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Emerging from Nottingham in the summer of 1989, the DiY Collective were one of the first house sound systems in the UK. Merging the anarchic lineage of the free festival scene, the cultural and political anger of bands like Crass with the new, irresistible electronic pulse of acid house, they bridged the idealistic void left by the moral implosion of the commercial rave scene. From Castlemorton to the Cafe del Mar, the DiY sound and DJs became internationally renowned and beneath their banners of liberty, collectivism and untrammelled hedonism achieved an underground cult status that endures to this day. Dreaming in Yellow is an attempt to distil the story of DiY s tumultuous existence and the remarkably eclectic, outrageous and occasionalsly deranged story of them doing it themselves.

In Bedroom Beats and B-sides, Laurent Fintoni details the rise of bedroom producers at the turn of the century through the stories of the instrumental hip-hop and electronic music scenes that made this rise possible. From trip-hop, illbient, and IDM to leftfield hip-hop, glitch, and beats, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted. Combining social, cultural, and musical history with extensive research and over 100 interviews, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s, exploring the evolution of a modern beat culture.

At the time, it was unclear why the UK government targeted the Spiral Tribe travelling sound system. Even after arresting many key members and launching one of Britain's biggest court cases against them. Was it really because they were a marauding horde of anarcho-techno-pirates, their outlandish music calling a generation to rebel against conservatism, convention, and even consensus reality? Or was it because, as pioneers of the 1990s free party movement, championing the new British breakbeat and European techno sound, they were reclaiming social space in warehouses and out under the stars? Each weekend they pulled ever bigger crowds away from consumer culture. No superstar DJs, no door policy and everyone dancing together as equals. An inspiring, unifying force of creativity. As Spiral Tribe's co-founder and visual artist (or as the Crown prosecutor described him, 'the criminal ringleader' who'd helped 'mastermind' Britain's 'biggest ever illegal rave' at Castlemorton), Mark Angelo Harrison has a unique perspective to tell their inside story. He vividly charts their nomadic journey and the rapid escalation of their popularity - and notoriety. From small squat-scene parties in London to enormous warehouse raves and free festivals. From one little overloaded van to the mighty convoy of matt-black military vehicles that instigated the teknivals of Europe.

First Floor started small. At first it was just a newsletter, an outlet where veteran electronic music journalist Shawn Reynaldo could write and share his ideas without having to contend with outside editors or cater to social media algorithms. It was a blank canvas, and Reynaldo began to fill it with his extended thoughts on not just electronic music itself but the culture and industry that surrounded it. His first few missives went out to only a handful of people, but as the months went by and his writings increasingly became a focal point of discussions within the wider electronic music world, Reynaldo came to a surprising realization: people were actually reading this thing. Just a few years later, First Floor now stands as one of electronic music's most influential platforms, particularly as Reynaldo continues to put many of the genre's thorniest issues under the microscope. First Floor Volume 1 collects his most thought-provoking pieces and provides a nuanced, wide-ranging look at contemporary electronic music culture as it comes to grips with systemic challenges and a time of profound transformation. Whether he's taking a hard look at the genre's futurist ethos, questioning the practices of the modern music press or mapping out what motivates dance music's newest generation, Reynaldo applies an undeniably critical lens, but his words are informed by decades of experience, a genuine passion for the subject matter and an open-minded outlook toward whatever changes lie ahead.

The Secret DJ's first two books lifted the lid on what really happens behind the decks in the sometimes hilarious, sometimes harrowing world of the superstar DJ. Now they've reached out to dozens of DJs from around the world - and from every scene and genre - for their own true stories of the DJ life Tales From the Booth raises the BPM, rounding up an all-star cast of Secret DJs to tell their anonymous stories of what it's really like to rock dancefloors for a living. From strange encounters on tour, to side-splitting debauchery and afterparty excess, to the seamy and even dangerous side of the industry, this is your access-all-areas backstage pass. You'll never look at a DJ quite the same again.

