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Presents the first full treatment of any secession convention to date. Studying the Mississippi convention of 1861 offers insight into how and why southern states seceded and the effects of such a breech. Based largely on primary sources, this book provides a unique insight into the broader secession movement.

From the first Union attack on Vicksburg in the spring of 1862 through Benjamin Grierson's last raid through Mississippi in late 1864 and early 1865, this book traces the campaigns, fighting, and causes and effects of armed conflict in central and North Mississippi, where major campaigns were waged and fighting occurred.

As tensions mounted before Freedom Summer, one organization tackled the divide by opening lines of communication at the request of local women: Wednesdays in Mississippi (WIMS). Employing an unusual and deliberately feminine approach, WIMS brought interracial, interfaith teams of northern middle-aged, middle- and upper-class women to Mississippi to meet with their southern counterparts. Sponsored by the National Council of Negro Women (NCNW), WIMS operated on the belief that the northern participants' gender, age, and class would serve as an entre to southerners who had dismissed other civil rights activists as radicals. The WIMS teams' respectable appearance and quiet approach enabled them to build understanding across race, region, and religion where other overtures had failed.The only civil rights program created for women by women as part of a national organization, WIMS offers a new paradigm through which to study civil rights activism, challenging the stereotype of Freedom Summer activists as young student radicals and demonstrating the effectiveness of the subtle approach taken by "e;proper ladies."e; The book delves into the motivations for women's civil rights activism and the role religion played in influencing supporters and opponents of the civil rights movement. Lastly, it confirms that the NCNW actively worked for integration and black voting rights while also addressing education, poverty, hunger, housing, and employment as civil rights issues.After successful efforts in 1964 and 1965, WIMS became Workshops in Mississippi, which strived to alleviate the specific needs of poor women. Projects that grew from these efforts still operate today.

Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. Including seventy-two black and white illustrations, this book chronicles the challenges of women artists, who are in some cases unknown to the general public, and places their achievements in the artistic and cultural context of early twentieth-century America.

An examination of extraordinary uses and abuses of an American ideal during a time of perceived prosperity

Along the Gulf Coast, history is often referenced as pre-Katrina or post-Katrina. However, the natural disaster that appalled the world in 2005 has been joined by another catastrophe, this one man-made--the greatest environmental and maritime accident of all time, the Deepwater Horizon Oil Spill. In less than five years, the Gulf Coast has experienced two colossal disasters, very different, yet very similar. And these two equally complex crises have resulted in a steep learning curve for all, but especially the journalists covering these enduring stories.In Oil and Water, the authors show how Katrina journalists have reluctantly had to transform into oil spill journalists. The authors look at this process from the viewpoints not only of the journalists, but also of the public and of the scientific community. This book assesses the quality of journalism and the effects that quality may have on the public. The authors argue that regardless of the type of journalism involved or the immensity of the events covered, successful reportage still depends on the fundamentals of journalism and the importance of following these tenets consistently in a crisis atmosphere, especially when confronted with enduring crises that are just years apart.

Out of the artifacts of their memory and imagination, Italian immigrants and their descendants used embroidering, sewing, knitting, and crocheting to help define who they were and who they have become. This book is an interdisciplinary collection of creative work by authors of Italian origin and academic essays.

Although food and stories may be two of the most prominent cultural products associated with the US South, the connections between them have not been thoroughly explored until now. Writing in the Kitchen explores the relationship between food and literature and makes a major contribution to the study of both southern literature and of southern foodways and culture more widely.

Collects eleven essays in which contributors query the status of Faulkner's literary text in contemporary criticism and scholarship. By retaining a bond with new historicist analysis and cultural studies, these essays are illustrative of a kind of analysis that carefully preserves attention to Faulkner's sociopolitical environment.

Inspired by Quakerism, Progressivism, the Social Gospel movement, and the theories of scholars such as W. E. B. Du Bois, Charles S. Johnson, Franz Boas, and Ruth Benedict, a determined group of Philadelphia activists sought to transform race relations. This book concentrates on these organizations: Fellowship House, the Philadelphia Housing Association, and the Fellowship Commission. While they initially focused on community-level relations, these activists became increasingly involved in building coalitions for the passage of civil rights legislation on the local, state, and national level. This historical account examines their efforts in three distinct, yet closely related areas, education, housing, and labor. Perhaps the most important aspect of this movement was its utilization of education as a weapon in the struggle against racism. Martin Luther King credited Fellowship House with introducing him to the passive resistance principle of satygraha through a Sunday afternoon forum. Philadelphia's activists influenced the southern civil rights movement through ideas and tactics. Borrowing from Philadelphia, similar organizations would rise in cities from Kansas City to Knoxville. Their impact would have long lasting implications; the methods they pioneered would help shape contemporary multicultural education programs. Building the Beloved Community places this innovative northern civil rights struggle into a broader historical context. Through interviews, photographs, and rarely utilized primary sources, the author critically evaluates the contributions and shortcomings of this innovative approach to race relations.

Presents eight essays on African American history from the Jacksonian era through the early twentieth century. Taken together, these essays, inspired by noted scholar John F. Marszalek, demonstrate the many nuances of African Americans' struggle to grasp freedom, respect, assimilation, and basic rights of American citizens.

Presents a wide spectrum of compelling arguments about the role and function of mystery in William Faulkner's fiction. Twelve new essays approach the question of what can be known and what remains a secret in the narratives of the Nobel laureate. Scholars debate whether or not Faulkner's work attempts to solve mysteries or celebrate the enigmas of life and the elusiveness of truth.

