Bøker utgitt av University Press of Mississippi

Across two decades of intense creativity, David Foster Wallace (1962-2008) crafted a remarkable body of work that ranged from unclassifiable essays, to a book about transfinite mathematics, to vertiginous fictions. Conversations with David Foster Wallace gathers twenty-two interviews and profiles that trace the arc of Wallace's career, shedding light on his omnivorous talent.

The untold story of escaped slaves, their battle against colonial overlords, and the lasting impact in the Caribbean

Looks at the world of professional wrestling from a fan's-eye-view high in the stands and from ringside in the wrestlers' gym. Sharon Mazer investigates how performances are constructed and sold to spectators, and a close-up view of a group of wrestlers as they work out and dream of stardom.

Presents letters, speeches, contemporary nineteenth-century newspaper articles, and reports written by and about Martin Robison Delany. These vital primary sources cover his Civil War and Reconstruction career in South Carolina and include key critical reactions to Delany's ideas and writings from his contemporaries.

Across fiction, journalism, ethnography, and history, William T. Vollmann's oeuvre is ambitious as it is dazzling. Conversations with William T. Vollmann collects twenty-nine interviews, from early press coverage in Britain where his career first took flight, to in-depth visits to his writing and art studio in Sacramento, California.

Featuring both reprinted and original essays, this collection reveals why we are so fascinated with the villain. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations.

Featuring both reprinted and original essays, this collection reveals why we are so fascinated with the villain. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations.

These interviews trace Wes Craven's life and career, from his upbringing in a strict religious family and his life as an academic to his years toiling in exploitation cinema. The volume also chronicles Craven's ascendancy as an independent director, his work within the studio system, and his eventual triumph in mainstream cinema.

Considers such topics as Welty's uses of African American signifying in her short stories and her attention to public street performances interacting with Jim Crow rules in her unpublished photographs. Contributors also discuss her adaptations of gothic plots, haunted houses, Civil War stories, and film noir.

The Mardi Gras Indians are a renowned and beloved fixture of New Orleans public culture. Yet very little is known about the indigenous roots of their cultural practices. For the first time, this book explores the Native American ceremonial traditions that influenced the development of the Mardi Gras Indian cultural system.

The Francophone Caribbean boasts a trove of literary gems. Distinguished by innovative, elegant writing and thought-provoking questions of history and identity, this exciting body of work demands scholarly attention. Its authors treat the traumatic legacies of shared and personal histories pervading Caribbean experience in striking ways, delineating a path towards reconciliation and healing. The creation of diverse personal narratives-encompassing autobiography, autofiction (heavily autobiographical fiction), travel writing, and reflective essay-remains characteristic of many Caribbean writers and offers poignant illustrations of the complex interchange between shared and personal pasts and how they affect individual lives. Through their historically informed autobiography, the authors in this study-Maryse Conde, Gisele Pineau, Patrick Chamoiseau, Edwidge Danticat, and Dany Laferriere-offer compelling insights into confronting, coming to terms with, and reconciling their past. The employment of personal narratives as the vehicle to carry out this investigation points to a tension evident in these writers' reflections, which constantly move between the collective and the personal. As an inescapably complex network, their past extends beyond the notion of a single, private life. These contemporary authors from Martinique, Guadeloupe, and Haiti intertwine their personal memories with reflections on the histories of their homelands and on the European and North American countries they adopt through choice or necessity. They reveal a multitude of deep connections that illuminate distinct Francophone Caribbean experiences.

Often called a ""writer-rock star"" and a ""cult icon"", Dorothy Allison is a true performer of the written word. In the absence of a biography of Allison's life, Conversations with Dorothy Allison presents Allison's perspectives on her life, literature, and her conflicted role as a public figure.

Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event.

Engaging with Romanticism and the many monsters created by Romantic writers and artists such as Mary Shelley, Victor Hugo, and Goya, Maaheen Ahmed maps the heritage, functions, and effects of monsters in contemporary comics and graphic novels.

Adrian Rollini, an American jazz multi-instrumentalist, played the bass saxophone, piano, vibraphone, and an array of other instruments. This book draws on oral history, vintage articles, and family archives to trace Rollini's life, from his family's arrival in the US to his development and career as a musician, to his retirement and death.

Brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards.

Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway argues black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognising the wisdom of African ancestors, they procured power in the struggle for black liberation.

Though texts within dystopian literature and science fiction may share similar settings, plot devices, and characters, each genre's value is different because they do distinctively different sociocritical work. This book distinguishes the two genres, explains the function of each, and outlines the impact each has on readers.

Today fans still remember and love the British girls' comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. Bridging this scholarly gap, Julia Round presents a comprehensive cultural history and detailed discussion of the comic.

Provides a riveting account of the day Johnny Cash took the stage at Folsom Prison in California. Michael Streissguth skilfully places the concert and the album that followed in the larger context of Cash's artistic development, the era's popular music, and California's prison system, uncovering new angles and exploding a few myths along the way.

In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film

With this new collection of interviews, readers will recognise the themes that motivate Steven Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.

Presents the state of languages and of linguistic research on topics such as indigenous language documentation and revival; variation in educational opportunities in Louisiana's French varieties; current research on rural and urban dialects of English; and the struggles more recent immigrants face to use their heritage languages.

Examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyse new Mardi Gras's connection to traditional Mardi Gras. The narrative of each krewe's development is fascinating and unique, illustrating participants' shared desire to contribute to New Orleans's vibrant culture.

Based on new research and combining multiple scholarly approaches, these essays tell new stories about the civil rights movement in Mississippi. As a group, the essays introduce numerous new characters and conundrums into civil rights scholarship and encourage historians to pull civil rights scholarship closer toward the present.

Probes the complex issues of identity confronting free blacks who attempted to meaningfully engage in colonization efforts. From a peculiarly voiced ""Counter Memorial"" against the ACS to the letters of wealthy black merchant Louis Sheridan, Stillion Southard brings to light the intricate rhetoric of blacks who addressed colonization to Africa.

Explores the role of folklore, folklore archives, and folklore studies in the contemporary history of Estonia, Latvia, and Lithuania. Sadhana Naithani combines the study of written works, archival documents, life-stories, and conversations with folklorists, ethnologists, archivists, and historians in Tartu, Riga, and Vilnius.

Allen Ginsberg (1926-1997) was one of the most famous American poets of the twentieth century. Yet, his career is distinguished by not only his strong contributions to literature but also social justice. Conversations with Allen Ginsberg collects interviews from 1962 to 1997 that chart Ginsberg's intellectual, spiritual, and political evolution.

Over twenty years after the publication of her groundbreaking work, Waking Sleeping Beauty: Feminist Voices in Children's Novels, Roberta Seelinger Trites returns to analyse how literature for the young still provides one outlet in which feminists can offer girls an alternative to sexism.

Features seventeen interviews with Joan Didion, spanning decades, continents, and genres. Didion reflects on her childhood in Sacramento; her time at Berkeley, in New York, and in Hollywood; her marriage to John Gregory Dunne; and of course her writing.