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An unusually large number of court cases against art, artists, and curators have taken place in Russia since the turn of the century. In reference to two of the most prominent, against the organizers of the exhibitions 'Caution, Religion!' and 'Forbidden Art 2006', the author examines the ways in which the meaning of art and its socio-political effects are argued in court: How do these trials attempt to establish a normative concept of art, and furthermore a binding juridical understanding of art? How is the discussion of what is permissible in art being framed in Russia today?Research into the post-Soviet art trials has been mainly journal-driven until today. Only the fairly recent trials of the Pussy Riot activists and Pyotr Pavlensky provoked lengthy publications, but these are mostly concerned with explicitly political and activist art rather than its particular discourse when on trial. This book, however, takes a scholarly approach towards (Russian) art on trial. It puts the cases in a national-historical context, which is compared from international perspectives, and particularly focuses on the way in which these proceedings have intensified juridical power over artistic freedom (of speech) in the production of art in Russia.This book will appeal to academics and students in the areas of art history, cultural science, sociology, and Slavic studies, as well as jurists, curators and museum specialists, researchers and employees in cultural institutions.

This anthology, 'History and Myth: Postcolonial Dimensions', seeks to interrogate and dismantle the colonially structured symmetrical interpretations of the histories and mythological narratives of the former European colonies through depolarization, pluriversality, and border thinking. Here, the concepts of history and myth have been addressed from different perspectives and spatiotemporal zones by scholars from different parts of the world, which add to the global value of the book.It has been argued in this volume that the understanding of postcolonial histories and myths in the contemporary era is highly influenced by the colonially fashioned binaries: valid/ invalid, civilized/barbaric, inclusive/exclusive, relevant/irrelevant, good/bad, etc., which continue to preserve the epistemic citadels of coloniality and selectively promote such historical and mythological narratives that celebrate the superiority of the Global North and the inferiority of the Global South. This book will be of particular interest to scholars, researchers, teachers, and those interested in understanding history, postcolonial studies, decolonial studies, cultural studies, literature, and sociology.

During the Second World War, approximately 25,000 Dutchmen served within the ranks of the military branch of the German SS: the Waffen-SS. They volunteered to fight to secure the victory of Nazi Germany. These Dutch volunteers fought mainly on the Eastern Front, and to a lesser extent, within their own national borders. After the war, the Allied victors regarded them as part of a criminal organization and jointly responsible for the atrocious transgressions of the Nazi regime. In the Netherlands, these men were reviled, branded as traitors and became pariahs in their own country. Those who had devoted themselves to the Nazi regime caused so much grief to the Netherlands that they had to be held accountable. Despite their military achievements, their reputation was damaged forever.The Netherlands supplied the largest contingent of SS soldiers from the occupied North-western European territories. Who were these people? What led them to enlist, and what were the consequences of their choice? An important part of this study involves the autobiographical texts of nineteen Dutch volunteers in the Waffen-SS. These ego-documents recount their own immediate experiences and are mainly fragments from diaries, but there are also letters, individual notes, and memoirs. The ego-documents are placed within the larger historical context to provide an answer to the question of whether these men were only ideologically motivated and unconditional Nazi sympathizers, and for this, their criminal records are also researched. Among other topics, the book discusses their choice to enlist, their experiences at the front, and their involvement in genocide, providing a new perspective on the Eastern Front.

