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Mother Paul, the incomparable nun-detective, is faced with her most perplexing case when a former pupil at her convent school is murdered at their annual reunion.As a schoolgirl Maisie Ryan was often bullied by her peers, but a decade later she's a TV star, the glamorously renamed Rianne May. When she's invited to be guest of honour at Maryhill College's annual reunion, she has a chance to dazzle her old tormentors the way she does her adoring television audience. But as she's holding court at the reunion tea party, old grudges and new jealousies swirl around her-and suddenly one of her tablemates drops dead, poisoned. Was Rianne the intended victim? She evidently thinks so-only that day she'd received a death threat. Rianne flees the scene and cannot be found. Who is the murderer? And what has happened to Rianne May? Fortunately, the school's principal is Mother Paul, who immediately calls for Detective Inspector Savage. She assisted him (or was it the other way around?) in solving a previous case (Faculty of Murder), and between them the unlikely pair will unravel this one too. But there will be more drama-and more deaths-before the murderer is uncovered. Moving between the brash new realm of television in the early 1960s and the cloistered atmosphere of a girls' convent school, Make-Up for Murder is the third and final Mother Paul novel and a must-read for all fans of June Wright's blend of intrigue, wit, and psychological suspense.

"Stacey Levine's fiction is unlike anything else. Peculiar, vivid, preternaturally alert to the strangeness of the human condition, Mice 1961 is terrific."-Kelly LinkStacey Levine's new novel recounts a pivotal day in the fraught relationship of two orphaned sisters through the eyes of their obsessively observant housekeeper. Will Jody be able to cope if her younger sibling Mice, subject to constant harassment in their community for her unusual appearance and habits, leaves home? How will their all-watching companion convey her fierce attachment to them both? When they cross paths with an unsettling stranger at a neighborhood party, the three women are driven toward momentous changes. Set in southern Florida at the peak of Cold War hysteria, Mice 1961 is a powerful meditation on belonging and separateness, conformity and otherness.

From the author of lnsectopedia, a powerful exploration of loss, grief, endurance, and the absences that permeate the present.Unconformities are gaps in the geological record, physical evidence of breaks in time. For Hugh Raffles, these holes in history are also fissures in feeling, knowledge, memory, and understanding. In this endlessly inventive, riveting book, Raffles enters these gaps, drawing together threads of geology, history, literature, philosophy, and ethnography to trace the intimate connections between personal loss and world historical events, and to reveal the force of absence at the core of contemporary life.Through deeply researched explorations of Neolithic stone circles, Icelandic lava, mica from a Nazi concentration camp, petrified whale blubber in Svalbard, the marble prized by Manhattan's Lenape, and a huge Greenlandic meteorite that arrived in New York City along with six Inuit adventurers in 1897, Raffles shows how unconformities unceasingly incite human imagination and investigation yet refuse to conform, heal, or disappear.A journey across eons and continents, The Book of Unconformities is also a journey through stone: this most solid, ancient, and enigmatic of materials, it turns out, is as lively, capricious, willful, and indifferent as time itself.

Mother Paul, June Wright¿s beloved nun-detective, returns to her sleuthing ways after she takes up a new position as warden of a student hall of residence at the University of Melbourne.No sooner has Judith Mornane arrived on campus than she startles her fellow residents by announcing her intention to discover the murderer of her sister, who disappeared from the same dorm a year earlier. The ever-curious Mother Paul is drawn to investigate what happened to Judith¿s sister¿did she simply run off for reasons best known to herself, as the police concluded, or could it be she really was murdered? Was her disappearance perhaps linked to a tragedy that happened at around the same time¿the accidental drowning (in her bathtub) of the wife of one of the college¿s professors? Was that drowning in fact as accidental as the official investigation suggested?Mother Paul believes the two events are connected somehow, and a further tragedy, the faked-suicide death of one of her student charges, convinces her that a particularly cruel and clever murderer is still at work within the college. She is not above a little subterfuge in the interest of discovering the truth and moves her colleagues, the students, and even the police around like so many figures on a chessboard until finally, amid high drama, the murderer is revealed.

A new collection of essays from this acclaimed critic on photographers, musicians, artists, and writers (from Patti Smith to Weegee to David Wojnarowicz). Most of the pieces have a strong autobiographical element and sense of place, the Lower East Side of New York City where the author came of age in the fertile 1970s/80s. He traces his engagement with music and photography, his experience of the city, and his development as an artist and observer, in a series of articles that range from memoir to essay, fiction to critical analysis, humour to poetry.

June Wright''s most memorable detective, Mother Paul, might seem a bit otherworldly, but little escapes the kindly nun - she has a shrewd grasp of all that goes on in the hostel for young women she runs in 1950s Melbourne. The atmosphere is already strained by a spate of anonymous letters, when Mary Allen finds a stranger stabbed to death in the garden. Then one of the girls drowns, an apparent suicide, and the tension reaches fever pitch. Is there a connection between the two deaths and the letters? The police investigate, but Mother Paul pursues her own enquiries.

A definitive portrait of the 80s/90s indie-rock music scene in the form of 60 profiles/interviews and many rare photographs. This collection takes as starting points the psychodramas of Throwing Muses and the proto-slacker anthems of Camper Van Beethoven, and follows them through to the critical triumphs of Sleater-Kinney and Neutral Milk Hotel over a decade later, taking in such pioneering artists as P.J. Harvey, Sonic Youth, Pixies, Bikini Kill, Nick Cave, Beck, Cat Power, Pavement, Sebadoh, Breeders, Jeff Buckley, Belle & Sebastian, Hole, Magnetic Fields, and many more.

A collection of recent work by post-Beat poet Mark Terrill. Some of these poems first appeared in limited-edition chapbooks or in the numerous journals and magazines to which he is a frequent contributor; others are published here for the first time. Lavishly illustrated with 25 drawings by Jon Langford, and garnished with praise from such luminaries as Anne Waldman, Lawrence Ferlinghetti, and Joanne Kyger, Great Balls of Doubt delivers images and sentiments ranging from the real to the surreal to the elegiac, with no shortage of humour along the way.

Sydney, 1959. Billy Glasheen is flogging mail order schemes from a back room in Chinatown. Hey, it''s a living. But unsettled accounts in his past are coming due. An ultimatum is delivered: come up with a small fortune in hush money, or cop a bullet and a shallow grave. Time to call in all debts and favours, but just when he needs them most, Bill''s old gang of beatniks and bandits have made themselves strangely scarce. Amaze Your Friends is a dark, wild ride through a city of easy money and sudden falls, high times and hangovers, jukebox rock''n''roll and the lowdown flophouse blues.