Written by former DJ/producer Harold Heath, 'Long Relationships: My Incredible Journey From Unknown DJ to Small-time DJ' is a biographical account of a DJ career defined by a deep love of music and a shallow amount of success. From the days of vinyl, when DJs were often also glass-collectors, to the era of megastar stadium EDM, it's a journey of 30 odd years on a low-level, economy class rollercoaster through the ups and downs of an ever-changing music industry. Long Relationships is a love letter to DJing and to every small-town DJ who never made it to the big time but whose life was enriched and improved by DJing anyway. It's packed with tales of gigs, clubs, raves, warehouses, music, record production and record deals, low-rent international travel, shady promoters, dodgy club security, magical dance floor moments and much more. If you ever DJed, if you ever lost yourself on a dance floor, or if you ever simply fell in love with the potential contained within a dark basement, a str

They say nothing good happens after midnight, but in the case of creativity, that's just not so. The night fosters a different kind of creativity: something urgent, spontaneous, carved out of necessity. Tracking the past, present and future of this complex, often contradictory dynamic. Selling The Night explores what happens when this creativity influences wider culture and converges with everything from media, advertising, design and to gaming, fashion, hospitality, alcohol, beauty, tourism and far beyond. Also, as importantly, the implications of brands taking space within dance music as sponsors and supporters. Selling The Night speaks to DJs, promoters, marketers, academics, activists, archivists, policy makers, photographers, writers and designers. It samples KFC through to Fiorucci, Absolut and Red Bull, and moves from New York disco to the modern global underground. It witnesses how ideas migrate from subculture to influence the creative industries. It goes in search of lessons in improving the value exchange between dance music and brands, seeking something more symbiotic and less parasitic. All the while, it celebrates what makes after-dark ideas so special - the unique and democratising role they play.

The confessions of a time travelling cultural vampire wherein the alternative history of late 20th century counter culture is revealed. Sent on a holy mission at a young age the young demon Jonah Plantagenet uses his God given gifts to pillage the past. From the mists of pre-history via Roman Britain to the birth of Acid House, the arcades of Slough to the court of King John, chip shops in Manchester to biker rumbles in California this Son of a Demon God takes the words from J G Ballard's mouth, swipes the genius of Kandinsky, sucks out the minds of famous DJs, possesses Rudolf Steiner and resurrects the Beatles. Jonah Plantagenet the world's most celebrated DJ, prize winning author, feted artist and arbiter of cultural fashion. History's greatest criminal. Now he must face his judgement. Justin Robertson weaves a breathless tale infused with dark humour and a keen appreciation of the absurd. In parts very loosely autobiographical The Trial of Jonah captures the magic and wonder of art, music and word and reflects on how the creative process is really one protracted act of possession.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers. UK Hardcore Volume 1 features the likes of Basement Records, Dark Horse, Liquid Wax, Satin Storm, Symphony Sounds, Tone Def and many more.

Close The App, Make The Ting is a collection of ideas shared by Elijah that began in July 2021, as the Covid 19 lockdowns were ending in the UK. They started as simple notes questioning what the music and creative scenes would look like after being shut down for 18 months shared regularly on Instagram, then developed into a multimedia project that spanned visual installations, an album with grime MC Jammz, a club night and a lecture series that toured the world. The Close The App, Make The Ting book brings together the best of the ideas, and the projects they inspired. This is for anyone producing or thinking of producing creative work, that needs something outside of 'advice', these are evergreen artistic prompts that will inspire new ways of approaching being an artist in the 2020s.

Friends and collaborators, musician Daniel Avery and photographer Keffer present Techno Is Boring, a book that collects a decade of work chronicling club culture in visceral form. Intimate black-and-white portrayals transfer the energy, joy and humour of life thriving in the smallest hours, whether in vast festival tents, perspiring discotheques or animated backstage spaces. Across over 80 photos taken at legendary European venues including DC10, Robert Johnson, Rex Club and The Warehouse Project, a curious and impulsive lens is discreetly drawn to ravers in the crowd, strange sights on the periphery of the dance, as well as the pleasure and absurdities of touring life. Shooting far beyond the DJ booth, Techno Is Boring melts down the barrier between performer and crowd, portraying an authentic continuum of community as ecstasy. The wide-ranging collection of work is accompanied by short written essays and notes from Avery and fellow DJ, writer and collaborator John Loveless.