Both students and professors typically assume that the content of introductory psychology textbooks, which are empirical in nature, are identical to psychology proper. Yet, what is surprising is how many interesting psychological insights can be found in both philosophy and literature that are often not found in psychology texts. Such insights are clearly psychological in nature, yet they do not go back to any empirical investigation. It seems that basic psychology textbooks-typically providing the basis for undergraduate and graduate psychology programs-represent only one important dimension of psychology: empirical psychology. But there is no simple, co-extensive identity between psychology and empirical psychology.'The Philosophical Dimension of Psychology: A Beginner's Guide' begins with an investigation of what constitutes the subject matter of psychology, which demonstrates the aspects of psychological reality that are ignored, missed or at times even theoretically denied by mainline contemporary psychology (if they lack an empirical warrant). Such matters include inner conscious experience, the world of intrinsic value, as well as the higher, uniquely personal dimension of human nature (that is, of intellect and will).This book, therefore, offers a more complete survey of the entire sphere of psychological reality, which could provide the context for more properly interpreting empirical psychological phenomena. For example, should we understand psychological conditioning principles within a broader context of personal freedom? Is a person more rightly conceived in a psychologically immanent way, that is, oriented simply toward the fulfillment of instincts and needs, or is there as well a transcendent orientation, oriented to truth and meaning? Should we understand psychology simply from the point of view of efficient causation, or do we need to also take into account final causation? It will be of interest to psychology students of either undergraduate or graduate level and of great use to those with no prior knowledge of philosophy.

This collection of essays is dedicated to a recently deceased philosopher and humanist, Nalin Ranasinghe. His central philosophical and humanistic preoccupation was with the human soul. Not surprisingly, his greatest inspiration was Socrates' credo "Care for your soul," and the title of his first book was 'The Soul of Socrates'. In this and his later writings, Ranasinghe expressed his growing concern over the idea that the human soul has been hijacked due to the way our civilization has developed: the highest and noblest aspirations of our civilization have been replaced by our obsession with money, pleasure, and power. We now live in a time where we do not know who we are, nor who the people around us are.Despite all of the technical gadgets connecting us virtually, this is the age of disconnect and loneliness, as well as of the degradations of humanity. Ranasinghe insisted that the two keys for recovery are the self-knowledge of the soul and a continuous dialogue with others. We need to relearn how to relate to ourselves and others as unique individuals, not as objects for the satisfaction of our needs.Following his ideas, the twenty essays presented here are divided into two parts: "the soul in reflection" and "the soul in dialogue." The contributors come from various countries around the globe and work in different disciplines, and their chapters aim to revive our interest in the soul and the obscured core of our humanity. This book will appeal to undergraduate and graduate students of philosophy; however, the essays are written in a non-technical language, also making them accessible to the general audience.

The King Arthur we imagine did not exist in history. He is the result of stories told and retold, changed and added to by storytellers for centuries, each making the story reflect the storyteller's time and values.The chapters in this book look at movies, manga, comic books, a television show, and traditional books released since 1960 to explore some of the ways King Arthur has been reimagined in the past 60 years. Interpreting Avalon High and The Kind Who Would Be King, Camelot 3000 and King Arthur vs. Dracula, Fate/Zero, John Steinbeck's The Acts of King Arthur and His Noble Knights, the influence of Arthurian legend on Harry Potter, Terry Gilliam's The Fisher King, John Boorman's Excalibur, Jerry Zucker's First Knight, Antoine Fuqua's King Arthur, Guy Ritchie's King Arthur: The Legend of the Sword, Matthew Vaughn's Kingsman: The Secret Service, Iris Murdoch's The Time of the Angels, and the BBC series Merlin, the authors find that while we are still interested in the idea of King Arthur, we may also want his story to be more racially and gender inclusive, less elitist, and in some cases, more secular.

'On Power: Neurophilosophical Foundations and Policy Implications' seeks to provide a historical, contemporary and predictive analysis of power. It aims to explain the history of political power in a unique way by approaching the concept of power through the lens of neurophilosophy - the application of neuroscientific principles to practical questions of governance, ethics, political and moral philosophy.In this book, Professor Nayef Al-Rodhan provides an accessible, incisive, and provocative take on the history, nature, and future of power. His insights go beyond conventional wisdom by exploring some of the themes that will become increasingly relevant to analysing power in the decades to come.A central idea of the book is the highly addictive universal nature of power at the neurochemical level, the craving for it, and the intense resistance to giving it up in all walks of life and circumstances. This can be applied directly to thinking about governance, political change, public policy, national and international peace, security, and prosperity. Al-Rodhan formulates an innovative conceptual picture of power by integrating the findings of neuroscience with the broader implications of power in the era of digital connectivity and cognitive and physical enhancement technologies. In doing so, he guides our approach to political power and public policy, influenced by ubiquitous, disruptive, and intrusive technologies.This book will appeal to students and scholars of neuroscience, philosophy, government, business, and international relations. It will also hold particular interest for politicians, public servants, think-tankers, policy-makers, and journalists, as well as senior executives from the corporate, sports, media and entertainment world.

