiences. This book emphasizes how Indigenous comic artists are themselves clearing new visual-verbal narrative spaces for articulating more complex histories, and narratives of self.

Explores the tendency among most Americans to separate their dead along communal lines rooted in race, faith, ethnicity, or social standing and asks what a deeper exploration of that phenomenon can tell us about American history more broadly.

In her latest book, award-winning author Lisa Corrigan suggests that Black Power provided a significant repository for negative feelings, largely black pessimism, to resist the constant physical violence against black activists and the psychological strain of political disappointment.

The first book-length study of Frank Yerby's life and work. The collection explores a myriad of topics, including his connections to the Harlem and Chicago Renaissances; readership and reception; representations of masculinity and patriotism; film adaptations; and engagement with race, identity, and religion.

Explores the tendency among most Americans to separate their dead along communal lines rooted in race, faith, ethnicity, or social standing and asks what a deeper exploration of that phenomenon can tell us about American history more broadly.

Cooperatives have been central to the development of New Orleans. Anne Gessler asserts that local cooperatives have reshaped its built environment by changing where people interact and with whom, helping them collapse social hierarchies and envision new political systems.

Addresses questions of outsider identities and how these identities are shaped by mainstream myths around Chicanx and Latinx young people, particularly with the common stereotype of the struggling, underachieving inner-city teens.

Addresses questions of outsider identities and how these identities are shaped by mainstream myths around Chicanx and Latinx young people, particularly with the common stereotype of the struggling, underachieving inner-city teens.

In this state-level history of the war on poverty, Emma Folwell traces the attempts of white and black Mississippians to address the state's dire economic circumstances through antipoverty programs.

A unique volume that is the only book solely about antebellum American fiddling. It includes more than 250 easy-to-read and clearly notated fiddle tunes alongside biographies of fiddlers and careful analysis of their personal tune collections.

Both runaways and castaways formed new societies in the wilderness. But true maroons, escaped slaves, were not cast away; they chose to fly towards the uncertainties of the wild in pursuit of freedom. In effect, this volume gives these maroons proper credit, at the very heart of American history.

While critical and popular attention afforded to twenty-first-century young adult literature has increased in recent years, classroom materials and scholarship have remained static in focus and slight in scope. This volume offers a remedy, bringing together essays about the many subgenres, themes, and character types that have been overlooked.

Brings together scholars from a range of disciplines including literature, cultural studies, religious studies, pedagogy, and communications to engage with a single character, exploring Ms. Marvel's significance for a broad readership.

Mississippi: The WPA Guide to the Magnolia State was part of a nationwide series of guides in the 1930s that created work during the Depression for artists, writers, teachers, librarians, and other professionals. This classic book is a lively collaborative project that covers a distinct era in Mississippi from the hills to the Delta to the Gulf Coast.

By 1860 the South ranked high among the developed countries of the world in per capita income and life expectancy and in the number of railroad miles, telegraph lines, and institutions of higher learning. This book examines the Confederate military's program to govern this prosperous industrial base by a quartermaster system.

Almost a century ago, Annette McConnell Anderson, a New Orleans society woman, vowed that her three sons would become artists. Backed by his mother's passion for art, her oldest son Peter Anderson founded Shearwater Pottery. Drawn by the exquisite work of Shearwater Pottery, the authors discover that painting, poetry, and storytelling are still an essential part of the family's daily life.

For almost a decade Peter Quezada, a prolific self-taught artist, painted murals and lettering on buildings and retaining walls in neighborhoods northeast of downtown Los Angeles. He refers to his work as a "graffiti deterrent" or a "substitute for graffiti," and he targets sites that are favorites of taggers and gang graffiti writers. Often he enlists their assistance and designs his murals to appeal to these youths as well as to discourage them from participating in antisocial behavior.Highlighting the interplay of contemporary life, mass-media images that confront the public, and the use of physical space in the city landscape, "Chicano Graffiti and Murals" shows how such art as Quezada's has become the signature of modern urban culture.

This startling novel depicts the compelling and poignant story of a young woman's obsession with her looks. Defining herself by the reactions of the various and unforgettable men in her life, Martha becomes more an more absorbed in the demands of being physically attractive.

Readers captivated by this book will be happy that Bill Ferris found Ray Lum and that he thought to turn on a tape recorder. This delightful book, first published in 1992 as You Live and Learn. Then You Die and Forget It All, preserves Lum's colourful folk dialect and captures the essence of this one-of-a-kind figure.

This is the first American publication of Brodber's eagerly awaited third novel. In Louisiana: A Novel she explores her continuing fascination with the power of the past to live in the present. Here, Ella Townsend, a young African American anthropologist whose roots are Caribbean, researches Louisiana folklife and discovers not only the world of voodoo and carnival but also the mystical connection of the living and the dead. With her tape recorder she explores the rich heritage of Creole Louisiana, but Mammy, Ella's primary informant, dies during the project. Then from beyond the grave she continues to transmit messages. Although the academically minded Ella is dubious about the authenticity of the medium, gradually, as she confronts her prejudices, the tapes convey enriching mysteries about the past lives of Mammy and her friend Lowly. From this supernatural experience, Ella learns much about herself and her background. Louisiana celebrates the magico-religious culture of hoodoo, conjure, obeah, and myal. Like Brodber's previous works, Myal: A Novel and Jane and Louisa Will Soon Come Home, Louisiana reveals the author's fascinating gift of myth-making. The Louisiana of her title represents two places sharing the same name-the American state and Brodber's native parish in Jamaica. Through this blending of localities, Brodber shows how elements from the African diaspora are kept alive in the Creole culture of the Americas.

For the past forty years the content of comic books has been governed by an industry self-regulatory code adopted by publishers in 1954 in response to public and governmental pressure. This book examines why comic books were the subject of controversy, beginning with objections that surfaced in the mid-1930s.