Marcus Intalex was a key drum & bass producer/DJ until his untimely death in 2017 and How You Make Me Feel is a kaleidoscopic celebration of his trailblazing life and career. From emerging as a DJ on the rave scene in Burnley to surviving ''Gunchester'' and taking his era-defining D&B from Manchester to the world, before effortlessly switching to techno under his Trevino moniker, he was at the bleeding edge of club culture for nearly three decades. This illustrated oral history weaves together memories from Marcus'' inner circle and collaborators, unpublished photos and artwork, and words from his closest friends and family. It''s the story of how a humble, restless soul, created some of the most emotionally charged dancefloor music of all-time. And how his legacy lives on through the slew of musicians and music-lovers he inspired along the way.

Drumz Of The South: The Dubstep Years (2004-2007) is the first photography book to present the early days of dubstep in detail. Seminal to the sound's growth from the spaced-out expression of a handful of producers, to the global genre that it is today, Drumz Of The South is both a personal and a cultural document. It features over 200 photographs from events and radio stations such as FWD>> at Plastic People, DMZ and Rinse FM, plus pioneering producers, DJs and MCs like Burial, Skream and Benga, Mala & Coki, Loefah and Sgt Pokes, Plastician, Kode9, Hatcha & Crazy D, Skepta, Wiley, and Mary Anne Hobbs.

Following on from his 2021 book, Synthesizer Evolution: From Analogue to Digital (and Back), Oli Freke returns with a Synthesizer Evolution A6 zine series. Drum machines and samplers have something of a shared history and this zine celebrates their invention and by picking out 46 of the most influential, important or most interesting drum machines and samplers from 1949 - 1996. Explore the most legendary drum machines and samplers ever created, including the Roland TR-808, Roland TR-909, Akai S1000, Fairlight CMI, Akai MPC60 and more, with detailed descriptions and the stories behind their development.

Following on from his 2021 book, Synthesizer Evolution: From Analogue to Digital (and Back), Oli Freke returns with a Synthesizer Evolution A6 zine series. The invention of the synthesizer in the 1960s changed musical culture and music production forever, giving musicians whole new worlds of sound to play with. Vintage Synths celebrates that invention and its subsequent history by picking out 46 of the most influential, important or most interesting synths from 1939 - 1998. They represent the introduction of a new technology, had a particular impact, or maybe even formed the basis of entirely new genres. Explore the most legendary synthesizers ever created, including the Minimoog, ARP 2600, Yamaha DX7, Roland Jupiter 8 and more, with detailed descriptions and the stories behind their development.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers. Drum & Bass Volume 1 features the likes of Metalheadz, Symmetry, Sofa Sound, Prototype, Commercial Suicide and many more.

Friday 28 July 2019: 11 years after Jay Z became the first hip-hop artist to headline the Pyramid Stage at Glastonbury, Stormzy finally became the first English rapper to follow suit. The South-London-born rapper, wearing a customised stab-proof vest designed by Banksy, put in an explosive performance and finished his set by thanking many of the ''legends for paving the way,'' name-checking the likes of Wiley, Dizzee Rascal, and Giggs. Yet British rap has a nuanced, rich, and often misunderstood history factoring in socioeconomics, gender, identity, music industry disruption, and innovation. What Do You Call It? charts the journey of UK rap music over two decades, exploring the origin stories of classic albums and the artists that made them, and changed the course of British music and culture despite the systemic racism and infrastructural challenges faced.

Step into the vibrant and pulsating world of nightlife through the lens of Tough Luck, the Instagram account that has become the heartbeat of contemporary club and rave photography. Through the lenses of their talented photographers, they unfold the stories of the night, spotlighting clubs, festivals, and the diverse characters shaping nocturnal culture. While many rave photography books reminisce about the past, You Out Tonight? offers a fresh, contemporary experience. As you flip through the pages, you''ll find yourself immersed in the kaleidoscope of lights, colours, and emotions that define the modern clubbing experience. Whether you''re a seasoned partygoer or a curious observer, Tough Luck invites you to experience the magic, the chaos, and the indescribable beauty of the night. Prepare to be transported into a world where time stands still, and the only currency is the rhythm of the music.