A sharecropper, a warrior, and a truth-telling prophet, Fannie Lou Hamer (1917-1977) stands as a powerful symbol not only of the 1960s black freedom movement, but also of the enduring human struggle against oppression. A Voice That Could Stir an Army is a rhetorical biography that tells the story of Hamer's life by focusing on how she employed symbols-- images, words, and even material objects such as the ballot, food, and clothing--to construct persuasive public personae, to influence audiences, and to effect social change. Drawing upon dozens of newly recovered Hamer texts and recent interviews with Hamer's friends, family, and fellow activists, Maegan Parker Brooks moves chronologically through Hamer's life. Brooks recounts Hamer's early influences, her intersection with the black freedom movement, and her rise to prominence at the 1964 Democratic National Convention. Brooks also considers Hamer's lesser-known contributions to the fight against poverty and to feminist politics before analyzing how Hamer is remembered posthumously. The book concludes by emphasizing what remains rhetorical about Hamer's biography, using the 2012 statue and museum dedication in Hamer's hometown of Ruleville, Mississippi, to examine the larger social, political, and historiographical implications of her legacy. The sustained consideration of Hamer's wide-ranging use of symbols and the reconstruction of her legacy provided within the pages of A Voice That Could Stir an Army enrich understanding of this key historical figure. This book also demonstrates how rhetorical analysis complements historical reconstruction to explain the dynamics of how social movements actually operate.

A significant body of scholarship examines the production of children's literature by women and minorities, as well as the representation of gender, race, and sexuality. But few scholars have previously analyzed class in children's literature. This definitive collection remedies that by defining and exemplifying historical materialist approaches to children's literature.

Assesses the influence of W.J. Cash and the profound effect of his classic dissection of southern history. Perhaps more than any other historian, Cash revolutionized the interpretation of southern identity. In 1941, when he published The Mind of the South, he exploded the correlated myths of the Cavalier South and the New South and gave historiography a new gauge for examining Dixie.

There have been many books written on great individual players who played in the Negro Leagues and/or integrated the Major Leagues. But Newman and Rosen move beyond hagiography to analyse what happens when a community has its economic footing undermined while simultaneously being called upon to celebrate a larger social progress.

Peter Weir: Interviews is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. He talks about "e;the precious desperation of the art, the madness, the willingness to experiment"e; in all his films; the adaptation process from novel to film, when he tells a scriptwriter, "e;I'm going to eat your script; it's going to be part of my blood!"e;; and his self-assessment as "e;merely a jester, with cap and bells, going from court to court."e; He is encouraged, even provoked to tell his own story, from his childhood in a Sydney suburb in the 1950s, to his apprenticeship in the Australian television industry in the 1960s, his preparations to shoot his first features in the early 1970s, his international celebrity in Australia and Hollywood. An extensive new interview details his current plans for a new film. Interviews discuss Weir's diverse and impressive range of work-his earlier films Picnic at Hanging Rock, The Last Wave, Gallipoli, and The Year of Living Dangerously, as well as Academy Award-nominated Witness, Dead Poets Society, Green Card, The Truman Show, and Master and Commander. This book confirms that the trajectory of Weir's life and work parallels and embodies Australia's own quest to define and express a historical and cultural identity.

Can the study of folklore survive brutal wars and nationalized misappropriations? Does folklore make sense in an age of fearsome technology? These are two of several questions this book addresses with specific and profound reference to the history of folklore studies in Germany. There in the early nineteenth century in the ideological context of romantic nationalism, the works of the Brothers Grimm pioneered the discipline. The sublimation of folklore studies with the nation's political history reached a peak in the 1930s under the Nazi regime. This book takes a full look at what happened to folklore after the end of World War II and the defeat of the Nazis. A special focus on Lutz Rhrich (1923-2006), whose work spans the decades from 1955 to 2006, makes this book a unique window into a monumental reclamation. In 1945 Rhrich returned from the warfront at the age of twenty-three, a wounded amputee. Resuming his education, he published his seminal Mrchen und Wirklichkeit (Folktale and Reality) in 1956. Naithani argues that through this and a huge body of scholarship on folktale, folksong, proverbs, and riddles over the next decades, Rhrich transformed folklore scholarship by critically challenging the legacies of Romanticism and Nazism in German folklore work. Sadhana Naithani's book is the first full-length treatment of this extraordinary German scholar written in English.

Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee.

Features interviews with one of the most celebrated science-fiction authors of the last 50 years. This book draws together 23 interviews from a variety of media and sources - print and online journals and fanzines, academic journals, newspapers, blogs, and podcasts.

Offers an interdisciplinary exploration of the African American West through close readings of texts from a variety of media. This approach allows for both an in-depth analysis of individual texts and a discussion of material often left out or under-represented in studies focused only on traditional literary material.

From 2003 to 2009 sensational judicial bribery scandals rocked Mississippi's legal system. James R. Crockett details the convoluted schemes that eventually put three judges, six of the attorneys, and the former auditor in federal prison. All of the men involved were successful professionals. The stories involve power, greed, but most of all hubris.

Presents a collection of essays on the debates about origins, authenticity, and identity in folk and blues music. These essays originated in an international conference on the Transatlantic paths of American roots music, out of which emerged common themes and questions of origins and authenticity in folk music, be it black or white, American or British.

Examines the economic and social theories - and their histories - that resulted in the creation and operation of the most aggressive and radical experiments in the United States. Trouble in Goshen chronicles three communitarian experiments, both the administrative details and the struggles and reactions of the clients.

The first ethnomusicological study of the people who created a transnational connection in and through a world music culture

The interviews and conversations contained in this volume derive from four decades of Stanley Kunitz's distinguished career. They touch on aesthetic motifs in his poetry, the roots of his work, his friendships in the sister arts of painting and sculpture, his interactions with Robert Lowell and Theodore Roethke, and his comments on a host of poets.