'A Handbook for African Mother-Tongue Bible Translators' examines key theoretical and practical issues to equip readers with the basic skills required to translate the Bible naturally, accurately, faithfully and clearly into their mother tongues. Since accurate translation enhances the interpretation and application of Scripture, the book will also improve the hermeneutical ability of the reader.The book is divided into two parts: the first part deals with theoretical issues related to Bible translation in general (with the African context in focus), and the second focuses on the key practical matters in translation. This text will appeal to undergraduate and graduate seminary students and students of translation studies at private and public universities in Africa and beyond; Bible translators and consultants will also find the text useful.

Hollywood is a $40 billion annual business, one that is highly influential in culture. If we want to know who we are as individuals and a society, what we believe and what we value, we need to know and understand Hollywood and film. Make no mistake, Hollywood is neither philosophically, politically, nor morally neutral! Many studies demonstrate how movies "affect" us long before we have thought it through. In other words, Hollywood "smuggles" all kinds of ideas into our minds and hearts without us even knowing it. While Hollywood may be the biggest and most influential in the world, this book will demonstrate the growing international influence of film from India (Bollywood), Nigeria (Nollywood), Zimbabwe (Zollywood) and Yesilçam (Turkey).'Film, Philosophy and Religion' explicitly and implicitly takes a philosophical approach to analyzing film theoretically and methodologically. There are topic and film-specific chapters that take a theological approach, and others that explore ideas like Affect, Axiology, Art Reflecting the Artist and Transcendence (Spirituality) of Film. Hermeneutics also have a central role in the book, including films based on biblical texts that act as interpretations of these texts and fill in the blanks (albeit speculatively by way of script and directors). Chapters also explore the philosophy of aesthetics and film realism which end with theology, while other chapters explore the incompatibility of science with religion, as well as a chapter on the timely topic of rape in Turkish film. The book's scope goes from the "Horror of Evil in Ridley Scott's Alien Universe" to "Love Can Thaw a Frozen Heart: The Philosophy of Love in the Frozen Films" (Disney Princess Narratives).This book represents international films and scholars. The diverse perspectives from theist to atheist-and everything in-between-are sure to spark thinking and generate talking points that provide something for everyone in an accessible format. It will be of great interest to university students and professors, scholars, seminaries, and the general public.

'Young People and Social Media: Contemporary Children's Digital Culture' explores the practices, relationships, consequences, benefits, and outcomes of children's experiences with, on, and through social media by bringing together a vast array of different ideas about childhood, youth, and young people's lives. These ideas are drawn from scholars working in a variety of disciplines, and rather than just describing the social construction of childhood or an understanding of children's lives, this collection seeks to encapsulate not only how young people exist on social media but also how their physical lives are impacted by their presence on social media.One of the aims of this volume in exploring youth interaction with social media is to unpack the structuring of digital technologies in terms of how young people access the technology to use it as a means of communication, a platform for identification, and a tool for participation in their larger social world. During longstanding and continued experience in the broad field of youth and digital culture, we have come to realize that not only is the subject matter increasing in importance at an immeasurable rate, but the amount of textbooks and/or edited collections has lagged behind considerably. There is a lack of sources that fully encapsulate the canon of texts for the discipline or the rich diversity and complexity of overlapping subject areas that create the fertile ground for studying young people's lives and culture. The editors hope that this text will occupy some of that void and act as a catalyst for future interdisciplinary collections.'Young People and Social Media: Contemporary Children's Digital Culture' will appeal to undergraduate students studying Child and Youth Studies and-given the interdisciplinary nature of the collection- scholars, researchers and students at all levels working in anthropology, psychology, sociology, communication studies, cultural studies, media studies, education, and human rights, among others. Practitioners in these fields will also find this collection of particular interest.