The Legend of Kaptain Karnival is an epic and highly original audio-visual feast from the imagination of renowned graphic artist and DJ/producer/composer Jem Panufnik, aka Jem Stone, in the form of a lavishly illustrated art book with specially created musical soundtrack. Take yourself on a psychedelic voyage of discovery through thrilling and bizarre scenarios on a quest to find the truth about this tantalising icon, Kaptain Karnival: deity, Confucius or downright cheeky monkey? Or perhaps it is an inward search in pursuit of lost magic and mischief? Fifteen glorious chapters of Jem's striking and surreal imagery are accompanied by their own compelling and hypnotic soundtrack of electronica. Ranging from lush ambience, nu-jazz and dub to the kind of unique twisted funk, wonky disco and jazzy breaks the Finger Lickin' Records pioneer is famous for. The book is 24.5cm square and the 96 pages are printed and bound on heavyweight 150gsm paper, with hardback cover and a CD of music beautifully incorporated within the book's highly imaginative artwork. You will not have seen or heard anything like it before!

Since the dawn of time, humans have had the urge to come together and move to music. It may have started in caves but these days it happens in clubs often found in the shady corners of our towns and cities. Or at least it did until these places began to march to the beat of property developers rather than DJs. In London in the five years to 2016, half of the clubs were lost while a further quarter have been removed in the devastation of Covid. So what now? At this critical moment, Out of Space plots a course through the spaces and unlikely locations club culture has found a home. From Glasgow to Margate via Manchester, Sheffield and unlikely dance music meccas such as Coalville and Todmorden, it maps the key cities and towns where electronic music has thrived, it currently dances and the spaces it might be headed to next. It explores how urban landscapes have acted as a home for other shades of club music too such as pirate radio, dance music festivals, soundsystem culture and more.

The Radio Phonics Laboratory explores the intersection of technology and creativity that shaped the sonic landscape of the 20th century. This fascinating story unravels the intricate threads of telecommunications, from the invention of the telephone to the advent of global communication networks. At the heart of the narrative is the evolution of speech synthesis, a groundbreaking innovation that not only revolutionized telecommunications but also birthed a new era in electronic music. Tracing the origins of synthetic speech and its applications in various fields, the book unveils the pivotal role it played in shaping the artistic vision of musicians and sound pioneers. This is the story of how electronic music came to be, told through the lens of the telecommunications scientists and composers who helped give birth to the bleeps and blips that have captured the imagination of musicians and dedicated listeners around the world.

From the cacophonous surrounds of London to the sea stacks of Orkney, via the abandoned military facilities of the Suffolk coast and the watery expanses of the Blackwater Estuary in Essex, from the quarries and neolithic sites of Snowdonia and the wide open skies of Norfolk to the hubbub of Nairobi and Berlin, the streets of Kyiv and the windblown wilds of Antarctica - music is everywhere. You just need to know or learn how to listen. For the biggest artists to the most underground, field recordings have become the vital spark of electronic music. Whether documenting nature, sampling the city or capturing the atmosphere of archaeological sites, musicians are using found sounds to make sense of our world. Ears To The Ground explores the relationship between electronics, landscape and field recordings in the UK, Ireland and around the globe, discovering how producers and artists evoke the natural world, history and folklore through sampled sounds. Ears To The Ground: Adventures in Field Recording and Electronic Music explores how electronic music producers and sound artists use field recordings and samples to document their environments. Author Ben Murphy takes you on a journey to discover how field recordings can create context, emotion, atmosphere, humour and meaning - and examine the most pressing topics of our times. Composed of extensive interviews with music producers, the book will show how field recordings have become a vital way of understanding, celebrating and interrogating the landscape and the places we live. The book features interviews with Leafcutter John, KMRU, Ultramarine, Kate Carr, Erland Cooper, Proc Fiskal, Flora Yin-Wong, Langham Research Centre, Claire Guerin, Toshiya Tsunoda, Lawrence English, Heinali, Oliver Ho, Matthew Herbert, Matmos, Scanner, Felicia Atkinson and many more. On its journey, the book takes in abandoned military test sites, remote bird colonies, estuaries, cities, coastlines, old quarries, neolithic burial grounds, scientific research centres and docklands, and ventures between Orkney, Edinburgh and Cork to Norfolk, Kent and Snowdonia, before heading to Kenya, Ukraine, Japan and Antarctica.

