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The dashing young knight Fernando and his friend, Alberto di Vincenti, are anxious to marry their true loves, Rosara and Viola. But the haughty Duca di Urbino and his bloodthirsty companion Sanguinario have other plans. Will the youthful lovers survive the wiles of the perfidious Urbino and the vengeance of Sanguinario? And can they unravel the secrets contained in the dank subterranean vaults of the duca's Castello di Lepanto, where years earlier a beautiful woman may have met a terrible fate?Featuring all the classic elements of the late-eighteenth century Gothic novel - sinister villains, murderous banditti, crumb­ling manuscripts, blood-stained daggers, mysterious parentages, and the dungeons of the Inquisition - The Vaults of Lepanto (1814) is one of the scarcest Gothic novels issued by the Minerva Press, surviving in only one known copy, at the library of Castle Corvey in Germany. This first-ever republication includes the unabridged text of the original three volume edition and a new foreword revealing the few facts known about the book's elusive author, T. R. Tuckett.

Three teenage boys, the sole survivors of a shipwreck, find themselves marooned on a deserted island in the South Pacific. With little more than a telescope and a broken knife, the youths must find food and shelter and learn to survive. But though the coral island is a tropical paradise, full of natural beauty and exotic fruits and wildlife, dangers and adventures abound: sharks, pirates, and even bloodthirsty cannibals!Scottish-born R.M. Ballantyne (1825-1894) wrote more than ninety books for young people during the Victorian era, the most famous of which is The Coral Island (1857), a tale whose popularity has proved so enduring that it has never been out of print. A thrilling story in the tradition of Robinson Crusoe and a key influence on later classics such as Robert Louis Stevenson's Treasure Island and William Golding's Lord of the Flies, The Coral Island is presented here in a new scholarly edition that includes the unabridged text of the first British edition, a new introduction and notes by Ralph Crane and Lisa Fletcher, and the original illustrations by the author.