Bøker utgitt av Verlag Peter Lang

Cinema has played a key role in articulating the impact and legacies of the so-called anni di piombo in Italy, the years of intra-national political terrorism that lasted from 1969 until well into the 1980s. This book offers an analytical exploration of Italian cinema's representation and refraction of those years.

Contributor Martin Padget's essay: Native Americans, the Photobook and the Southwest: Ansel Adams' and Mary Austin's Taos Pueblo was awarded the 2010 Arthur Miller Essay Prize. This book offers a collection of essays on the interface between literature and photography, as exemplified in important North American texts.

Investigates the speech of learners at upper-intermediate and advanced stages of acquisition of French to provide a holistic view of the way individuals use the language resources available to them to stake a claim to a new multilingual identity in their target language networks.

Enlightened Reactions

Offers nine essays that deal with major achievements that ranges from the well known, such as Brussig's Helden wie wir, an extravagant treatment of life under the Stasi and the fall of the Berlin Wall, to the recondite, such as Hubert Fichte's Detlevs Imitationen Gruenspan, important products of the abolition of the discrimination against gays.

Guilt and Shame

Crime and Punishment in Contemporary Greece

Analyses the concepts of the postnational and the postnationalist in relation to globalisation, as well as the debate that postnationalist discourse has opened in various fields of knowledge, and its definitions and implications in the contemporary Irish historical and literary context.

Provides analysis of the relationship between Sylheti Bangladeshi migrants' language use and their understanding of the concept of 'mother language'. This title examines the socio-historic and socio-political background of the Bangla language and Bangla nationalism, and, the role of the mother tongue for speakers of regional language varieties.

Lewis Mumford¿s achievements as an architectural critic, literary critic and urbanist are well known. However, his contribution to the American studies movement and to cultural studies in general has almost been forgotten in recent years. By situating Mumford¿s work in its contemporary intellectual context and by considering some of its legacies for the study of ¿culture and civilization¿ ¿ especially in the nascent field of American studies ¿ this book considers Mumford as an ¿author¿, drawing out some of the expressive, political and methodological significance of this term. In an attempt to counter frequent arguments that Mumford¿s works are inconsistent, repetitive and derivative, the author argues that, taken as a whole, they demonstrate a consistent inter-disciplinary or trans-disciplinary critical project, and that Mumford¿s thought is comparable with that of Marx and Weber. The book traces this critical project through Mumford¿s works from the early twentieth century and also through his formal process of writing. The author aims to show that Mumford¿s project was neither provincial nor reactionary, as some have argued, but was instead a dynamic juxtaposition of past and present that enabled him to imagine a future where humans might fulfil their potential in a more perfectly republican, even utopian, urban space.

These new essays examine the anthology in Portugal, exploring issues of reception, translation and canonicity. The book includes the role of the anthology in international literary exchange, the relationship between the literary canon and literature at the margins, and the importance of cover art in conditioning reader expectations.

This book unravels Taiwan¿s anomalous place in the international community. While it is for all intents and purposes treated as a sovereign state by most members of the international community, it is recognized by only twenty-three of them. The book explains how Taiwan¿s handling of its foreign relations is affected by the yearning of its people to express their own sense of national identity and to see Taiwan being accepted by the international community as a normal state. The book further examines how Taiwan¿s diplomatic isolation has caused it to focus on developing soft power based on its democratic credentials and economic vibrancy, and how its government under President Chen Shui-bian nevertheless failed to project soft power effectively. In addition to surveying Taiwan¿s relations with the international community, the book examines Taiwan¿s relations with the United States, Japan, the European Union, South East Asia, and its remaining twenty-three diplomatic allies, and discusses how Taiwan can manage its foreign policy more effectively.

Translations of Cervantes' "Don Quijote" (1605) take pride of place among foreign literature in China. In this book, a corpus-based stylistic study is used to explore two contemporary Mandarin Chinese translations of "Don Quijote": those by Yang Jiang (1978) and Liu Jingsheng (1995).

Discussions of French ¿identity¿ have frequently emphasised the importance of a highly centralised Republican model inherited from the Revolution. In reality, however, France also has a rich heritage of diversity that has often found expression in contingent sub-cultures marked by marginalisation and otherness ¿ whether social, religious, gendered, sexual, linguistic or ethnic. This range of sub-cultures and variety of ways of thinking the ¿other¿ underlines the fact that ¿norms¿ can only exist by the concomitant existence of difference(s). The essays in this collection, which derive from the conference ¿Alienation and Alterity: Otherness in Modern and Contemporary Francophone Contexts¿, held at the University of Exeter in September 2007, explore various aspects of this diversity in French and Francophone literature, culture, and cinema from the nineteenth to the twenty-first century. The contributions demonstrate that while alienation (from a cultural ¿norm¿ and also from oneself) can certainly be painful and problematic, it is also a privileged position which allows the ¿étranger¿ to consider the world and his/her relationship to it in an ¿other¿ way.