El propósito del libro 'Del salvaje siglo XIX al inestable siglo XX en las letras transatlánticas: una mirada retrospectiva a través de hispanistas' es presentar un trabajo de enfoque multidisciplinar dividido en torno a tres ejes temáticos. El nexo de unión de los dieciséis capítulos que componen este libro es que todos ellos cuentan con un aparato crítico y metodológico vinculado a los estudios transatlánticos o al hispanismo.La primera sección presenta las rutas fluidas existentes entre ambas orillas del Atlántico, que facilitaron el movimiento de personas y el intercambio de conocimientos desde el siglo XIX y que todavía, a principios del siglo XXI, continúan activas. Todos ellos miraban lo que estaba más allá del horizonte como una respuesta a algún tipo de inquietud. En definitiva, lo que une a estos viajes es que conectaron los diferentes mundos de las humanidades y de las ciencias de ambas orillas de la larga costa atlántica. Además, enriquecieron la disciplina del hispanismo a través de las metas específicas por las que cada desplazamiento se puso en marcha.Los dos apartados siguientes incluyen investigaciones centradas en su siglo correspondiente, que recogen aproximaciones novedosas gracias al diálogo entablado con trabajos de referencia dentro del hispanismo y los estudios transatlánticos. De este modo, la sección centrada en el "salvaje siglo XIX", recoge ensayos que ligan la crítica literaria con el ecofeminismo, otros que presentan una cartografía de las emociones y de las ideas sexuales a través de una lectura crítica de la ficción y el análisis de la imagen ligada al desarrollo de empresas literarias femeninas. Por su parte, la sección dedicada al "inestable siglo XX" llega con sus investigaciones incluso hasta la actualidad, bien porque recoge películas y figuras presentes en el discurso fílmico reciente, bien porque presenta a personas que, nacidas ya en el siglo XX, a día de hoy están activas en el mundo literario-cultural a ambos lados del Atlántico.La combinación de estos tres ejes ofrece en este libro una aproximación novedosa dentro de la disciplina del hispanismo y de los estudios transatlánticos. Este libro, pues, se ofrece como una herramienta útil para continuar reflexionando acerca de cómo las rutas transatlánticas del conocimiento continúan alimentando el desarrollo de las humanidades en aras de una comunidad que supera cualquier tipo de frontera. Por último, esta obra pretende constituirse como material pedagógico a través de su apoyo a ideas como la justicia social, el activismo o el intercambio de conocimiento como parte fundamental en las conexiones entre la amplia comunidad de personas hispanohablantes y los centros de producción intelectual y cultural a lo largo de las amplias costas atlánticas.

He was born to privilege and sought the world of art. She lived at the center of that world-a working artist encouraged by the famous artists in her extended family. Together, Duncan Phillips and Marjorie Acker Phillips founded The Phillips Collection in Washington, D.C., the first museum of modern art in America. It opened in the grand Phillips family home in 1921, eight years before New York City's Museum of Modern Art and only a few weeks after they wed.Duncan took the lead in developing the collection and showcasing it. Marjorie kept space and time to paint. Duncan considered Marjorie a partner in the museum even though she was not directly involved in all purchasing and presentation decisions. To him, her influence was omnipresent. Although Duncan's writings on artists and art history were widely published, he chose not to provide much instruction for visitors to the museum. Instead, he combined signature methods of displaying art which live on at The Phillips Collection. Phillips had viewers in mind when he hung American art with European art-or art of the past with modern art, and he frequently rearranged works to stimulate fresh encounters.With unfettered access to archival material, author Pamela Carter-Birken argues that The Phillips Collection's relevancy comes from Duncan Phillips's commitment to providing optimal conditions for personal exploration of art. In-depth collecting of certain artists was one of Phillips's methods of encouraging independent thinking in viewers. Paintings by Pierre Bonnard, Arthur Dove, Georgia O'Keeffe, John Marin, Jacob Lawrence, and Mark Rothko provide testament to the power of America's first museum of modern art.