The artist Mau Mau has a body of work which stretches back to the 1990s. His street art has chronicled the evolving nature of UK counter-culture and larger world themes which have impacted it. Talking Out of My Art is a chronological journey through Mau Mau's artwork. It begins with his Devon surfing roots and follows his development as a street artist, honing his skills in London, to exhibiting around the world. His street pieces are always memorable. Part of Mau Mau's enduring popularity is his ability to simplify complex themes with a quick phrase and the use of characters such as his most well-known creation, Mau Fox. Aside from walls, barns, boats and an array of other interesting places to paint, Mau Mau's work has appeared on prints, canvases, magazines, clothing and record covers and in exhibition spaces for over 25 years. This book captures the images, but it also gives a unique glimpse behind the scenes. Talking Out of My Art provides insights into how one of the UK's most iconic street artists produces his work.

Let the Music Play: How R&B Fell In Love With 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of synths and other music tech in the era of ghetto blasters, shoulder pads and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers in the US and UK to reinvent music using a whole new set of rules. From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it looks at how sounds and genres kept adapting to each new innovation, including drum machines, samplers and digital studios. It tells the fascinating stories of the artists involved and how some of the best-loved records of the era were made - creating a blueprint for music today.

Having failed at rapping, what's next for an endlessly passionate rap nerd? In this sequel to acclaimed memoir Wiggaz With Attitude, it turns out what's next for is a sometimes controversial career in rap journalism. Write Lines: Adventures in Rap Journalism tells the tale of hip-hop writing from the inside. From death threats, to interviewing Lauryn Hill while she's in the shower. From calling Jay-Z a c*** to his face, to letting a notorious rapper sleep in his bath, it's a hilarious, anecdote-studded tale that takes in hip-hop's first ever magazine and lifts the lid on rivalries, squabbles and how music journalism really works. Brutally honest, endlessly opinionated, this story is also a love letter to hip-hop as it changed seismically through the decades. Write Lines charts those changes from the front line through encounters with many of the greats of rap: Chuck D, Missy Elliott, RZA, Eminem, Jazzy Jeff and Gang Starr among them. This is an unfiltered tale of hip-hop that is both heartfelt and scabrously funny.

All Crews is a comprehensive exploration of jungle/drum & bass. The book offers a detailed and immersive journey into the history, culture, and evolution of this influential genre. Author Brian Belle-Fortune delves into the origins of jungle, tracing its roots back to the UK sound system and rave culture of the 80s and 90s. He also provides a rich tapestry of firsthand accounts, interviews, and anecdotes from key figures. All Crews also addresses issues such as race, identity, and gender within the scene and delves into the global impact of jungle/drum & bass. Initially published in 1999, All Crews was considered the definitive snapshot of jungle''s earliest years but quickly went out of print, becoming cult reading. This new edition features the complete updated text from previous books, plus fresh writing about how it continues to grow and recruit new devotees. All Crews captures the essence of jungle drum & bass, making it an essential read for fans, historians, and anyone intereste

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage, Techno and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers. Techno Volume 1 features the likes of Basic Channel, BPitch, Force Inc, Lenske, Plus 8, Soma and many more.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers. Dubstep Volume 1 features the likes of Boka, Hyperdub, Skull Disco, Tempa, Uprise Audio and many more.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints that are now defunct, plus a few heavy-hitting newcomers. UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.