He was born to privilege and sought the world of art. She lived at the center of that world-a working artist encouraged by the famous artists in her extended family. Together, Duncan Phillips and Marjorie Acker Phillips founded The Phillips Collection in Washington, D.C., the first museum of modern art in America. It opened in the grand Phillips family home in 1921, eight years before New York City's Museum of Modern Art and only a few weeks after they wed.Duncan took the lead in developing the collection and showcasing it. Marjorie kept space and time to paint. Duncan considered Marjorie a partner in the museum even though she was not directly involved in all purchasing and presentation decisions. To him, her influence was omnipresent. Although Duncan's writings on artists and art history were widely published, he chose not to provide much instruction for visitors to the museum. Instead, he combined signature methods of displaying art which live on at The Phillips Collection. Phillips had viewers in mind when he hung American art with European art-or art of the past with modern art, and he frequently rearranged works to stimulate fresh encounters.With unfettered access to archival material, author Pamela Carter-Birken argues that The Phillips Collection's relevancy comes from Duncan Phillips's commitment to providing optimal conditions for personal exploration of art. In-depth collecting of certain artists was one of Phillips's methods of encouraging independent thinking in viewers. Paintings by Pierre Bonnard, Arthur Dove, Georgia O'Keeffe, John Marin, Jacob Lawrence, and Mark Rothko provide testament to the power of America's first museum of modern art.

'Wall to Wall: Law as Culture in Latin America and Spain' comprises interventions from a wide array of scholars based in the US, Spain, and Latin America, exploring the encounter of Hispanophone cultures and the law. Its contributors delineate a fraught relationship of complicity, negotiation, and outright confrontation covering five centuries and a truly global landscape, from Inquisitorial processes at the onset of the Spanish Empire to last-ditch plans to preserve it in the 19th century Philippines, to the challenges to contemporary articulations of the nation-state in Catalonia.Beyond single, specialized time-period and national cultures, 'Wall to Wall' embraces and showcases the heterogeneity of the field, covering both well-known territory (Argentina, Mexico, Spain) and often-neglected cultures (Venezuela, Philippines, and indigenous communities in the Yucatan area), as well as problems that cannot be narrowed down to the nation-state (exile, independence processes, non-state laws, translation of foreign cultures). Contributors include: Aurélie Vialette, Daniel Aguirre-Oteiza, Daniela Dorfman, María Fernanda Lander, Gloria Elizabeth Chacón, Iván Trujillo, Benjamin Easton, Pauline de Tholozany, Lauren G.J. Reynolds, Ignasi Gozalo-Salellas, and Gabriela Balcarce.The chapters included foreground the conceptual diversity of the field, in dialogue with issues in literary and visual culture, (post-)colonialism, race, nationalism, gender, and class. Not only do they place vernacular objects in dialogue with current international concepts and methods, but these essays also aim to advance an autonomous conceptual and theoretical work-based approach. Its chapters aspire to enter a global discussion around the state-centered aspiration to shape culture and the many literary and cultural practices that escape it; researchers of those issues and Latin American and Iberian studies will find new venues to rethink their global archive.

'Liberty & Prosperity: Liberal Economics for Achieving Universal Prosperity' aims to illuminate alternative policy framework using liberal economic policies. The evolution of this book is grounded in the author's personal and professional experience investigating economies around the world and therefore takes a global view. The ideas discussed are intended for countries currently under different stages of development and are not restricted to only developed countries or emerging economies.This book examines what we as a society can do to achieve universal prosperity with the recurring topic of the intertwining nature of liberty and prosperity; without prosperity, man cannot have true liberty, and the best way to achieve universal prosperity is by providing liberty to all. It identifies the appropriate measures from existing liberal theories that could help achieve this long-term goal, while also introducing contrarian ideas, including the elimination of income tax, denationalization of money, and the reduction in the role of central banks. The central theme is that liberty in all aspects of economic activity, coupled with universal basic income, could create universal prosperity.This book will particularly appeal to those with a general interest in the economy and business, as well as students who seek an overview of classical macroeconomic principles; however, the book's innovative ideas may also be of interest to professional economists.

'Left or Right? Directing Lateral Movement in Film' offers an in-depth analysis of film, television, and new media directing from a perspective of clearly articulated directorial concept linked to the placement and movement of performers in shot design. This book strives to demonstrate the mechanism of directional bias and how the effects of perceptual mechanisms can help film directors and image-makers to control, regulate, and modify the viewer's perception of characters and story movement, ultimately leading to higher quality creations.This highly hands-on, practical book provides novel insights into the significance of laterality effects, equipping film directors, and image-makers who want to create aesthetically valuable and well-crafted visual products with functional tools to employ. The book also examines lateral organization in regard to biological sex, gender identity, class, races, ethnicity, religions, and age in LGBTQ+ films and porn cinema. 'Left or Right? Directing Lateral Movement in Film' holds broad appeal from experiences directors or cinematographers with an established body of work to students working to understand the language of cinema. It will also appeal to film and media theorists, as well as teachers of visual arts education.

This book addresses one of the UK's most persistent and serious concerns: knife crime. While research diagnosing the cause of rising knife crime abounds, few studies articulate effective solutions to this complex social problem. Drawing on data from cities across the UK, Sue Roberts suggests concrete forms of collaboration that may just spare future generations from the worst of this terrifying scourge."Solutions to knife crime: a path through the red sea?" will fascinate law-enforcers, policy-makers, criminologists and other specialists both within and outside academia. It will also appeal to anyone who's been affected, or is simply concerned, by this blight on British society.

This book chronicles developments in legal practice, intellectual property, and privacy law from the dawn of the digital age to today's world of social media and cloud technologies. Part autobiography, part legal history, and part philosophy of law, the volume explores the nature of legal reasoning, property, privacy, and personal identity. Hemnes weaves these large issues into meticulously researched analysis of the legal protection for computer software, the mechanics of software licensing, trademark protection and the use of intellectual property as collateral. Hemnes also considers how and why the promise of the early digital age in the 20th century declined into the rampant factionalism, nationalism, and terrorism of the early 21st century.An indispensable resource for anyone studying the emergence of intellectual property rights as a cornerstone of the modern economy, this book also serves as a foundational reference tool for professors, students, and practitioners of intellectual property. The breadth and value of information contained within its pages, from the very basics of computer software protection to the intricacies of negotiation strategy for indemnification clauses, warrants a place on the library shelves of every practitioner of intellectual property and privacy law and on the reading list of every intellectual property, privacy and jurisprudence course.

"Illusions of Location Theory: Consequences for Blue Economy in Africa" questions the relevance of 'location theory' in explaining the coastal-hinterland continuum and the implications for the utilization of blue economy ecosystem in such a contested space in Africa. It pays more attention to territorial contestations, maritime disputes, vulnerabilities of landlocked states, and expansionist policies as displayed through spatial organizational regimes. These areas of investigation have previously been largely studied from the narrow perspective of 'location', unduly focusing on comparative advantages of 'distance', while neglecting the influence of 'forces' such as technology, ideology, and the power of mental mapping in spatial decision making.This volume puts forward the argument that the harmonious relationship between states, and efficient exploitation of the blue economy ecosystem in ways that promote peace between states, lies not only in the structural transformation of markets, but also in bridging the spatial and social divide between the coastal and hinterland societies. Thus, this work proffers possibilities for a holistic regime for managing Africa's coastal-hinterland continuum through innovative strategies such as SMART blue economies and the infusion of the geopolitical dimension into the management of maritime and territorial diplomacy.The combination of theoretical and empirical analysis, buttressed by in-depth case studies of what works in the management of blue economy ecosystem and what does not work, make this volume ideal for researchers, students, and practitioners interested in African regional studies, African political economy, political geography, strategic military studies, governance of seas and oceans, and maritime science/diplomacy.